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Anwar 2010

After being arrested and placed in jail, Anwar befriends Babu, a feared inmate who soon places his confidence in Anwar. The uneasy alliance draws Anwar into a covert operation, assigning him the perilous job of ferrying a group of terrorists to Mumbai, testing his loyalties and survival.

After being arrested and placed in jail, Anwar befriends Babu, a feared inmate who soon places his confidence in Anwar. The uneasy alliance draws Anwar into a covert operation, assigning him the perilous job of ferrying a group of terrorists to Mumbai, testing his loyalties and survival.

Does Anwar have end credit scenes?

No!

Anwar does not have end credit scenes. You can leave when the credits roll.

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Full Plot Summary and Ending Explained for Anwar

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Read the complete plot summary of Anwar, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


What’s After the Movie tells the intricate story of Anwar, a young Malayali man played by , who is drawn into a world of terrorism and personal sacrifice. The film begins with a gripping depiction of the Coimbatore bomb blast and introduces viewers to a specialized police team led by Stalin Manimaran, portrayed by . This team quickly becomes involved in arresting suspects like Babu Sait, a community leader with links to extremist activities, played by .

As the story unfolds, Anwar, a devout Muslim and a returning NRI from America, finds himself caught in the web of violent extremism after he is initially detained for carrying Hawala money. Despite his innocence, Anwar aligns with the police, particularly with Stalin, who shows him a different perspective and tries to steer him away from radicalism. Throughout the film, we see Anwar’s complex internal conflict: his faith, his family’s tragic past, and his growing involvement in terrorist plots.

The narrative reveals Anwar’s personal background through flashbacks—his life in rural Palakkad, his return from America for his sister’s wedding, and his encounter with Ayesha, played by . The tragic turn occurs in Coimbatore, where Anwar experiences a deadly blast that kills his entire family except himself. This traumatic event deeply affects him and becomes a pivotal moment in his life, fueling his inner turmoil and quest for justice.

Anwar’s admiration for Babu Sait and his fascination with militant activities mature into a dangerous trust. Babu Sait, portrayed as a manipulative and ruthless figure, guides Anwar into more conspicuous acts of terror, including planting a bomb within police headquarters and planning chain bombings across Mumbai. Amid these dangerous missions, Anwar is haunted by visions of his past, especially the Coimbatore tragedy, which makes him question his actions and the motivations of those around him.

A key turning point occurs when Stalin devises a daring plan involving Anwar posing as a terrorist to infiltrate and sabotage the network. In a tense sequence, Stalin fakes a fight to distract Babu Sait’s men, leading to Stalin’s death and Anwar taking the reins of a dangerous mission. Anwar then hijacks a ship filled with explosives, convincingly deceiving the terrorists and ultimately igniting it, which results in a large explosion that defeats the terrorist plan.

The film emphasizes themes of loyalty, sacrifice, and the personal cost of extremism. As Anwar continues his undercover mission, he faces moral dilemmas and the trauma of past losses. His actions are celebrated silently by some, like Stalin and his colleagues who receive bravery awards, yet Anwar remains unrecognized for the immense bravery and personal sacrifices he makes, often staying in the shadows.

In the final scenes, we see Anwar and Ayesha, played by , living quietly together in a modest home, symbolizing the hope for peace after chaos. The story closes with the “Njan” song, leaving viewers pondering the true cost of heroism and the lingering impact of violence.

“Sometimes, the hardest battles are fought within, in the silence of the soul.”

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