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Does Brahms: The Boy II have end credit scenes?
No!
Brahms: The Boy II does not have end credit scenes.
![Brahms: The Boy II](https://atm.fra1.digitaloceanspaces.com/movies/brahms-the-boy-ii.jpg)
Brahms: The Boy II
2020
Terror strikes when a boy discovers a doll that appears to be eerily human.
Runtime: 86 min
Box Office: $20M
Language:
Directors:
Links:
Ratings:
![Metacritic](/images/common/movies/metacritic-logo.png)
29
Metascore
4.3
User Score
![Metacritic](/images/common/movies/rt-logo.png)
10%
TOMATOMETER
44%
User Score
![Metacritic](/images/common/movies/imdb-logo.png)
4.7 /10
IMDb Rating
![Metacritic](/images/common/movies/tmdb-logo.png)
60.0
%
User Score
Check out what happened in Brahms: The Boy II!
As the aftermath of the brutal home invasion still lingered, Liza (character name) found herself haunted by recurring nightmares, while her young son Jude struggled to articulate his emotions, resorting to scribbling notes as a means of communication. The trauma inflicted upon them had left an indelible mark, making it increasingly difficult for Liza to shake off the feeling of vulnerability that clung to her like a shroud. Her husband Sean's suggestion to relocate to the countryside seemed like a viable solution, a chance for them to start anew and heal from their collective wounds.
As they settled into their new home, a grand yet foreboding manor, Liza's family was unaware of the dark history that lurked beneath its imposing façade. The property itself was shrouded in mystery, with secrets waiting to be unearthed like hidden treasures. Jude's fascination with a porcelain doll he discovered buried in the grounds only added to the sense of unease that had begun to permeate their lives.
As Liza and Sean ventured further into the manor's labyrinthine corridors, they stumbled upon Joseph, the enigmatic caretaker, who seemed as much a part of the property as the ancient trees that surrounded it. His dog, a constant companion, only added to the sense of unease that had begun to grip their household.
The atmosphere in the house grew increasingly tense as Sean pressed Liza to confront the trauma of their past, but she remained steadfast in her refusal to relive those harrowing moments. It was as if the very fabric of their reality was beginning to fray, threatening to unravel at any moment. Little did they know, however, that Jude's connection to the mysterious doll would soon become the catalyst for a series of bizarre events that would further destabilize their already fragile grip on sanity.
In the dead of night, whispers began to circulate through the halls, and Liza and Sean were left wondering if they had finally succumbed to the darkness that lurked within these ancient walls. As they struggled to make sense of Jude's newfound ability to communicate with Brahms, a silent yet sinister presence seemed to be watching their every move.
As Joseph confides in Jude about the disappearance of their family dog, Brahms, a sense of unease settles over the household. Meanwhile, Liza stumbles upon a series of unsettling drawings that appear to have been created by none other than Jude himself. The evening wears on, and during dinner, Jude's observations become increasingly cryptic, noting the absence of Brahms' plate from the table. Liza's growing unease is palpable as she attempts to reassure her family that Brahms is merely a doll and doesn't eat. Her words fall on deaf ears, however, as the tension between Sean and Liza in the kitchen reaches a boiling point.
As the argument escalates, Liza takes refuge beside Jude at the dinner table, only to find herself attempting to mediate his behavior by insisting that he stay seated until he finishes eating. Jude's response - scrawled across his notepad like a harbinger of doom - is a chilling warning: "You're making Brahms mad." The sudden noise that follows sends Liza and Sean rushing back into the dining room, where they find the table and chairs in disarray.
As the mystery deepens, Jude disappears with Brahms in hand, leaving behind a note that reads, "I told you not to make him mad." Joseph's discovery of Sean and Liza at the nearby mansion sets off a chain reaction of revelations. He recounts the dark history of the estate, revealing that a troubled young boy named Brahms once resided there, committing unspeakable acts that left two people dead and the property shrouded in tragedy.
As the days pass, strange occurrences continue to plague the family. Will, Jude's cousin, suffers an inexplicable injury during a visit from Sean's brother and his family, further straining Liza's already fragile nerves. Joseph's cryptic assurances only serve to heighten her anxiety, leading him to strike her in frustration.
As Liza struggles to free herself from Joseph's grasp, she begs for news of Jude's whereabouts, only to be met with the ominous declaration that "Brahms and Jude are gonna be one." With a newfound sense of desperation, Liza sets out to track down Jude within the labyrinthine mansion, determined to uncover the truth behind the sinister forces at play.
As Sean descends into the musty depths of the basement, he's met with an unsettling tableau: Liza and Jude cowering in fear, while Brahms' grotesque visage twists beneath a layer of rot. The sound of screeching tires is replaced by the sickening crunch of reality as Sean wields his trusty croquet mallet, revealing the demon's true face. Joseph's terror-stricken gaze darts back and forth, his voice trembling with despair as he warns, "It will never be over." Brahms' malevolent presence, now unchecked, will exact a cruel vengeance on Joseph for their interference.
The basement's eerie calm is shattered by the cacophony of shattering glass and twisting metal as the furnace explodes, claiming Joseph's life. Miraculously, Liza, Sean, and Jude emerge unscathed, their faces pale with shock. As they stumble back to their city home, the facade of normalcy slowly reasserts itself. But beneath the surface, a sinister undercurrent simmers.
As the night wears on, Jude slips into his dresser drawer, producing a porcelain mask that seems to hold a hypnotic power. He addresses Brahms with an unsettling calm, wishing him a good night and cautioning his family to adhere to the rules if they hope to avoid further catastrophe. The darkness closing in around them, it's clear that nothing will ever be the same again.