Runtime
100 mins
Language
Spanish

Three astronauts are sent on a mission to destroy the moon.
Does Goodbye Dear Moon have end credit scenes?
No!
Goodbye Dear Moon does not have end credit scenes. You can leave when the credits roll.
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In a sun-blasted future year of 2068, Earth reels from a relentless onslaught of natural disasters—typhoons tearing across coasts, crushing tsunamis, severe droughts, and overwhelming floods. Against this stark, apocalyptic backdrop, a controversial Argentine scientist named Carlos Nahuel Goldstein proposes a radical theory: by destroying the Moon to straighten Earth’s tilted axis, the planet’s climate could be steadied and saved. The idea draws stern criticism from international communities, who see it as a dangerous gamble, yet the Argentine government opts to act unilaterally.
Driven by urgency and desperation, Argentina launches a covert mission titled Farewell, Beloved Moon with the aim of bombardment. The plan triggers alarm on the world stage, and major powers threaten severe economic sanctions in response. Faced with external pressure, the mission is abruptly halted, casting the crew of the Estanislao into a perilous, uncontrolled drift. The three Argentine astronauts—Commander Humberto Delgado, Gabriel Goity; Subcommander Esteban Ulloa, Alejandro Urdapilleta; and Subcommander Silvia Rodulfo, Alejandra Flechner—find themselves stranded, their craft untethered from familiar control and their fate uncertain.
Isolation heightens the tensions and longings that bubble to the surface. Within the claustrophobic confines of the ship, emotions surge as distant dreams and unspoken desires become impossibly intimate. Delgado’s leadership is tested not only by the precarious physics of space but by the evolving dynamics among the crew. Ulloa and Rodulfo navigate a growing closeness, their bond intensified by the cold vastness outside and the fragility of their situation. Rodulfo’s confession of a deep affection for Ulloa reframes their relationship, revealing a human hunger that transcends professional duty. She reveals that the drive to become an astronaut was, in part, fueled by the hope of being near the person she loves. Ulloa’s response shifts the tone of their liaison, suggesting a shared moment of creation amid desolation—a quiet, intimate pairing that feels like a fragile spark in a universe that seems ready to swallow them.
As the crew grapples with longing and the pressure of an increasingly uncertain voyage, an otherworldly observer enters the narrative. An extraterrestrial presence infiltrates the Estanislao, marking a turn toward the unknown. The ship is suddenly and inexplicably invaded by a being who, in a startling development, declares his love for Silvia Rodulfo. The arrival of this visitor intensifies the emotional orbit of the crew, turning an already tense isolation into a surreal encounter that questions the boundaries between human sentiment and cosmic mystery. The being—portrayed by the actor who embodies this enigmatic caller from the stars—adds a provocative layer to the crew’s struggle, forcing them to confront what it means to crave connection when everything around them seems broken.
Throughout this interstellar standoff, themes of love, duty, and survival intertwine with questions about humanity’s impulse to reach beyond its limits. The film threads together the practical concerns of spaceflight—the loss of control, the fragility of life, the dangers of interplanetary travel—with an intimate meditation on longing and companionship. In the end, the crew’s personal revelations and the unsettling intrusions of an alien visitor eschew simple answers, leaving us to ponder how far people will go for love and whether a single act of emotional courage can redefine an entire voyage through the unknown.

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