
Kiroku, a young man who becomes a boarder with a devout Roman Catholic household, finds himself attracted to the family's daughter, Michiko. Though he suppresses his affection, he is drawn into a local gang, engages in violent confrontations, and ultimately aligns himself with the radical political movement led by Kita Ikki.
Does Fighting Elegy have end credit scenes?
No!
Fighting Elegy does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Fighting Elegy, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Takeshi Katô

Hiroshi Tachikawa

Akira Takahashi

Hideki Takahashi
Kiroku Nanbu

Jun Hamamura

Yūsuke Kawazu
Suppon "Turtle"

Chikako Miyagi
Yoshino Nanbu

Ken Mizoguchi

Ryoichi Sato

Iwae Arai

Tamaki Komiyama

Kayo Matsuo

Michio Hino

Isao Tamagawa
Principal

Asao Sano

Takehiko Maeda

Keisuke Noro
Kaneda

Hideo Fukuhara

Yūzō Harumi

Yoshiyuki Nemoto

Yū Izumi

Hiroshi Chiyoda

Daisuke Ōmi

Tadayuki Kitagami

Masaaki Honme

Hiroshi Chō

Akira Hisamatsu

Hiroshi Takao

Junko Asano
Michiko

Keiichi Ishikawa

Kensuke Akashi

Hiroyuki Atami

Yôko Hokota

Tetsurô Ishibiya

Seishirō Iwate

Keizô Kagawa

Masahiro Kataoka

Mitsuo Kataoka
Takuan

Wataru Kobayashi

Takashi Konagai

Hiroshi Midorikawa
Ikki Kita

Kuniya Mizukawa

Keiji Mizuki

Aiko Natsuyama

Seijirô Onda
Kiroku's Father

Kenichi Shikida

Hajime Sugiyama

Yoshihiko Tabata

Masahiro Yafuji

Yoshinori Ôba
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Read the complete plot summary of Fighting Elegy, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Kiroku Nanbu, Hideki Takahashi, is a Catholic teenager attending a militarized middle school in 1935 Bizen, Okayama. He lives in a boardinghouse and is infatuated with his landlady’s chaste daughter, Michiko, Junko Asano. Unable to express his feelings or his blossoming sexual frustration, Nanbu slips into violent outbursts and increasingly tense behavior.
Taken under the wing of his schoolmate Turtle, Nanbu is taught how to fight through an elaborate training regimen, gradually growing confident in his new skills. He then joins a school gang, the OSMS. A clash between the gang leader Takuan and Turtle erupts, and Nanbu ultimately seizes the OSMS by force, setting out a harsher, more rule-breaking manifesto that calls for actively flouting every school rule and steering clear of girls altogether. A confrontation with the drill sergeant leads to Nanbu’s suspension, an episode that deepens the rift between him and the authority figures who once guided him.
Turtle speaks to the school administration on Nanbu’s behalf, and the pair ultimately flee Okayama, leaving Michiko behind. They end up in Aizuwakamatsu, Fukushima, where Nanbu re-enters school but is shocked by what he perceives as his classmates’ weakness. He forms a new group and faces renewed clashes with a local gang, as his appetite for conflict grows and the old loyalties begin to blur. Michiko visits to bid him farewell and reveals she has decided to join a convent, unable to bear children. Her decision is underscored by her later capture amid marching soldiers, an event that heightens Nanbu’s distress.
Propelled by sorrow and a newly sharpened sense of purpose, Nanbu spots a poster for radical political activist Ikki Kita, whom he had briefly encountered in a tea house earlier, and the spark of renewed fervor lights a dangerous path. Hiroshi Midorikawa portrays Kita in the backdrop of Nanbu’s evolving mindset, and with this encounter, Nanbu marches forward into the February 26 Incident, driven by a mix of personal longing, disillusionment, and a willingness to challenge the world around him.

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