A widow facing a significant health challenge sets out on a transformative journey across the American Southwest. Traveling in her motorized wheelchair, she experiences a newfound independence while exploring the region’s stunning scenery. Along the way, she encounters Max, a weathered cowboy at a pivotal point in his own life. Their connection sparks an unexpected romance, leading them both toward self-discovery and a chance at love amidst the open road.
Does Being Rose have end credit scenes?
No!
Being Rose does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Being Rose, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
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See how Being Rose is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Being Rose stands among top-rated movies in its genre.
Being Rose struggles to deliver a coherent viewing experience, primarily hampered by uneven storytelling and pacing. Reviews note that the film’s direction and editing often feel disjointed, interrupting emotional beats and thematic development. Performances by Cybill Shepherd and James Brolin receive some praise, but character arcs remain underdeveloped. The combination of narrative contrivances and slow progression limits engagement, resulting in a film that falls short of its genuine emotional intentions.
The Movie Echo Score Breakdown for Being Rose
Art & Craft
In terms of Art & Craft, the film’s direction and editing frequently lack cohesion and rhythm. Critics describe sequences as herky-jerky and awkwardly constructed, undermining scene transitions. Dialogue scenes also suffer from flat staging and pacing issues. The overall production design shows competent elements, but technical inconsistencies eclipse these strengths, resulting in a muted visual impact.
Character & Emotion
When it comes to Character & Emotion, performances are uneven. Cybill Shepherd earns occasional acclaim for subtle grace, and James Brolin conveys underlying pathos. However, many viewers find Shepherd’s portrayal stiff and lacking in emotional expressiveness, and supporting characters feel underwritten. The limited chemistry and one-dimensional arcs temper moments of genuine resonance, yielding a mixed impression.
Story & Flow
In terms of Story & Flow, the narrative frequently relies on contrived plot turns and clichéd developments. Pacing is described as slow or uneven, and several reviewers note jarring shifts that disrupt engagement. While the premise of a road trip facing terminal illness has intrinsic emotional potential, the film’s structure undermines originality, leading to a disjointed viewing experience.
Sensory Experience
When it comes to Sensory Experience, commentary is limited but suggests a modest impact. The soundtrack and sound design attract little attention, and visual style is considered serviceable rather than striking. Occasional warm tones and naturalistic settings provide some atmosphere, yet the film lacks a distinct audio-visual identity. Overall, sensory elements support the drama without elevating it significantly.
Rewatch Factor
In terms of Rewatch Factor, the film offers limited incentive for repeat viewings. The slow pacing and narrative inconsistencies often diminish engagement on subsequent watches. While emotional moments and occasional humor might register more strongly in hindsight, most viewers find the overall impact too muted to warrant revisiting. The film’s uneven tone and underdeveloped arcs reduce lasting appeal.
5.8 /10
IMDb Rating
2.4
From 11 fan ratings
3.77/5
From 13 fan ratings
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