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During a holiday in Ireland, a pregnant children’s author begins to experience unsettling extra‑sensory phenomena. As her mental state unravels, she becomes increasingly paranoid, hallucinates, and sees a doppelgänger that threatens her perception of reality. The film explores the blurred line between imagination and madness, immersing the viewer in her disorienting visions and the tension between what is real and what is imagined.

During a holiday in Ireland, a pregnant children’s author begins to experience unsettling extra‑sensory phenomena. As her mental state unravels, she becomes increasingly paranoid, hallucinates, and sees a doppelgänger that threatens her perception of reality. The film explores the blurred line between imagination and madness, immersing the viewer in her disorienting visions and the tension between what is real and what is imagined.

Does Images have end credit scenes?

No!

Images does not have end credit scenes. You can leave when the credits roll.

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Explore the complete cast of Images, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.


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Images from 1972 Quiz: Test your knowledge of the 1972 psychological thriller "Images" with this ten‑question quiz.

Which actress portrays the protagonist Cathryn?

Full Plot Summary and Ending Explained for Images

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Read the complete plot summary of Images, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Cathryn, Susannah York a wealthy children’s author living in a London home, is jolted one night by a series of disturbing phone calls. A mocking female voice insinuates that her husband, Hugh, is having an affair. When Hugh returns, he tries to comfort her, but Cathryn is confronted by a figure who seems to be his double, only to watch this visitor morph back into Hugh. The encounter leaves her shaken and increasingly convinced that unseen forces are invading her life, destabilizing both her marriage and her grip on reality.

Seeking respite, the weary couple escape to an isolated cottage in the Irish countryside. Cathryn hopes the quiet will let her finish her book and shoot illustrations, yet the nightmare follows her. As they settle in, she hears her name whispered and sees apparitions that blur the line between the living and the dead. One lunchtime, she watches Hugh pass through the kitchen and transform into René, her late lover, a figure who continues to speak to her and haunt the rooms they share. The boundary between friend, lover, and husband becomes a shifting mirage that Cathryn cannot quite trust.

The tension deepens when Marcel, the neighbor and ex-lover, arrives with his adolescent daughter Susannah Cathryn Harrison for a visit. Cathryn finds herself slipping between reality and fantasy as the men—Hugh, René, and Marcel—seem to interchange before her eyes. René taunts her, handing her a shotgun and urging her to kill him if she truly wants him gone; in a confrontation that turns deadly, she shoots him in the abdomen. Susannah, startled by the scene, discovers Cathryn standing over the ruined camera and bones of a life she thought she understood, insisting the gun fired by accident as she moved it.

Seeking solace, Cathryn wanders to a nearby waterfall, a place where her doppelgänger appears with unsettling regularity. She returns to the cottage to find Marcel waiting inside and soon learns the shocking truth: the old pattern repeats itself, and Marcel is killed in a brutal moment when Cathryn stabs him with a kitchen knife. An elderly manwalking his dog passes by, and Cathryn invites him in for coffee, even as the living room seems to replay with Marcel’s corpse. The old man declines and leaves, while Susannah later visits and hints that Marcel was not home when she woke, deepening Cathryn’s anxiety that she may have killed Marcel.

That night, Susannah remarks that she will grow to be just like Cathryn, and the two share a quiet tea before Cathryn drives Susannah home. On a desolate stretch of road, Cathryn sees her doppelgänger again, trying to signal for a ride. When she returns to the house, both René and Marcel’s bodies have reappeared in the living room. Cathryn drives away from the cottage, but the encounter with the spectral double continues to haunt her. At a bend in the road, the doppelgänger pleads to be let into the car, and the two women speak in unison before Cathryn rams the car into the cliff, sending her doppelgänger plummeting into the waterfall below.

Back in London, Cathryn steps into the shower, only to have the bathroom door swing open. The doppelgänger enters, and Cathryn screams, “I killed you,” while the figure calmly retorts, “Not me.” The final image reveals Hugh’s body lying at the bottom of the falls, implying that the person Cathryn thought she had defeated in the car was the man she believed she had saved—leaving the truth of what happened on that stormy night tangled in illusion and memory.

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Cars Featured in Images

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Explore all cars featured in Images, including their makes, models, scenes they appear in, and their significance to the plot. A must-read for car enthusiasts and movie buffs alike.


Jaguar

1967

420 G Mk.X

Land-Rover

109'' Series II Station Wagon

Mercedes-Benz

1966

200 W110

Images Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


delusionschizophreniahusband wife relationshipmental breakdownadulterycountry househallucinationcountrysideunicornjigsaw puzzlelonelinesschildless coupleinsanityfemale protagonistpsychotic womandelusional womantalking to oneselftelling a jokementally ill protagonistwriterfemale writertelephone callmental illnessmentally ill womanmentally ill wifeparanoiaparanoid womanrural settingbritish countrysidefantasy sceneforestextramarital affairadulterous wifeunfaithful wifecheating wifefather daughter relationshiplove trianglenudityfemale nuditysheepfantasizing about sexwoman girl relationshippointing a gun at someonedeath by gunshotshot to deathdead bodyfantasizing about killing somebodyfantasizing about murdering somebodytalking to a dead boyfriendtrain

Images Other Names and Titles

Explore the various alternative titles, translations, and other names used for Images across different regions and languages. Understand how the film is marketed and recognized worldwide.


Образы Видения Obrazy 환상 속의 사랑 ロバート・アルトマンのイメージズ Végzetes képzelgések Hayal ve Görüntü Spiegelbilder Imágenes Priviđenja Schizo - Den kluvna verkligheten A Sombra do Duplo Amante Mareritt i dagslys Sairaat mielikuvat Образи Vidiny Robert Altman's Images Imagens 幻象 تصاویر イメージズ

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