Christmas Evil 1980

On Christmas Eve 1947 in a quiet New Jersey suburb, the young boy Harry Stadling Brandon Maggart, his younger brother Phil, and their mother Ellen McElduff watch as a man dressed as Santa slides down their chimney, eats the milk and cookies left for him, and leaves presents beneath the tree. Later, when Harry goes downstairs to investigate strange noises, he witnesses the Santa figure groping his mother. Traumatized beyond belief, Harry rushes to the attic and cuts his hand on a shard of glass from a shattered snow globe.

Thirty-three years later, Harry has grown into a quiet, unsettling adult who works in a low-level position at the Jolly Dreams toy factory. His coworkers treat him like a schmuck and mock him behind his back. At home, he has embraced a grim fantasy of becoming Santa for real: he sleeps in the suit, decorates his apartment with an over-the-top Christmas aesthetic, and keeps meticulous records of every neighborhood child’s behavior, convinced that his role is to determine who is “good” or “bad.”

The workplace dynamic intensifies when his coworker Frank asks him to cover a shift so he can be with his family. On the way home, Harry sees Frank drinking with friends and becomes distressed by what he perceives as Frank’s duplicity. He reacts by breaking a dollhouse figure while humming Christmas tunes, a small foreshadowing of the violence that will follow. The next day, he cancels Thanksgiving dinner with Phil and his family. Phil, and his wife Dianne Hull Jackie Stadling, are torn between concern and patience as they try to understand Harry’s odd behavior.

At the company Christmas party, the owner of Jolly Dreams, Mr. Wiseman Burt Kleiner, announces a scheme to donate toys to the local hospital, tying the charity to higher production and employees’ personal contributions. The plan is presented by the new training executive, George Grosch, and supported by Mr. Fletcher Scott McKay. Harry watches with increasing anger and disbelief, sensing that the display of generosity masks something hollow and corrupt at the heart of the operation. He spirals further as the night’s festivities unfold.

That night, Harry fills two bags with toys stolen from the factory and another bag with dirt, the act marking the start of his methodical descent into madness. On Christmas Eve, while gluing a Santa beard to his face, he slips into a fugue state and becomes convinced that he is the real Santa Claus. Dressed in a full Santa suit and driving a van he’s decorated like a sleigh, he begins his own reindeer-guided rounds, visiting his brother’s home to deliver gifts for his nephews and leaving a bag of dirt at Moss Garcia’s doorstep, a child whom the neighborhood labels as “bad.” Moss Garcia, who will later be central to the story’s darker turn, is portrayed by Peter Neuman.

Harry then makes a cheerful stop at the hospital, where staff greet him with warmth and kindness, further fueling his delusions. Outside, he’s taunted by a group of teenagers leaving Midnight Mass, and in a shocking frenzy he murders them with a toy soldier and a hatchet, a brutal contrast to the season’s usual goodwill. Back at a neighborhood Christmas party, the locals treat him as a harmless figure, and he loyally plays the part, dancing and uplifting the crowd while insisting that children must be good to receive their gifts.

The spree continues when he breaks into Frank’s home, murdering him with the sack of gifts and a Christmas-tree star, leaving toys behind for the children. By Christmas morning, he returns to Jolly Dreams and vandalizes the assembly line, breaking every toy because they do not meet his exacting, warped standards. His van becomes stuck in the snow on a festively lit street, and a torched-lit crowd forms to pursue him.

Harry eventually heads to his brother’s house, where Phil begins to suspect something is seriously wrong. In a tense confrontation, Harry accuses Phil of being the root of his childhood trauma—the moment when their father allegedly appeared as Santa—and Phil realizes the truth: the homicidal Santa is on the loose. After a struggle, Phil subdues Harry and tries to restrain him, loading him into the front seat of the van. Harry regains consciousness, punches Phil, and drives off again, pursued by a mob. The crowd finally forces him and his van off a bridge, and the van plunges toward the Moon as a narrator recites the final lines of a Christmas poem, closing this dark ode to a childhood nightmare turned nightmare-saga.