
During the Nazi occupation of France, a clandestine group of radio broadcasters risks their lives to transmit messages of hope and resistance. Their dangerous mission becomes even more perilous when they agree to shelter a Jewish family, desperately trying to evade capture while fighting for survival and freedom.
Does Burning at Both Ends have end credit scenes?
No!
Burning at Both Ends does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Burning at Both Ends, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Sebastian Roché
Klaus Jager

Judd Hirsch
Bertrand

Katie Eichler
Women's Magazine Editor

Ray Bouderau
Nazi Party member

Cary Elwes
Jacques

Jason Patric
Andre

Ezra Buzzington
Dr. Astor

Don Harvey
Friedrich Dollmann

Gilles Marini
Inspector Rousseau

Robbie Kay
German Soldier

Mark Bramhall
Nazi Lieutenant General

Greer Grammer
Juliet

Mira Furlan
Agnes

Corey Sorenson
Gestapo Officer Werner

Tim Fields
Jorn

John Churchill
Factory Manager

T.W. Leshner
Yanko

Fabrice Uzan
French Delivery Man

Theo Nicholas Pagones
Bedraggled Man

Raphael Corkhill
Konrad

Alex Demkin
Friedrich's Bodyguard

Nina Silver
Mistress
Discover where to watch Burning at Both Ends online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or JustWatch.
See how Burning at Both Ends is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Burning at Both Ends stands among top-rated movies in its genre.
Overall, *Burning at Both Ends* leans toward a solid, if uneven, wartime drama. Positive remarks highlight its unpredictable plot, effective production design, and a resonant anti-authoritarian message, while criticisms focus on historical inaccuracies and uneven performances, particularly from the younger lead. The film’s modest budget is visible in limited action sequences, yet the soundtrack and visual texture receive consistent praise. Consequently, the movie offers a respectable viewing experience that may appeal to WWII enthusiasts despite its flaws.
The Movie Echo Score Breakdown for Burning at Both Ends
Art & Craft
In terms of art and craft, the film demonstrates competent direction and production design despite its limited budget. Reviewers note detailed, textured sets and competent cinematography that convey the occupied French atmosphere. However, the lack of dynamic action and occasional editing roughness detract from visual momentum. Overall, the craftsmanship is respectable for an indie effort, delivering a credible period look while revealing budget constraints.
Character & Emotion
When evaluating character and emotion, performances receive mixed assessments. Cary Elwes and Jason Patric are consistently praised for nuanced, compelling portrayals that anchor the ensemble. Conversely, several reviewers criticize Greer Grammer’s over‑emphasized, anachronistic delivery, describing it as distracting. Supporting actors such as Mira Furlan and Judd Hirsch add depth, yet inconsistent chemistry limits overall emotional resonance. The net effect is a cast that is partly engaging but unevenly executed.
Story & Flow
Regarding story and flow, the narrative is praised for its unpredictability and emotional stakes, offering a fresh perspective on WWII resistance. The cat‑and‑mouse tension between the broadcasters and the Gestapo sustains engagement, and the thematic message about confronting oppression resonates with audiences. Nonetheless, some viewers find the pacing sluggish until the final act and note historical liberties that weaken credibility. Overall, the plot delivers intrigue despite pacing and factual concerns.
Sensory Experience
The sensory experience receives commendation for its clear sound design and evocative score, which many reviewers label as lovely and powerful. Visual style benefits from detailed set dressing that conveys a gritty occupied‑France ambience, despite budget constraints. Some critics note the cinematography can feel boxed‑in, limiting scope, yet the overall texture remains immersive. Consequently, the film’s auditory and visual elements contribute positively to its atmospheric impact.
Rewatch Factor
Rewatch value is moderate; the film’s thematic relevance and unpredictable twists encourage a second viewing for those interested in WWII narratives. Positive feedback highlights the memorable ending and resonant message, while the limited scope and occasional pacing issues may reduce repeat appeal for some viewers. Overall, the movie offers enough intrigue and emotional payoff to merit at least one additional watch, especially for audiences drawn to its moral commentary.
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