Augustine 2013

In a bustling dinner service, a kitchen maid named Augustine suddenly experiences numbness in her hands and then a violent fit that leaves her partially paralyzed, including losing feeling on one side of her body and even a moment where a seizure seems to steal her sight. Her condition lands her in a hospital where the famed French neurologist Jean-Martin Charcot becomes determined to understand what ails her. He witnesses seizures firsthand and confirms that Augustine’s body has matured, yet she shows no sensation where most people would expect it, a discrepancy that both unsettles and fascinates the medical staff watching closely.

Charcot sees Augustine as a crucial case, a potential gateway to funding and legitimacy for his research. He orchestrates a dramatic demonstration in front of a roomful of doctors, hypnotizing Augustine and provoking a staged fit that culminates in an orgasm before she collapses. The spectacle earns enthusiastic approval from the audience, and Charcot secures permission to work with Augustine more closely. From that point, Augustine is given her own room in the hospital, and Charcot devotes himself to her examination and care, guiding the process with clinical precision while also revealing a more intimate side as their professional boundaries blur.

Several medical episodes deepen the tension and complexity of their relationship. While a fellow patient beheads a chicken, Augustine feels faint at the sight of blood; when she regains consciousness, she opens her eyes fully again but continues to lack sensation on one side. Not long after, Augustine begins to menstruate, a sign of her sexual and physiological development continuing on its own terms. Charcot, intent on advancing his work, departs for a conference in Bordeaux, leaving Augustine under tighter control. When she cannot see him, she has another seizure and is confined to her room, cut off from asylum routines and support. He returns to discover she is resisting nourishment, and he feeds her himself, insisting that she eat if she hopes to be well enough for his treatment.

As time passes, the dynamic between them grows increasingly fraught. Charcot finds himself drawn to Augustine in a way that crosses the line from physician to observer to something more intimate, even slipping into her room at night to observe her as she sleeps. Augustine, in turn, feels trapped by the dependence and the pressure to be cured on Charcot’s terms. She longs for freedom and for the chance to leave the hospital and seek work, but Charcot promises to help her once her condition improves, keeping her tethered to his program and his attention.

The plan to present Augustine to the medical academy reaches a pivotal moment. Preparations for the lecture begin, and Augustine is readied for the stage. Yet she escapes, tumbles down a flight of stairs, and hits her head, a fall that paradoxically awakens sensation in her body. Charcot attempts to hypnotize her again to induce a seizure for the lecture, but the performance falters; Augustine leans in and whispers that she is cured, flexing her hand to prove the point. In the room’s hush, Charcot concedes that some experiments might be better left in the lab, not in public demonstration.

A shift occurs as Augustine, after leaving Charcot’s office, returns to the corridor’s echo of success. The lecture proceeds with the audience captivated, their interest translating into potential financial backing for Charcot’s work. But the immediate triumph is undercut by Augustine’s decision to withdraw from the physician’s grip. After an intimate encounter in a moment of private vulnerability, Charcot continues to bask in professional acclaim as the crowd applauds outside. Yet Augustine’s escape becomes the closing image: she slips down the stairs and bolts from the sanatorium, choosing a path toward unknown freedom rather than the measured pace of a cure.

Throughout, the film balances clinical examination with a haunting psychological arc, exploring power, consent, and the uneasy line between care and control. Augustine’s struggle for autonomy against a medical system that treats her as both subject and instrument remains the beating core of the story, even as the relationship with Charcot reveals a troubling mix of fascination, dependency, and domination. The narrative leaves us with questions about who truly benefits from medical curiosity and at what cost a person’s body and choices might be ceded in the name of science.