Final Portrait 2018

In Paris, 1964, renowned sculptor Alberto Giacometti encounters his old acquaintance, James Lord, an American art critic. Giacometti asks Lord to model for his latest portrait in his studio, suggesting it will only require a couple of days. Flattered by the opportunity, Lord agrees, unaware that Giacometti’s creative process is anything but straightforward.

Giacometti shares the space with his wife, Annette Giacometti, and his brother Diego, but the dynamic is complicated by Giacometti’s relationship with his favored muse, a part-time lover whose presence creates tension within his household.

As the promised two days turn into weeks, Giacometti repeatedly requests more time for the sittings, much to Lord’s conflicted dismay. Despite needing to return to work, the allure of being captured by such a masterful artist keeps Lord in Paris, even as his writing assignments pile up. Throughout this period, Giacometti’s progress is marked by fits of creativity wherein he often scrambles to start anew, occasionally erasing Lord’s face entirely to refresh his vision.

The heart of Giacometti’s troubled marriage is laid bare as he oscillates between genuine affection and emotional distance. Annette grows increasingly frustrated with his lavish expenditures on models while neglecting her needs, leading to explosive confrontations. In one such moment, she confronts him about his perceived stinginess, especially when it comes to something as simple as a new coat. Giacometti, in an attempt to assert his generosity, impulsively tosses money at her, illustrating the growing disconnect in their relationship.

As the days merge into weeks, Giacometti’s art continues to stagnate, albeit he decides to buy a convertible for his muse, further complicating his relationship with Annette. A night out with Lord and the muse leads to a shocking discovery—Giacometti’s studio has been ransacked. While the culprit is unclear, he quickly arranges a meeting with the manager of his muse, unwilling to let such incidents disrupt his life, paying fees upfront for her services.

With the portrait still unfinished and growing concern from Lord, he turns to Diego for help, but to no avail. As Giacometti’s artistic genius slowly unfolds, Lord reflects on the profound experience of witnessing such creation, ultimately culminating in his own departure, the gravity of Giacometti’s legacy lingering in the air.