Attack and Retreat 1964

  They were damned by fate and dogged by a deadly foe!  Chronicle of the unheralded and unsuccessful invasion of the Soviet Union by the Italian army during World War II.

They were damned by fate and dogged by a deadly foe! Chronicle of the unheralded and unsuccessful invasion of the Soviet Union by the Italian army during World War II.

Does Attack and Retreat have end credit scenes?

No!

Attack and Retreat does not have end credit scenes. You can leave when the credits roll.

Full Plot Summary and Ending Explained for Attack and Retreat

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Read the complete plot summary of Attack and Retreat, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Set against the vast, unforgiving landscapes of the Soviet Union in July 1941, Colonel Sermonti, Andrea Checchi, leads an Italian CSIR regiment tasked with supporting German forces on the Eastern Front. What starts as a mission filled with purpose soon unravels into a harsh reality: endless miles through harsh weather, wary locals, and the blunt mistreatment by German troops. Front-line skirmishes, scorched-earth tactics, and strained alliances muddy the initial optimism as the offensive near Moscow stalls and morale begins to fracture.

A year later, the CSIR is folded into the 8th Italian Army and pushed to back German operations during a renewed summer drive. The Soviets mount a counteroffensive, forcing the Italians to defend along the Don River and ultimately retreat under mounting pressure. Through this crucible, a small circle of soldiers is forged and tested, their loyalty pulled toward courage, stubborn resilience, and the toll of war.

The core of the tale revolves around a handful of fates intertwined with the siege itself: Loris, a naive Romagnol farmer who dies after following a Russian girl into a sunflower field; Gino Pernice as Collodi, a Tuscan typesetter whose quiet integrity and stubborn sense of duty collide with the chaos around him; Calò, a Sicilian whose stubborn resilience meets the brutal realities of captivity alongside the colonel; Arthur Kennedy as Major Ferri, a hidden fascist whose true loyalties surface in the heat of retreat; and Giuseppe Sanna, Riccardo Cucciolla, whose death sends Libero, a Roman plumber, reeling as he leaves the group to try to navigate a perilous return home, only to be broken by a vicious storm.

In the foreground of personal loss and moral tension, the narrative hints at intimate encounters that shape choices under fire: a Russian girl, Sonya, Tatyana Samoylova, whose presence lingers in the sunflower field where Loris falls, and the shadow of other relationships and encounters that test the soldiers’ humanity amid war’s inexorable grind. The film keeps faith with its ensemble, tracing how each man’s arc—whether through sacrifice, retreat, or the perilous push toward home—reflects the broader arc of a campaign that never quite achieves its promised victory, yet leaves a lasting imprint on those who survive.

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Attack and Retreat Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


italian armyfascist italyworld war twoeastern frontrussian actor playing foreignersoldieritalian soldierinvasionstalingradtrainbraveryuniformfrostbitecold weathergreat patriotic warred armynazis invade ussritalian abroaddestroyed bridgeriver crossingsabotagearmy doctorhostagepartisanexecutionextreme coldsnowfrozenfascist militiablack shirtyear 1942year 1941italian occupationitalian historymilitary invasion1940snazi

Attack and Retreat Other Names and Titles

Explore the various alternative titles, translations, and other names used for Attack and Retreat across different regions and languages. Understand how the film is marketed and recognized worldwide.


Italiano brava gente Они шли на Восток Oni szli na Wschód Італійці браві хлопці Италијанците добри луѓе Marcher ou mourir Ei mergeau spre răsărit Sie zogen nach Osten Koracaj ili umri Вони йшли на Схід 長使英雄淚滿襟 Они шли на восток 长使英雄泪满襟 Italianos buena gente Italienare duktigt folk

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