
While hiking, Special Forces operative Brenner Baker discovers a cartel compound where her husband has been killed. Left for dead, she vows revenge against those responsible. The cartel made a critical error by underestimating her skills and resilience. Now, Brenner is on a relentless mission to confront the cartel and exact a brutal retribution for her loss.
Does Army of One have end credit scenes?
No!
Army of One does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Army of One, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Ellen Hollman
Brenner

Cameron Bowen
Jesse

Alan Moore
Detective Frank Shelton

Geraldine Singer
Mama

Matt Passmore
Dillion

Gary Kasper
Butch

Barry Hanley
Lance

Niko Foster
Sheriff Hobbs

HemDee Kiwanuka
Mack / Dean

Casey Hendershot
Earl

Duke Jackson
Cleetus

Jacob Hobbs
College Boy

Stephen Dunlevy
Hank

Rudon Brannon
Vince

Jae Greene
Melvin

Kendra Carelli
Emily

Kenny Bartram
Jones

Matthew O'Sullivan
Clint

Faromance Flix
Special

Michael Konanec
Carl

Cade Shepard
Jake

Leon Ngo
Glen

R. Matthew Scheib
Mixon
Discover where to watch Army of One online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Rotten Tomatoes or JustWatch.
See how Army of One is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Army of One stands among top-rated movies in its genre.
Army of One delivers a consistently weak viewing experience, with few redeeming qualities across its components. The film suffers from flat direction, ineffective performances, and a derivative plot that fails to engage. Technical execution, including visual effects and sound design, feels amateurish and detracts from immersion. Rewatch potential is minimal, as the movie provides little incentive for repeat viewings. In sum, the production falls short of basic genre expectations.
The Movie Echo Score Breakdown for Army of One
Art & Craft
In terms of art and craft, the direction appears uninspired, offering little stylistic distinction. Cinematography is functional at best, lacking any memorable composition or lighting choices. Production design relies on cheap set pieces, and editing shows little rhythm, resulting in a disjointed visual flow. Overall, the technical craftsmanship fails to elevate the material, contributing to a bland aesthetic.
Character & Emotion
When evaluating character and emotion, performances are uniformly poor, with actors delivering stiff and unconvincing portrayals. Character depth is absent, leaving protagonists and antagonists one‑dimensional and unengaging. Emotional resonance is minimal, as the script provides little motivation for the characters’ actions. Consequently, the film fails to create any meaningful connection with its audience.
Story & Flow
The narrative offers a clichéd revenge premise that adds little novelty to the genre. Plot progression is erratic, with weak pacing and numerous logical gaps that hinder coherence. Originality is scarce, and the story’s thematic depth remains shallow, resulting in an overall experience that feels repetitive and uninspired.
Sensory Experience
The sensory experience is marred by low‑budget visual effects that rely on dim lighting to conceal shortcomings, resulting in a gritty but unpolished look. Sound design is modest, offering no notable impact, and the soundtrack does not enhance mood or tension. Overall, auditory and visual elements fail to support immersion.
Rewatch Factor
Rewatch value is severely limited; the film provides no compelling reasons for a second viewing. Its lack of narrative depth, weak performances, and subpar technical execution diminish any potential for renewed appreciation. Consequently, audience interest wanes quickly, making repeat engagements unlikely.
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