Runtime
142 mins
Language
Hindi

After falling in love with a girl seeking shelter in a rain, he goes to find the girl. Includes the classic song Yeh Ishq Ishq Hai
Does Barsaat Ki Raat have end credit scenes?
No!
Barsaat Ki Raat does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Barsaat Ki Raat, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
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Challenge your knowledge of Barsaat Ki Raat with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who portrays the struggling Urdu poet Amaan in the film?
Madhubala
Bharat Bhushan
Shyama
Mumtaz Begum
Show hint
Read the complete plot summary of Barsaat Ki Raat, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Amaan, Bharat Bhushan is a talented yet struggling Urdu poet who dreams of making his mark in the world of music. Shabnam , Madhubala, has not yet met him, but she deeply loves his songs and the poetry he crafts. Their paths cross on a stormy, rain-soaked night, and a spark soon grows into a tender romance. When fate intervenes, Amaan is given a chance to prove himself as a tutor for Shabnam’s little sister, Razia , Mumtaz Begum, a role that pulls him deeper into the family circle and the life he longs to belong to.
The couple’s happiness is soon tested. Khan Bahadur, Shabnam’s father, looks down on Amaan because of his poverty and pride—his bitterness turns into insults that drive Amaan from the house. He manipulates events to push Shabnam toward an arranged marriage with Aftab Ahmed of Lucknow, a match Shabnam does not want. With a heavy heart, Khan Bahadur sets off for Lucknow with his family, while Amaan also heads there, clinging to a sliver of hope that his love can endure the trial.
In Lucknow, Amaan makes a wrenching discovery: the man who shelters him, Aftab, is none other than the future husband of Shabnam. He slips away quietly, not revealing the truth, and the city becomes a battleground of unspoken feelings and unresolved loyalties. Meanwhile, Amaan’s old friends arrive in Lucknow—Shabab and Shama—to take part in a qawwali competition. Shama , Shyama, is secretly in love with Amaan, though he remains oblivious to the depth of her affection as he remains haunted by Shabnam.
As Amaan pours his heart into new shayaris for the competition, his natural talent quickly carves a niche for him in the musical world. His voice, filled with ache and longing, becomes the heartbeat of Shama’s troupe, lending them a vitality that propels their performances to new heights. Yet the pain of his lost love slows his ability to notice Shama’s steadfast love. The group’s rise to prominence is swift—crowds gather, rivals are left in the dust, and the poetic duels become a stage where Amaan’s genius shines in every couplet and cadence.
Back in Lucknow, a moment of revelation arrives through the simplest of channels: Shabnam overhears Amaan’s voice on the radio and learns that he is still in the city, still shaping the world with his words. Determined to bridge the widening gulf between them, she finally reaches one of Amaan’s poetic duels. The moment is electric, and Shama’s heart falters when she realizes that Amaan loves someone else. Her illness becomes a poignant turning point, softening enmities and drawing Shabnam and Amaan toward a difficult truth they both must confront.
The search for Shabnam intensifies as Khan Bahadur, along with Shekhar, arrives at the scene, trying to locate the missing daughter. The family dynamics are pushed to a moral edge as Shabnam’s mother speaks out, challenging Khan Bahadur’s iron will and expressing a longing for her daughter’s happiness that transcends old pride. The tension reaches its breaking point, and in a culmination that echoes through the rain-soaked streets, Khan Bahadur finally relents. The lovers—Amaan and Shabnam—are given a second chance, their reunion unfolding on another rainy night that seems almost prophetic in its renewal of hope.
Throughout the film, music and poetry serve as the living bridge between hearts. Amaan’s shayaris fuse with the qawwali spirit, turning every performance into a confession and every chorus into a vow. The city becomes a canvas for the characters’ inner lives: a place where poverty humbles yet also fuels a fierce creative flame, where pride can block love but where humility and perseverance open the door to forgiveness. The relationship between Amaan and Shabnam anchors the story, but the undertow of friendship, loyalty, and unspoken devotion from Shama adds texture and complexity, reminding us that art often thrives on the quiet power of those who love us from the wings.
In the end, the film is a testament to resilience in art and love. It honors the idea that true happiness may require sacrifice, and that the right moment—a rainy night, a shared voice, a broken barrier—can realign destinies. The rain cleanses the emotional landscape, and the deux of the lead pair finds its rhythm once more, an acoustic promise that echoes long after the final note fades.
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