
Disowned at birth by his absurdly wealthy family, blue‑collar mechanic Becket Redfellow (Glen Powell) becomes obsessed with reclaiming the fortune that was taken from him. He pursues the inheritance relentlessly, confronting and outmaneuvering any relative who dares to block his claim.
Does How to Make a Killing have end credit scenes?
No!
How to Make a Killing does not have end credit scenes. You can leave when the credits roll.
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Explore the complete cast of How to Make a Killing, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Stevel Marc
Brad Matthews (FBI)

Topher Grace

Jessica Henwick

Bill Camp

Zach Woods

Margaret Qualley

Ed Harris

Glen Powell
Becket Redfellow

Bianca Amato
Cassandra Redfellow

Robert Hobbs
Lawyer

Sean Cameron Michael

Andre Jacobs
Judge

Nell Williams

James Frecheville

Joe Vaz
Journalist

Rafferty Law

Loulou Taylor
Hipster Woman

Maggie Toomey
Young Julia

Tomas Pais
Tobin

Chris van Rensburg
Detective
Discover where to watch How to Make a Killing online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how How to Make a Killing is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where How to Make a Killing stands among top-rated movies in its genre.
The film presents a mixed picture, offering occasional moments of entertaining suspense while struggling with uneven execution. Direction and editing create a rapid, montage‑like rhythm that some find energetic, yet others see as unfocused. Performances receive divergent reactions; certain cast members generate chemistry, whereas other roles feel miscast or under‑developed. The story delivers a few compelling twists but suffers from plot holes and uneven pacing, limiting tonal cohesion. Sensory elements such as the bass‑heavy score add texture, but the overall impact leaves rewatch interest moderate at best.
The Movie Echo Score Breakdown for How to Make a Killing
Art & Craft
In terms of direction and visual execution, the film adopts a brisk, almost relentless pace that some critics describe as a perpetual montage. The opening sequence promises more than it delivers, and the overall tone fails to cohere consistently, leading to a perception of blunt satire. While occasional twists showcase effective set‑pieces, the editing and production design are often viewed as underwhelming, contributing to an artful impression that leans toward the lower end of the scale.
Character & Emotion
When evaluating acting and character dynamics, the response is split. Certain performances, particularly those praised for chemistry between leads, resonate positively with audiences. Conversely, critics point to miscasting and thin characterizations that diminish emotional depth. The contrast between energetic interactions and moments of unconvincing portrayal results in a middle‑range assessment, reflecting both the strengths of specific cast connections and the shortcomings noted in broader character development.
Story & Flow
The narrative structure shows a balance of strengths and weaknesses. Viewers note an enjoyable premise and engaging rivalry, yet many highlight conspicuous plot holes and a linear progression that undercuts intrigue. While two notable twists inject surprise, overall pacing is described as sluggish by some reviewers, and tonal inconsistency hampers logical flow. This mixture of entertaining beats and structural flaws positions the story squarely in the medium range of evaluation.
Sensory Experience
Sensory components, especially the soundtrack, receive relatively favorable remarks. The score’s quick, bass‑heavy, snare‑driven style is recognized for maintaining an active backing atmosphere throughout the film. Although visual style receives limited commentary, the auditory experience is seen as a supportive element that enhances the viewing experience. This positive but not overwhelming appraisal places the sensory score above average while acknowledging its limited scope.
Rewatch Factor
Rewatch potential is assessed as moderate. Audiences often describe the film as a fun ride that keeps interest and can be enjoyable on subsequent viewings, suggesting sufficient entertainment value. However, criticism regarding blandness, forgettable moments, and an unsatisfying ending temper enthusiasm for revisits. The balance between enjoyable aspects and notable shortcomings results in a rewatch factor that leans slightly positive but remains restrained.
49
Metascore
6.3
User Score
%
TOMATOMETER
0%
User Score
70
%
User Score
Read the complete plot summary of How to Make a Killing, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Beckett Redfellow Glen Powell sits on death row, speaking with a priest as he tries to explain how his life spiraled into murder and what pushed him to this final moment. As a child, he is raised by his single mother, Mary, who is exiled from the wealthy Redfellow clan for choosing to keep her teenage pregnancy. He forms a surprising bond with the more affluent Julia Steinway Margaret Qualley, a relationship that will pull him deeper into the family’s tangled web. Before Mary’s untimely death, she makes sure Becket understands that he should fight for the life he deserves, embedding a cruel sense of destiny in his young mind.
As an adult, Becket encounters a married Julia and suffers a demotion from his job as a suit salesman, an upheaval that seems to push him toward a darker path. He resolves to wipe out the remaining Redfellows to claim the inheritance and the sprawling fortune that comes with the name. He begins by killing his cousin Taylor, and at the funeral he meets Taylor’s father Warren Bill Camp, who offers Becket Taylor’s old job at a financial investment firm. Becket then moves to eliminate Noah, planning his murder while quietly befriending Noah’s girlfriend Ruth Jessica Henwick. After Becket shoots Noah, FBI agents close in, discussing the suspicious deaths but stopping short of naming him as a suspect. Becket pretends he is unsure whether he is eligible for the inheritance, keeping his motives hidden beneath a calm exterior. Julia later steps into Becket’s office, claiming her husband Lyle is broke and asking for a loan, which Becket refuses, keeping his own ambitions intact.
Becket and Ruth’s relationship deepens as they begin dating and even move in together. Yet his ruthless ascent continues: he kills three more Redfellows—Steven, Cassandra, and MacArthur—while advancing in his career and securing a life he thinks he deserves. Warren suffers a heart attack and dies, leaving Becket with one last living Redfellow to confront: his aging grandfather Whitelaw Ed Harris. The household collides in a tense dinner invitation at Whitelaw’s mansion on the night of Becket and Ruth’s engagement party. Julia reveals she has damning evidence of Becket’s murders and will expose him unless he sends money to her husband Lyle. Becket complies, delivering a check to Lyle and abandoning the party to confront Whitelaw in his home. Whitelaw traps Becket and tries to kill him with a shotgun, but Becket defends himself and ends Whitelaw’s life, becoming the sole heir to the fortune.
A celebratory party soon turns grim as FBI agents arrest Becket for the murder of Lyle, who was found stabbed to death in his office with a letter opener that Becket had touched during the money delivery, leaving fingerprint evidence that seals the charges.
Only one day remains before Becket’s scheduled execution when Julia visits the jail. She reveals a suicide note from Lyle that had been withheld from the trial, but only if Becket signs over the entire Redfellow fortune to her. Becket agrees, and Julia releases the note, clearing his name. Ruth waits outside the prison and returns Becket’s mother’s locket before departing without a word. Becket then sees Julia waiting with the Redfellow family driver, and the two depart together toward the family mansion, where a new, uncertain future awaits them.

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