
Gaetano, a young Neapolitan, decides to leave home, work and friends, to look for other moments of life and meet other people.
Does I’m Starting from Three have end credit scenes?
No!
I’m Starting from Three does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of I’m Starting from Three, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Massimo Troisi
Gaetano

Renato Scarpa
Robertino

Marco Messeri
Crazy Man

Vincent Gentile
Frankie

Michele Mirabella
Suicidal Man

Jeanne Mas
Jeanne

Patrizio Rispo
Patrizio

Lello Arena
Raffaele 'Lello' Sodano

Giovanni Febraro
Don Ciro (uncredited)

Carmine Faraco
Gaetano's Friend

Fiorenza Marchegiani
Marta

Giovanni Morosi
Bar Customer (uncredited)

Cloris Brosca
Rosaria

Luciano Crovato
Alfredo

Adriana Colombo
Bar Customer (uncredited)

Vezio Natili
Bar Customer (uncredited)

Dolores Calò
Guest-house Diner (uncredited)

Pupita Lea Scuderoni
Bar Customer (uncredited)

Deddi Savagnone
Gaetano's Mother

Laura Nucci
Ida

Marta Bifano

Lino Troisi
Ugo

Marina Pagano
Gaetano's Aunt

Giuseppe Borrelli
Gaetano's Friend

Ettore Carloni

Michetta Farinelli
Silvia

Giuseppe Piciccio

Giuliano Santi
Umberto

Alfredo Cozzolino
Rosaria's Spouse (uncredited)

Luigi Mazzullo
Patrizio's Friend (uncredited)

Attilio Pelegatti
Bar Customer (uncredited)

Lidia Zanussi
Bar Customer (uncredited)
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Read the complete plot summary of I’m Starting from Three, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Gaetano, Massimo Troisi, is a shy Neapolitan boy who grows up in a tight-knit southern city, surrounded by family: a brother, a sister, his mother, and a father whose fervent Catholicism guides every moment and even led him to seek a miracle from Madonna of the swords to restore his missing hand. The world feels claustrophobic and provincial to Gaetano, and the dull routine of a factory job only amplifies his restlessness.
Driven by a longing for something broader, he decides to hitch-hike north to Florence, a city he imagines as more modern and cosmopolitan. There, he meets Marta, Fiorenza Marchegiani as Marta, and the two swiftly fall into a tender, hopeful romance. Gaetano is soon joined by his old friend Lello, Lello Arena, a rotund, clumsy yet endlessly humorous presence who brings warmth to the budding relationship.
One night at Marta’s, a manuscript in hand, Marta reveals she is pregnant and unsettled about who the father might be. She confides that she had a relationship with a teenage boy, and she speaks candidly to Gaetano, laying bare the messy, human truth of the situation. The news leaves Gaetano sad and embittered, and he returns to Naples ostensibly for his sister’s wedding, though the real motive is to clear his mind and come to terms with what he has learned.
Back in the city of his birth, Gaetano confronts a deeper realization: his love for Marta runs strong and clear. He chooses to go back to Florence, ready to embrace Marta and the child as part of their future together, even if the paternity remains uncertain. In this journey, he moves from doubt and inward retreat to a renewed commitment, opening the door to a life where love, responsibility, and the possibility of a family coexist in a fragile, hopeful balance.

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