
A cold‑blooded teen killer, Debbie Strand, is sent to live with her grandmother after her mother dies in a mysterious house fire. She obsessively pursues her charismatic creative‑writing teacher, Peter Rinaldi, but her seduction fails. As Peter’s friends begin turning up dead, he fears his fiancée Marilyn could be Debbie’s next victim.
Does Devil in the Flesh have end credit scenes?
No!
Devil in the Flesh does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Devil in the Flesh (1998) via JustWatch.
Explore the complete cast of Devil in the Flesh, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Philip Boyd
Todd Sauser

James Jude Courtney
Mr. Roberts

Rose McGowan
Debbie Strand

Rick Overton
Dr. Milletson

Julia Nickson
Anna Nakashi

Wendy Robie
Joyce Saunders

Phil Morris
Det. Joe Rosales

Endre Hules
Host

Ryan Bittle
Greg Straffer

Steve Cohen

Tom Simmons
Fireman #2

Sherrie Rose
Marilyn

Michael Michaud
Dan

Sara Van Horn
School Clerk

Alex McArthur
Peter Rinaldi

Aloma Wright
Secretary

Milton James
Mr. Monsour

Robert Silver
Det. Phil Archer

Peg Shirley
Fiona Long

Ed Berke
Fire Chief

Ken Fording
Investigator

schultz
Bebe

J.C. Brandy
Janie Magray

Krissy Carlson
Meegan Wright

Morgan Distefano
Student

Carrick O'Quinn
Motorcycle Cop

Nick Lee
Volunteer
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Read the complete plot summary of Devil in the Flesh, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In Los Angeles, a beautiful, troubled teenager named Debbie Strand is being raised by her previously estranged grandmother after her mother and her mother’s boyfriend die in a suspicious house fire. The grandmother is an extremely strict, fundamentalist Christian who treats Debbie as if she were her late mother, insisting she wear her mother’s old clothes rather than buying anything new. This severe upbringing fuels a growing anger in Debbie, who lashes out at times, even attacking her grandmother with her walking cane. When the grandmother threatens to send Debbie to reform school, Debbie yanks the cane from her hands and kills her with it, a shocking act that marks the beginning of a dark, Breaking Point-era trajectory.
After the tragedy, Debbie transfers to a new school, where she becomes enthralled with Peter Rinaldi, an English teacher. But Peter has a fiancée named Marilyn and a strong moral code, so he rejects Debbie’s repeated advances. The rejection sets off a dangerous cascade: Debbie’s fixation intensifies and bodies begin to pile up around the school, casting a pall over the campus and shaking the lives of everyone involved. As the tension escalates, the lines between desire, danger, and control blur, leaving few safe spaces for anyone connected to the young girl’s escalating actions.
During the chaotic climax, Debbie breaks into Marilyn’s home with the intent to murder her. Peter realizes Debbie has gone there and follows behind. While he is on his way, Debbie confronts Marilyn, who tries to flee through the kitchen, but Marilyn is knocked unconscious by Debbie. Peter arrives just in time to intervene and saves Marilyn, yet Debbie manages to stab him in the shoulder in the struggle. The emergency response follows quickly, and Peter is rushed away in an ambulance while Debbie is arrested by the police, bringing the terrifying sequence to a close. The film leaves audiences with a stark, unflinching look at how a dangerous obsession can twist affection into violence, and how fragile the thin line between protection and harm can become in the hands of a traumatized young girl.

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