
A wealthy gentleman leads a double life, penning murder mysteries and spending evenings with police detectives as they chase clues. His clandestine hobby creates constant tension at home, especially when his wife grows suspicious of his unexplained absences and the late‑night outings.
Does Footsteps in the Dark have end credit scenes?
No!
Footsteps in the Dark does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Footsteps in the Dark (1941) via JustWatch.
Explore the complete cast of Footsteps in the Dark, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Lee Patrick
Blondie White

Errol Flynn
Francis Monroe Warren II, alias F.X. Pettijohn

Ralph Bellamy
Dr. R.L. Davis

Jack La Rue
Ace Vernon

Lucile Watson
Agatha Archer

Allen Jenkins
Wilfred

Grant Mitchell
Wellington Carruthers

David Newell
June's Escort (uncredited)

William Hopper
Police Secretary (uncredited)

William Frawley
Det. 'Hoppy' Hopkins

Alan Hale
Police Insp. Charles M. Mason

Roscoe Karns
Monahan

Frank Faylen
Gus a Taxi Driver (uncredited)

Turhan Bey
Ahmed

Creighton Hale
Mr. Harlan (uncredited)

Jack Mower
Police Sgt. Brent (uncredited)

Frank Mayo
Joe a Cop (uncredited)

Wade Boteler
Police Sergeant (uncredited)

Olaf Hytten
Horace the Butler (uncredited)

Richard Cramer
Detective Bringing Vernon (uncredited)

Maris Wrixon
June Brewster

Brenda Marshall
Rita Warren

Noel Madison
Leopold Fissue

Winifred Harris
Miss Perry
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Challenge your knowledge of Footsteps in the Dark with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which actor portrays the financial investor Francis Warren?
Read the complete plot summary of Footsteps in the Dark, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Francis Warren, Errol Flynn, appears to lead a respectable life as a financial investor, but he keeps a second, secret career as a writer of lurid detective novels under the pen name F.X. Pettijohn. His wife, Rita Warren, Brenda Marshall, remains unaware of this double existence, as does the rest of their social circle. Only Inspector Mason, Alan Hale, knows about the novelist’s persona, often mocking the idea that real crime is ever as straightforward as fiction.
Francis’s latest book ruffles feathers by quietly lampooning members of The Thursday Club, disguising real figures with thinly veiled aliases that include his wife and her mother, Agatha Archer, Lucile Watson. The revelation stings, and Rita and her mother decide to sue for libel. Privately, Francis counsels his lawyer, Wellington Carruthers, that such a suit would be good publicity for the book, urging him to lie to the women and delay action. Carruthers, who’s already known for a turbulent love life, is reminded that a happy marriage often hinges on not sharing every truth with one’s spouse. The conversation underscores Francis’s belief that a clever deception can maneuver a difficult situation, while Carruthers cautions against deceit.
Meanwhile, a man named Leopold Fissue attempts to blackmail Francis to help cash in uncut diamonds, threatening to reveal Warren’s secret life to the world. When Fissue is found dead aboard a yacht, the coroner and police attribute the death to heart failure caused by alcoholism. Francis, however, insists that Fissue was murdered for diamonds and refuses to disclose their prior contact. Inspector Mason and Detective Hoppy Hopkins challenge Francis to solve the supposed murder before the police do.
Clues surface in Fissue’s jacket—ticket stubs that point to Blondie White, a burlesque dancer played by Lee Patrick. Blondie becomes the prime suspect, and Francis reenters the scene in disguise as a man named “Tex” to woo Blondie and extract information. Blondie, though, has a solid alibi thanks to her dentist, Dr. Davis, Ralph Bellamy. Rita, watching Francis closely, spots him sneaking in late and concludes he’s having an affair, so she hires a private detective. The investigator soon trails Blondie’s movements and reveals the secret studio where Francis reportedly writes, hinting at liaisons that disturb Rita.
As Blondie’s performances and routines unfold, a new turn arrives when a call from the FBI links Fissue to a diamond-smuggling ring. Mason orders a second autopsy after a suspicious employer questions the cremation of the first corpse, but the coroner’s notes complicate the case. The police and Francis pursue Blondie, and a locksmith-like search for a missing suitcase in a locker emerges. The hunt narrows to Blondie’s apartment, where the investigators discover her dead body. A series of testimonies follows: a creditor spots a woman who left Blondie’s place without a heel on a Lake Drive road, and a taxi driver recalls dropping a woman off at that same location. Rita confesses that she also noticed a missing heel from her own shoe.
The tension tightens as Hoppy bursts into Blondie’s apartment with the taxi driver, uncovering the shocking truth: Francis is F.X. Pettijohn. Rita and her mother fear the social consequences of the scandal, while the police close in. Hoppy accuses both Francis and Rita of murdering Blondie and Fissue for the diamonds, but Francis resists arrest and tries to steer the investigation toward a different suspect. He theorizes that Dr. Davis supplied the poison used to kill Fissue, enabling Blondie to render Fissue drunk enough to mask the poison in an autopsy. Davis tries to silence Francis with a lethal confrontation, but Mason and Hoppy arrive in time to arrest him.
In a dramatic twist, Davis manages to slip away, only to learn on the radio that Francis supposedly fell from a roof while escaping custody. Believing himself safe, Davis returns to his office, where Mason and Hoppy wait to confront him—only to discover that the danger has not ended. With the threat lingering, Mason enlists Francis’s help for a new murder case, and Rita insists on accompanying him—much to her mother’s chagrin—setting the stage for a continuing collaboration between the writer and the detective, and a partnership that challenges their marriage and their loyalties alike.

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