
An American boy and girl live for six months in Kenya with their parents and adopt a cheetah, soon realizing it must be released to learn to hunt and live freely. When poachers capture the animal to race it against greyhounds, the two kids join an African goat herder they befriended and trek into the dangerous wilderness to rescue the cheetah.
Does Cheetah have end credit scenes?
No!
Cheetah does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Cheetah (1989) via JustWatch.
Explore the complete cast of Cheetah, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
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What are the first names of the Johnson siblings who travel to Kenya?
Read the complete plot summary of Cheetah, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Ted Keith Coogan and Susan Susan Johnson head from Los Angeles to Kenya to join their parents, Earl and Jean Johnson, who split time between a NASA tracking station and a modest clinic. The savannah promises rough-and-tumble adventures, but Ted’s dream of roughing it is unsettled the moment their mother leads him into a house that feels more like Pasadena than the African outback. Despite [Jean]’s stern warnings not to wander, the siblings slip away to a nearby watering hole where they meet Morogo, a warm, curious Masai boy who introduces them to the rhythms of the Kenyan landscape. Morogo’s kindness and knowledge of the wild quickly win them over, and the trio bond over the thrill of spotting elephants, antelope, and other wildlife—and even teaching Morogo a few simple video games back at the house.
As their friendship deepens, Morogo’s father, Kipoin, notices the growing closeness and the tension between tradition and the pull of newer ideas. Morogo confesses that he resents the pull of his new friends who don’t share his way of life, yet he can’t help but be drawn to their curiosity. Ted and Susan soon become enamored with the idea of helping a helpless creature they rescue—a cheetah cub whose mother was killed by a poacher. The cub, named Duma by the family, quickly becomes a beloved member of the Johnson household, a living link between the African wilderness and the human world they inhabit. Six months pass, and the parents, albeit with some hesitation, agree to train Duma to hunt under the guidance of an Australian game warden named Larry, hoping the cub will adapt to the rhythms of survival and keep pace with the family’s vacation schedule before they return to America.
Meanwhile, a darker plot brews. Patel, an Indian storekeeper who initially tried to buy Duma, hires an opportunistic Englishman, Nigel, and a ruthless poacher, Abdullah, to capitalize on Duma’s incredible speed by racing her against greyhounds in a lucrative, illicit sport. The night before the Johnsons are due to fly home, Patel slips into the house and steals Ted’s cherished whistle, a small tool that becomes a symbol of Ted’s resolve. The trio—Patel, Nigel, and Abdullah—captured Duma, hoping to force a fortune from the racing scheme. The next morning, the family visits Patel’s store and inadvertently uncover a crucial clue: Patel’s whereabouts are tied to a camp in Jamhuri, a trail that Ted follows with a growing sense of urgency.
With Morogo’s quiet courage guiding them, the siblings decide to act. They delay their departure, sending a telegram to their grandmother and gathering clues about Patel’s operation. Morogo, torn between fears of leaving his family and the chance to help his new friends, joins the mission, and together the three escape the clutches of Abdullah’s camp. Their escape is tense but clever: a clever ruse with a roaming policeman at a gas station buys them precious minutes as they slip away to Nairobi. There, they race against time to reach the racetrack before the high-stakes race is announced.
At the Nairobi track, Duma’s fate rests on a single moment. The cheetah’s speed, once overshadowed by the crowd’s bets on the greyhounds, surges back to life when Ted, now a steady voice of resolve, retrieves his whistle from a security guard and blows it with determination. Duma’s burst of speed returns, and she overtakes the greyhounds to win the race, delivering a powerful vindication of the Johnsons’ faith in their unlikely companion. Abdullah is arrested, and the crowd’s bets are unsettled in Patel’s favor, but the family’s love and loyalty endure the scrutiny of recovering from the charade.
Back at the savannah’s edge, the Johnsons release Duma into the wild, hoping to restore balance to the world she touched. They spot a new cheetah companion for Duma, a quiet symbol of the wild’s enduring circle of life. Ted refuses to stretch the holiday into a longer stay, but Susan’s gentle persistence nudges the group toward a shared decision: they will let Duma go free, as Morogo’s wisdom had once hinted, despite the ache of leaving a friend behind. The family and Morogo’s bond remains strong, a bridge between continents and cultures, a reminder that family, courage, and a respect for nature can survive even the longest journeys.
As the sun sets over Cheetah Valley, the siblings quote a Kenyan adage Morogo shared:
Though we are far apart, our spirits share the same earth and the same sky.
Together, they watch Duma explore the savannah with a new confidant, a symbol of resilience, friendship, and the quiet promise that journeys need not end when the plane wheels touch down back home. The story lingers with the warmth of shared memories and the sense that some ties transcend borders, leaving a lasting impression of adventure, family, and the wild world that brought them together.

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