
“An Ideal Husband has to look to his future…a woman has to look to her past!” A powerful politician prepares to reveal a financial scandal, but a woman who invested heavily in the scheme threatens to expose a damaging secret from his past if he labels the venture a fraud. His dilemma deepens as his wife cannot tolerate any character flaw as stakes rise.
Does An Ideal Husband have end credit scenes?
No!
An Ideal Husband does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for An Ideal Husband (1947) via JustWatch.
Explore the complete cast of An Ideal Husband, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Paulette Goddard
Laura Cheveley

C. Aubrey Smith
Earl of Caversham

Constance Collier
Lady Markby

Michael Anthony
Viscomte de Nanjac

Michael Wilding
Arthur Goring

Michael Medwin
Duke of Nonesuch

Glynis Johns
Mabel Chiltern

Diana Wynyard
Gertrude Chiltern

Alexander Korda

John Clifford
Mason

Michael Ward
Tommy Tafford

Hugh Williams
Robert Chiltern

Fred Groves
Phipps

Peter Hobbes
Eddie Montford

Christine Norden
Margaret Marchmont

Harriette Johns
Olivia
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Which actress portrays Mrs. Laura Cheveley?
Read the complete plot summary of An Ideal Husband, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
London, 1895 sets the stage for a social drama where public virtue and private secrets collide. Mrs. Laura Cheveley, Paulette Goddard, has just returned from Vienna with a bold plan to procure power for herself and to challenge a man famed for his unassailable integrity. Sir Robert Chiltern, Hugh Williams, is a government minister celebrated for his honesty, while his wife, Gertrude Chiltern, Diana Wynyard, clings to strict moral codes and distrusts anything that smells of deceit. Sir Robert’s younger sister, Mabel Chiltern, Glynis Johns, watches the courtship of society with a mix of warmth and wry observation. Arthur Goring, Michael Wilding, an unmarried and free-spirited bachelor, moves through their circle with charm and a tantalizing nonchalance, while the elder statesman, the Earl of Caversham, C. Aubrey Smith, eyes the upcoming marriage prospects for his son. The stage is set for a confrontation that will test loyalty, love, and the very idea of a flawless public image.
At a lavish party hosted by the Chilterns, Mrs. Cheveley tries to coerce Sir Robert into backing a government-financed canal scheme she claims will benefit Britain. She wields incriminating letters from years past that reveal how he amassed his fortune through knowledge of the canal’s funding, a past he once used to rise to power. He initially resists the pressure, but the fear of scandal nudges him toward a compromised stance. Before the party ends, Mrs. Cheveley confides in Lady Chiltern, a former schoolmate, that Sir Robert will support the canal bill—an announcement that would shock the woman’s husband into contradicting his own ideals. As the guests depart, Arthur and Mabel notice a brooch that seems oddly out of place. Goring, who once lent that very brooch to someone he trusted, keeps it in case it is ever claimed, a quiet reminder of past indiscretions and the fragile line between memory and motive. In a tense moment, Sir Robert, pressed by his wife about his sudden shift, writes a letter to Mrs. Cheveley declaring he will oppose the bill, a decision that will soon be tested to its limit.
The following morning, Sir Robert reveals the extent of Mrs. Cheveley’s blackmail attempt to Arthur. Arthur urges him to confess the truth to his wife, arguing that the exposure of any past indiscretion could shatter her faith in him—even if it wrecks his public standing. Sir Robert refuses to reveal his own secrets and instead plots a counter-strategy by trying to manipulate Mrs. Cheveley. Arthur, who once had been engaged to her, doubts the plan and fears the consequences of reopening old wounds. Mrs. Cheveley arrives searching for the lost brooch, and Lady Chiltern informs her that Sir Robert will speak against the canal scheme that night. In retaliation, Mrs. Cheveley hints at exposing how Sir Robert once earned his fortune. The confrontation ends with Sir Robert ordering Mrs. Cheveley to leave, and Gertrude’s disillusionment deepens as she recognizes that no one, not even her husband, can live up to the ideal she once imagined.
That night, Lady Chiltern writes an unsigned note to Arthur, seeking his assistance, a gesture that will complicate the moral maze. Arthur tells Mrs. Cheveley that he has her brooch and that she stole it from a society woman, and he even removes the incriminating brooch when she hands him the letter she used to blackmail Sir Robert. Yet she seizes Lady Chiltern’s unsigned note as she leaves, intending to use it to persuade Sir Robert that his wife is involved with Arthur. Lady Chiltern, meanwhile, speaks of the power of forgiveness, acknowledging that love and trust can still endure even when truth exposes flaws.
In the House of Commons, Mrs. Cheveley watches from the women’s gallery as Sir Robert publicly denounces the canal scheme. The next day, Lord Caversham presses his son once more to marry and settle into a conventional life. Arthur, true to his nature, proposes to Mabel, offering a path toward happiness that defies the era’s rigid expectations. Lady Chiltern arrives with the unsigned note and Arthur’s account of Mrs. Cheveley’s plot, and she hands the note to Sir Robert, who reads it as proof of his wife’s steadfast love and willingness to forgive. This exchange reshapes the couple’s futures: Sir Robert is offered a high Cabinet position by Lord Caversham, and Arthur urges Lady Chiltern to allow her husband to remain in public life, recognizing that their bond can survive even the sting of temptation and betrayal. Mrs. Cheveley departs, her schemes having failed to disrupt the Chilterns’ union, leaving behind a nuanced meditation on virtue, forgiveness, and the complexities of high society.

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