#1 of 4 1993 · Drama, Comedy
$227.9M worldwide · 59% of the chart's total
Sleepless in Seattle (1993) is the highest-grossing movie released in week 26 of 1993 (Jun 20–26), with $227.9M worldwide, ahead of Dennis the Menace (1993) at $117.3M and What's Love Got to Do with It (1993) at $39.1M. 4 films released that week report a worldwide gross, $384.6M in all, 57% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is up 166% on Week 25, 1993, whose releases took $144.6M.
#1 of 4 1993 · Drama, Comedy
$227.9M worldwide · 59% of the chart's total
Sleepless in Seattle (1993) leads with $227.9M, 59% of the total. The top 4 together took $384.6M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 26 of 1993 (Jun 20–26).
Jun 25, 1993 US and Canada: $126.8M Rest of the world: $101.1M Worldwide: $227.9M
Jun 25, 1993 US and Canada: $51.3M Rest of the world: $66M Worldwide: $117.3M
Jun 25, 1993 US and Canada: $39.1M Rest of the world: Worldwide: $39.1M
Jun 23, 1993 US and Canada: $314K Rest of the world: Worldwide: $314K Of the top 4, What's Love Got to Do with It (1993) earned the biggest share at home (100% in the US & Canada), while Dennis the Menace (1993) made 56% of its gross abroad. Across all 4 films, $217.5M (57%) came from the US & Canada.
Week 26 releases took $384.6M. The biggest of these 9 weeks is week 24 (Jun 6–12) with $1.1B, led by Jurassic Park (1993).
Of these 10 years, Week 26, 1993 earned the most: $384.6M from 4 films, led by Sleepless in Seattle (1993).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 26, 1984 Jun 24–30 4 films | 4 | $108.7M | – | Bachelor Party (1984) $38.4M |
| Week 26, 1985 Jun 23–29 3 films · −27% | 3 | $79.2M | −27% | Pale Rider (1985) $41.4M |
| Week 26, 1986 Jun 22–28 4 films · +64% | 4 | $129.7M | +64% | Ruthless People (1986) $71.6M |
| Week 26, 1987 Jun 21–27 5 films · +20% | 5 | $155.7M | +20% | Dragnet (1987) $66.7M |
| Week 26, 1988 Jun 19–25 1 film · +112% | 1 | $329.8M | +112% | Who Framed Roger Rabbit (1988) $329.8M |
| Week 26, 1989 Jun 25–Jul 1 4 films · −73% | 4 | $90M | −73% | The Karate Kid Part III (1989) $39M |
| Week 26, 1990 Jun 24–30 2 films · +104% | 2 | $183.3M | +104% | Days of Thunder (1990) $157.9M |
| Week 26, 1991 Jun 23–29 2 films · −52% | 2 | $87.4M | −52% | The Naked Gun 2½: The Smell of Fear (1991) $86.9M |
| Week 26, 1992 Jun 21–27 1 film · −35% | 1 | $57.1M | −35% | Unlawful Entry (1992) $57.1M |
| Week 26, 1993 Jun 20–26 4 films · +573% | 4 | $384.6M | +573% | Sleepless in Seattle (1993) $227.9M |
52 weeks of 1993 with reported grosses; the biggest is week 24 (Jun 6–12) with $1.1B, led by Jurassic Park (1993).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
Sleepless in Seattle (1993) leads with $227.9M worldwide, $126.8M of it in the US & Canada. Next come Dennis the Menace (1993) at $117.3M and What's Love Got to Do with It (1993) at $39.1M.
4 films released in week 26 of 1993 (Jun 20–26) report a worldwide gross, $384.6M in all, or $96.2M per film on average. Week 25, 1993 releases took $144.6M.
None. 2 films crossed $100 million, led by Sleepless in Seattle (1993) with $227.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 26 of 1993 (Jun 20–26). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.