
They were damned by fate and dogged by a deadly foe! Chronicle of the unheralded and unsuccessful invasion of the Soviet Union by the Italian army during World War II.
Does Attack and Retreat have end credit scenes?
No!
Attack and Retreat does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Attack and Retreat, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Peter Falk
lieutenant Mario

Gino Pernice
Collodi

Aleksandr Kuznetsov
cook (uncredited)

Arthur Kennedy
Ferro Maria Ferri

Franco Moruzzi

Tatyana Samoylova
Sonya

Lev Prygunov
Bazzocchi

Raffaele Pisu
Gabrielli

Grigory Mikhaylov
russian partisan

Ivan Savkin
partisan (uncredited)

Fortunato Arena
Malingering Soldier

Riccardo Cucciolla
Giuseppe Sanna

Nino Vingelli
Amalfitano

Yan Yanakiyev
major (uncredited)

Danuta Stolyarskaya
guerrilla unit doctor (uncredited)

Ervin Knausmyuller
german colonel (uncredited)

Zhanna Prokhorenko
Katya

Giuseppe De Santis

Andrea Checchi
Sermonti

Otar Koberidze
wounded italian soldier (uncredited)

Boris Kozhukhov
italian major (uncredited)

Vincenzo Polizzi
sicilian

Pasqualino Ferri

Mario Anniballi

Alvaro Ceccarelli

Livia Contardi

Valeri Somov
Giuliani (uncredited)

Elza Lezhdey
guerrilla woman (uncredited)

Lavrenti Masokha
partisan (uncredited)

Valeri Golovnenkov
wounded man (uncredited)

Ivan Paramonov
german soldier-deserter (uncredited)
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Read the complete plot summary of Attack and Retreat, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Set against the vast, unforgiving landscapes of the Soviet Union in July 1941, Colonel Sermonti, Andrea Checchi, leads an Italian CSIR regiment tasked with supporting German forces on the Eastern Front. What starts as a mission filled with purpose soon unravels into a harsh reality: endless miles through harsh weather, wary locals, and the blunt mistreatment by German troops. Front-line skirmishes, scorched-earth tactics, and strained alliances muddy the initial optimism as the offensive near Moscow stalls and morale begins to fracture.
A year later, the CSIR is folded into the 8th Italian Army and pushed to back German operations during a renewed summer drive. The Soviets mount a counteroffensive, forcing the Italians to defend along the Don River and ultimately retreat under mounting pressure. Through this crucible, a small circle of soldiers is forged and tested, their loyalty pulled toward courage, stubborn resilience, and the toll of war.
The core of the tale revolves around a handful of fates intertwined with the siege itself: Loris, a naive Romagnol farmer who dies after following a Russian girl into a sunflower field; Gino Pernice as Collodi, a Tuscan typesetter whose quiet integrity and stubborn sense of duty collide with the chaos around him; Calò, a Sicilian whose stubborn resilience meets the brutal realities of captivity alongside the colonel; Arthur Kennedy as Major Ferri, a hidden fascist whose true loyalties surface in the heat of retreat; and Giuseppe Sanna, Riccardo Cucciolla, whose death sends Libero, a Roman plumber, reeling as he leaves the group to try to navigate a perilous return home, only to be broken by a vicious storm.
In the foreground of personal loss and moral tension, the narrative hints at intimate encounters that shape choices under fire: a Russian girl, Sonya, Tatyana Samoylova, whose presence lingers in the sunflower field where Loris falls, and the shadow of other relationships and encounters that test the soldiers’ humanity amid war’s inexorable grind. The film keeps faith with its ensemble, tracing how each man’s arc—whether through sacrifice, retreat, or the perilous push toward home—reflects the broader arc of a campaign that never quite achieves its promised victory, yet leaves a lasting imprint on those who survive.

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