#1 of 3 #1 movie of Week 13, 1982
I Ought to Be in Pictures (1982)
1982 · Comedy, Drama
$7M worldwide · 83% of the chart's total
$7M US & Canada · 100% elsewhere · 0%
Box office · Week 13 · Mar 21–27, 1982
Box Office Week 13, 1982: Highest-Grossing Releases of Mar 21–27
I Ought to Be in Pictures (1982) is the highest-grossing movie released in week 13 of 1982 (Mar 21–27), with $7M worldwide, ahead of Turkey Shoot (1982) at $1.4M and The State of Things (1982) at $3.7K. 3 films released that week report a worldwide gross, $8.4M in all, 100% of it from the US & Canada. That is down 95% on Week 12, 1982, whose releases took $158.8M.
- week 13 releases with a gross
- 3
- combined worldwide
- $8.4M
- I Ought to Be in Pictures (1982), the #1
- $7M
- vs Week 12, 1982
- −95%
#1 of 3 Top 3
What Were the Biggest Hits of Week 13 of 1982?
I Ought to Be in Pictures (1982) leads with $7M, 83% of the total. The top 3 together took $8.4M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Release of Week 13 of 1982, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 1982 (Mar 21–27).
- 1 Mar 26, 1982 US and Canada: $7M Rest of the world: Worldwide: $7M
- 2 Mar 25, 1982 US and Canada: $1.4M Rest of the world: Worldwide: $1.4M
- 3 Mar 22, 1982 US and Canada: – Rest of the world: – Worldwide: $3.7K
Weeks around it
How Does Week 13 Compare With the Weeks Around It?
Week 13 releases took $8.4M. The biggest of these 9 weeks is week 12 (Mar 14–20) with $158.8M, led by Porky's (1982).
- Week 7 Wk 7 Feb 7–13 Quest for Fire (1982) $63.5M Quest for Fire (1982)
- Week 8 Wk 8 Feb 14–20 Death Wish II (1982) $27.1M Death Wish II (1982)
- Week 9 Wk 9 Feb 21–27 No reported grosses – No reported grosses
- Week 10 Wk 10 Feb 28–Mar 6 Diner (1982) $20.5M Diner (1982)
- Week 11 Wk 11 Mar 7–13 Richard Pryor: Live on the Sunset Strip (1982) $50.8M Richard Pryor: Live on the Sunset Strip (1982)
- Week 12 Wk 12 Mar 14–20 Porky's (1982) $158.8M Porky's (1982)
- Week 13 Wk 13 Mar 21–27 I Ought to Be in Pictures (1982) $8.4M I Ought to Be in Pictures (1982)
- Week 14 Wk 14 Mar 28–Apr 3 Some Kind of Hero (1982) $46.7M Some Kind of Hero (1982)
- Week 15 Wk 15 Apr 4–10 Chariots of Fire (1982) $69.7M Chariots of Fire (1982)
Earlier years
How Does Week 13 of 1982 Compare With Earlier Years?
Of these 10 years, Week 13, 1974 earned the most: $20.6M from 1 film, led by The Great Gatsby (1974). Week 13, 1982 took $8.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 13, 1973 Mar 25–31 2 films | 2 | $318.7K | – | Sisters (1973) $318.3K |
| Week 13, 1974 Mar 24–30 1 film · +6353% | 1 | $20.6M | +6353% | The Great Gatsby (1974) $20.6M |
| Week 13, 1975 Mar 23–29 1 film · −100% | 1 | $52.5K | −100% | Fantozzi: White Collar Blues (1975) $52.5K |
| Week 13, 1976 Mar 21–27 No films | 0 | – | – | – |
| Week 13, 1977 Mar 20–26 1 film | 1 | $290.7K | – | Fraternity Row (1977) $290.7K |
| Week 13, 1978 Mar 26–Apr 1 1 film · +569% | 1 | $1.9M | +569% | I Wanna Hold Your Hand (1978) $1.9M |
| Week 13, 1979 Mar 25–31 1 film · −100% | 1 | $365 | −100% | Long Weekend (1979) $365 |
| Week 13, 1980 Mar 23–29 5 films · +4358613% | 5 | $15.9M | +4358613% | Serial (1980) $9.9M |
| Week 13, 1981 Mar 22–28 1 film · −28% | 1 | $11.5M | −28% | Thief (1981) $11.5M |
| Week 13, 1982 Mar 21–27 3 films · −27% | 3 | $8.4M | −27% | I Ought to Be in Pictures (1982) $7M |
Archive
Box Office in 1982, Week by Week
49 weeks of 1982 with reported grosses; the biggest is week 51 (Dec 12–18) with $338.5M, led by Tootsie (1982).
- Week 1 $9.2M
- Week 2 $8.7M
- Week 3 $719.5K
- Week 4 $13.3M
- Week 5 $11.4M
- Week 6 $13.7M
- Week 7 $63.5M
- Week 8 $27.1M
- Week 9 No grosses
- Week 10 $20.5M
- Week 11 $50.8M
- Week 12 $158.8M
- Week 13 $8.4M
- Week 14 $46.7M
- Week 15 $69.7M
- Week 16 $2.2K
- Week 17 $1.5M
- Week 18 $39.1M
- Week 19 $9.9M
- Week 20 $76.8M
- Week 21 $63.6M
- Week 22 $125.6M
- Week 23 $166.9M
- Week 24 $15.2M
- Week 25 $116.9M
- Week 26 $68.6M
- Week 27 $805K
- Week 28 No grosses
- Week 29 $79.6M
- Week 30 $102.4M
- Week 31 $170.8M
- Week 32 $51.4M
- Week 33 $68.8M
- Week 34 $14.1M
- Week 35 $3.8M
- Week 36 $19.2M
- Week 37 $1.5M
- Week 38 $3.4M
- Week 39 $14.8M
- Week 40 $25.7K
- Week 41 $24.2M
- Week 42 $4.7M
- Week 43 $142.5M
- Week 44 $15.1M
- Week 45 $777.1K
- Week 46 $41.9M
- Week 47 $17.6M
- Week 48 $22.5K
- Week 49 No grosses
- Week 50 $183.2M
- Week 51 $338.5M
- Week 52 $22.5M
- Week 53 No grosses
FAQ
Box Office Week 13 of 1982: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing movie in week 13 of 1982 (Mar 21–27)?
I Ought to Be in Pictures (1982) leads with $7M worldwide, $7M of it in the US & Canada. Next come Turkey Shoot (1982) at $1.4M and The State of Things (1982) at $3.7K.
How much did movies released in week 13 of 1982 (Mar 21–27) earn?
3 films released in week 13 of 1982 (Mar 21–27) report a worldwide gross, $8.4M in all, or $2.8M per film on average. Week 12, 1982 releases took $158.8M.
How many movies released in week 13 of 1982 (Mar 21–27) made $1 billion?
None. The biggest, I Ought to Be in Pictures (1982), earned $7M.
How is the week 13, 1982 box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 1982 (Mar 21–27). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 13, 1982 box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.