
A married woman with a child finds herself drifting apart from her unfaithful husband. As the distance widens, she is drawn into a clandestine affair with the teenage boy who lives next door, a relationship that threatens to upend her family life.
Does A Good Lawyer’s Wife have end credit scenes?
No!
A Good Lawyer’s Wife does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of A Good Lawyer’s Wife, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Kim Yeo-jin
Eun Ho-jung's friend

Kim Eung-soo
Yang Taek-sik

Moon So-ri
Eun Ho-jeong

Youn Yuh-jung
Hong Byeong-han

Hwang Jung-min
Joo Young-jak

Jung Jae-jin
Projectionist

Park Gil-su
Cop Investigating Car Accident

Bong Tae-gyu
Shin Ji-woon

Jung Woo
Neighborhood Thug

Lee Bong-gyu
Town Chief

Im Sang-soo

Choi Dong-hoon
Police Officer

Kim In-mun
Ju Chang-geun

Baek Jeong-rim
Kim Yeon
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What is the profession of Ju Yeong-jak?
Read the complete plot summary of A Good Lawyer’s Wife, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Ju Yeong-jak is a successful lawyer who works long hours. While he is working, his wife Eun Ho-jeong, who gave up her dancing career in order to be “a good lawyer’s wife,” raises their young adopted son and works as a dance instructor in the local gym.
Ju Yeong-jak’s father, Ju Chang-geun, an alcoholic with a terminal liver failure, has not slept with his wife Hong Byeong-han in 15 years. She is having an affair with another man, and when Chang-geun finally dies, she tells Yeong-jak and Ho-jeong about her relationship with the other man—an old friend from her grade school—and says that she even plans to marry him. Her daughter-in-law Ho-jeong supports her.
Ho-jeong herself cannot achieve an orgasm from Yeong-jak. But for reasons that are not made clear in the English subtitles, he is not satisfied by her either and is having an affair with Kim Yeon, a younger woman who is an artist and a former model.
When Ho-jeong catches her teenage neighbor Shin Ji-woon peeping on her undressing in her apartment, she is, at first, angered. But she then decides to fulfill his peeping wish and allows him to see her doing nude gymnastics through the window. He then follows her on his bike and even barges into her dance class. She eventually follows him to the cinema where they talk. As they watch a movie, she teases him by acting oblivious to him groping her breasts.
Meanwhile, Yeong-jak runs a drunk motor cyclist off the road while receiving oral sex from his young mistress. Yeong-jak takes the man to a hospital but drops off his girlfriend on the way; his primary concern is that the presence of his girlfriend not become public knowledge. Due to the other driver’s reputation as a quarrelsome eccentric alcoholic, the authorities assume that the other driver is entirely responsible for the crash.
Yeong-jak promises the man (Sung Ji-ru), a postman who needs to be able to drive to keep his job, that if the postman does not mention that there was a woman in the car he will use his legal connections to make sure that the man does not suffer any consequences for having been driving while drunk.
One evening, after Ho-jeong finally learns about her husband’s affair, she tells Ji-woon to follow her without giving any details except suggestively saying > “I hope you’ll be okay.” She takes him to the abandoned dance hall. Without exchanging a word, she just allows him to mount her, but he soon stops and rolls aside (apparently the victim of premature ejaculation). Not giving up, she fellates him. She then mounts him herself while at the same time giving him a handjob, moving in spasms and moaning loudly as she finally gains her long sought orgasm.
Ji-woon’s father soon finds out about their affair and exposes it to Yeong-jak, unaware that Yeong-jak apparently does not care what his wife does. However, Yeong-jak fails to keep his promise to the postman. The postman kidnaps Yeong-jak’s adopted son and throws him off a building to his death. The postman then commits suicide.
Yeong-jak and Ho-jeong are devastated by their son’s death. Ho-jeong blames Yeong-jak for starting the chain of circumstances that ended with the murder/suicide.
The story ends on an enigmatic note. Ho-jeong discovers that she is pregnant and knows that Yeong-jak cannot be the father. He offers to accept the child as his own but she informs him that he is “out of the picture.” It is unclear from the final scene if Yeong-jak is hurt or relieved by her announcement.
The story also addresses the legacy of the Korean War and its impact on many families. Yeong-jak’s father and grandfather escaped from the communist north—apparently during the war. Yeong-jak’s grandfather’s young female companion had not notified the other members of the family, and Yeong-jak finds that his grandfather has been dead for months.

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