
A ten‑year‑old girl, Angela, obsessively guides her six‑year‑old sister, Ellie, through self‑imposed “purification” rituals, convinced that an inner evil—responsible for their mother’s mental illness—must be expelled. Haunted by visions of Lucifer and awaiting a sign from the Virgin Mary, she forces the sisters to remain within a circle of dolls and toys, a perilous game that mirrors Angela’s fragile mental state.
Does Angela have end credit scenes?
No!
Angela does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Angela (1995) via JustWatch.
Explore the complete cast of Angela, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Jack O'Connell
Man at Bar

John Ventimiglia
Andrew

Vincent Gallo
Preacher

Peter Facinelli
Lucifer

Hynden Walch
Darlene

Henry Stram
Man at Fair

Io Tillett Wright
Sam

Anna Thomson
Mae

Ruth Maleczech
Sleepwalker

Nurith Cohn
Makeover Woman

Charlotte Eve Blythe
Ellie

Miranda Rhyne
Angela

Garrett Bemer
Tom

Caitlin Hall
Anne

Francis Conroy
Anne's Mother

Rodger L. Phillips
Frank

Gerard Lyons III
Anne's Father

William McKnight
Greg

Roxana Stuart
Saleslady

Constance McCord
The Virgin Mary
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Read the complete plot summary of Angela, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Angela, a 10-year-old girl, is trying to cope with a dysfunctional family while clinging to a desperate quest for purification. Her mother, Mae Anna Thomson, and her father, Andrew John Ventimiglia, are former musicians who have given up on their dreams and now navigate a fragile marriage. The dynamic at home is tense as Mae’s moods swing wildly—from moments of manic happiness to deep, crushing despair—placing an almost unbearable strain on Andrew, who does his best to hold the family together.
To make sense of the chaos, Angela and her 6-year-old sister, Ellie Charlotte Eve Blythe, begin to construct an imaginary universe of order and rules. They cling to scraps of religion, superstition, and fantasy as they try to distinguish good from evil and to impose some sense of control on a world that feels increasingly out of reach. They read everyday signs—how a towel falls off a chair, how a tool slips from a truck—and interpret them as messages or warnings guiding them toward something they call heaven. In their minds, these signs are part of a larger, sacred drama in which they must participate to save themselves and their loved ones.
As Angela weaves these tales for Ellie, the stories shift from bedtime fright to a desperate plan to heal their fractured family. The visions grow more solemn: fallen angels, the Virgin Mary, and other sacred tableaux become benchmarks in their quest for meaning and protection. Mae’s worsening condition intensifies Angela’s belief that the only way to save her mother is to wash away all of their sins, and the young girl feels an urgent pull to protect her sister and their mother through ritual and faith.
The neighborhood becomes a stage for the sisters’ odyssey as they encounter a chorus of strangers, each encounter brushing against the line between reality and the stories they tell themselves. What begins as a child’s attempt to impose order and comfort gradually hardens into a perilous conviction: that cleansing sins through ritual could redeem their family and restore a sense of heaven on earth.
In the climactic culmination, Angela leads Ellie to the river with the intention of baptizing them both. But the current proves overpowering, and Angela drowns as the water sweeps them away. Ellie is left standing alone, and then begins to rise from the river in a pose that echoes an angel, a haunting image that lingers long after the last scene.

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