#1 of 39 2016 · Comedy
$9.4M worldwide · 24% of the chart's total
Osman Pazarlama (2016) is the highest-grossing Turkish-language movie released in 2016, with $9.4M worldwide, ahead of For Both of Us (2016) at $4.4M and Sour Apples (2016) at $4M. 39 Turkish-language films released in 2016 report a worldwide gross, $38.6M in all. That is up 3% on 2015, whose releases took $37.4M. By genre, Comedy leads with $25.1M across 17 Turkish releases.
#1 of 39 2016 · Comedy
$9.4M worldwide · 24% of the chart's total
Osman Pazarlama (2016) leads with $9.4M, 24% of the total. The top 5 together took $23.6M, 61% of what all 39 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in 2016.
Feb 19, 2016 US and Canada: – Rest of the world: – Worldwide: $9.4M
Oct 21, 2016 US and Canada: – Rest of the world: – Worldwide: $4.4M
Oct 28, 2016 US and Canada: – Rest of the world: – Worldwide: $4M
Sep 1, 2016 US and Canada: – Rest of the world: – Worldwide: $3.3M
Jun 21, 2016 US and Canada: – Rest of the world: – Worldwide: $2.5M
Jan 15, 2016 US and Canada: – Rest of the world: – Worldwide: $2.3M
Mar 3, 2016 US and Canada: – Rest of the world: – Worldwide: $1.7M
Feb 5, 2016 US and Canada: – Rest of the world: – Worldwide: $1.7M
Mar 4, 2016 US and Canada: – Rest of the world: – Worldwide: $1.1M
Sep 9, 2016 US and Canada: – Rest of the world: – Worldwide: $1.1M
Feb 5, 2016 US and Canada: – Rest of the world: – Worldwide: $1M
Nov 4, 2016 US and Canada: – Rest of the world: – Worldwide: $1M
Apr 29, 2016 US and Canada: – Rest of the world: – Worldwide: $810.2K
Nov 4, 2016 US and Canada: – Rest of the world: – Worldwide: $607.2K
Apr 1, 2016 US and Canada: – Rest of the world: – Worldwide: $566.6K
Oct 7, 2016 US and Canada: – Rest of the world: – Worldwide: $539.7K
Dec 16, 2016 US and Canada: – Rest of the world: – Worldwide: $464.8K
Mar 25, 2016 US and Canada: – Rest of the world: – Worldwide: $318.2K
May 6, 2016 US and Canada: – Rest of the world: – Worldwide: $298.6K
Apr 8, 2016 US and Canada: – Rest of the world: – Worldwide: $282.5K
Sep 9, 2016 US and Canada: – Rest of the world: – Worldwide: $248K
Jun 17, 2016 US and Canada: – Rest of the world: – Worldwide: $238.9K
Oct 7, 2016 US and Canada: – Rest of the world: – Worldwide: $125.6K
Mar 10, 2016 US and Canada: – Rest of the world: – Worldwide: $114.5K
Sep 2, 2016 US and Canada: – Rest of the world: – Worldwide: $85.3K
Sep 11, 2016 US and Canada: – Rest of the world: – Worldwide: $49.7K
Jul 6, 2016 US and Canada: – Rest of the world: – Worldwide: $49.2K
Mar 4, 2016 US and Canada: – Rest of the world: – Worldwide: $38.4K
Mar 25, 2016 US and Canada: – Rest of the world: – Worldwide: $37.3K
Apr 18, 2016 US and Canada: – Rest of the world: – Worldwide: $36.1K
May 6, 2016 US and Canada: – Rest of the world: – Worldwide: $32.9K
Apr 7, 2016 US and Canada: – Rest of the world: – Worldwide: $24.5K
Apr 22, 2016 US and Canada: – Rest of the world: – Worldwide: $21K
Dec 9, 2016 US and Canada: – Rest of the world: – Worldwide: $20.2K
Feb 16, 2016 US and Canada: – Rest of the world: – Worldwide: $10.9K
Feb 13, 2016 US and Canada: – Rest of the world: – Worldwide: $3K
Apr 8, 2016 US and Canada: – Rest of the world: – Worldwide: $2.1K
Nov 15, 2016 US and Canada: – Rest of the world: – Worldwide: $1.9K
Apr 15, 2016 US and Canada: – Rest of the world: – Worldwide: $105 None of the 39 films reached $100M. 39 films, 100% of the list, earned under $10M. Each band shows its films and its share of the $38.6M total.
February releases took the most, $12.1M from 5 films, led by Osman Pazarlama (2016). July was the quietest month ($49.2K). Each column is a release month and links to that month's chart.
Of these 10 years, 2014 earned the most: $112.4M from 31 films, led by Recep Ivedik 4 (2014). 2016 took $38.6M.
| Year | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| 2007 19 films | 19 | $38M | – | For Love and Honor (2007) $14.8M |
| 2008 21 films · +125% | 21 | $85.6M | +125% | Recep İvedik (2008) $28.5M |
| 2009 28 films · −6% | 28 | $80.6M | −6% | Recep Ivedik 2 (2009) $27.7M |
| 2010 23 films · −42% | 23 | $47M | −42% | Recep Ivedik 3 (2010) $22.6M |
| 2011 17 films · +11% | 17 | $52.4M | +11% | Eyyvah Eyvah 2 (2011) $16.4M |
| 2012 27 films · +37% | 27 | $71.8M | +37% | Conquest 1453 (2012) $35.8M |
| 2013 22 films · −40% | 22 | $42.8M | −40% | Celal and Ceren (2013) $17M |
| 2014 31 films · +163% | 31 | $112.4M | +163% | Recep Ivedik 4 (2014) $39.5M |
| 2015 32 films · −67% | 32 | $37.4M | −67% | Ali Baba and the 7 Dwarfs (2015) $7.8M |
| 2016 39 films · +3% | 39 | $38.6M | +3% | Osman Pazarlama (2016) $9.4M |
Comedy took $25.1M across 17 films, 65% of the total, ahead of Drama ($15.5M) and Romance ($5.5M). A film counts once for each of its genres.
Every year from 1977 to 2025 with its total and its biggest film. 2014 leads with $112.4M, led by Recep Ivedik 4 (2014).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 39 films as the chart.
Osman Pazarlama (2016) leads with $9.4M worldwide. Next come For Both of Us (2016) at $4.4M and Sour Apples (2016) at $4M.
39 Turkish-language films released in 2016 report a worldwide gross, $38.6M in all, or $990.6K per film on average. 2015 releases took $37.4M.
None. The biggest, Osman Pazarlama (2016), earned $9.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in 2016. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.