
Seduced by the decadent Lord Henry Wotton, handsome aristocrat Dorian Gray becomes fixated on preserving his youthful looks. He commissions a unique portrait that ages in his place, allowing him to remain forever young. As his obsession escalates, his frantic attempts to conceal the painting’s secret drive his once‑privileged existence into a relentless nightmare.
Does Dorian Gray have end credit scenes?
No!
Dorian Gray does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Dorian Gray, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Colin Firth
Lord Henry Wotton

John Hollingworth
Patrol Policeman

Michael Culkin
Lord Radley

Ben Chaplin
Basil Hallward

Fiona Shaw
Agatha

Ben Barnes
Dorian Gray

Max Irons
Lucius

Douglas Henshall
Alan Campbell

Maryam d'Abo
Gladys

Johnny Harris
James Vane

Pip Torrens
Victor

Emilia Fox
Lady Victoria Wotton

Caroline Goodall
Lady Radly

David Sterne
Theatre Manager

Hugh Ross
Priest

Jeffrey Lipman Snr
Lord Kelso

Rachel Hurd-Wood
Sibyl Vane

Aewia Huillet
Elisa

Jo Woodcock
Celia Radley

Nathan Rosen
Young Dorian

Louise Rose
Angelique

Cato Sandford
Rent Boy
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Challenge your knowledge of Dorian Gray with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which charismatic character introduces Dorian Gray to the hedonistic pleasures of Victorian London?
Read the complete plot summary of Dorian Gray, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Dorian Gray arrives in Victorian London to inherit an estate left to him by an abusive grandfather, and he is swept into a glittering social whirlwind led by the charismatic Lord Henry Wotton, who introduces him to the city’s darkest pleasures and temptations. Henry’s friend, a celebrated painter, is Basil Hallward, whose portrait of Gray aims to capture the young man’s extraordinary beauty. When Gray first surveys the canvas, he makes a reckless, almost flippant vow: he would trade anything to stay forever young—even his soul.
Gray soon falls for the aspiring actress Sibyl Vane and, moved by love, proposes marriage. Yet Henry’s influence and a bitter turn after a visit to a brothel push Gray away from Sibyl, and she sinks into despair, eventually drowning herself. Her brother, James Vane, confronts Gray, accusing him of destroying Sibyl’s life; a tense confrontation erupts before Henry distracts Gray and pulls him back from violence. Gray’s hedonistic lifestyle continues to widen the rift with Basil, whose faith in Gray’s humanity begins to falter as the hours grow darker.
As Gray’s pleasures intensify, Basil’s portrait begins to warp, mirroring the sins and injuries that Gray refuses to acknowledge. The painting’s transformation makes real the awful pledge Gray whispered: while he remains outwardly healthy, the canvas bears a grotesque record of his deeds. Basil pleads to see the portrait, and when Gray finally reveals it, the artist is murdered in a brutal act of frustration and rage. Gray dismembers Basil’s body and dumps the pieces into the River Thames; the remains are recovered and buried, marking a chilling turning point in Gray’s descent.
With Basil dead, Gray at first entertains the idea of traveling the world with Henry, but Henry declines, citing his wife’s pregnancy. After a 25-year absence from London, Gray returns bearing the same ageless look, stunning friends and foes at a welcome party. Henry’s daughter, Emily Wotton, becomes increasingly fascinated with Gray, even as her father disapproves. The memory of Sibyl resurfaces for Gray, stirring remorse and a desire to shed the life he has forged around him. He tries to distance himself from Emily, but the pull of their connection proves stronger than his fears.
Meanwhile, James Vane continues to haunt Gray, and the danger he carries refuses to stay buried. In a fateful confrontation, Vane is killed by an oncoming train in the London Underground, a grim reminder of the price paid for Gray’s choices. As Gray and Emily prepare to depart London together, Henry studies old photographs and recalls Gray’s offhand pledge to exchange his soul for eternal youth.
Henry obtains a copy of Dorian Gray’s attic key and discovers Basil’s blood-stained scarf hidden there. In the attic, Gray confronts Henry, trying to choke him, but Emily’s voice interrupts him. Henry knocks Gray aside and exposes the portrait, and the sight horrifies him. He sets the painting on fire and locks Gray in the attic, while Emily reaches the top of the stairs. Gray refuses to leave and confesses his love for her, but Henry drags Emily to safety as the mansion begins to burn. In a final act of defiance, Gray drives a fire poker into the portrait, and his body ages rapidly as the flames consume the house.
A few months later, after another failed attempt to reconcile with Emily, Henry returns to the attic to confront the evidence of Gray’s fate. The portrait, though burned and charred, seems to return to its original form, and its eyes glow briefly, suggesting that the cycle of temptation and consequence may not be fully broken. The tale ends with the haunting reminder that some bargains—no matter how well-kept—bear a price that can outlive a single life.

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