#1 of 8 2022 · Action, Sci-Fi
$3.9M worldwide · 93% of the chart's total
Project Wolf Hunting (2022) is the highest-grossing Korean-language movie released in week 41 of 2022 (Oct 2–8), with $3.9M worldwide, ahead of Open the Door (2022) at $72.3K and Dream Palace (2022) at $59.7K. 8 Korean-language films released that week report a worldwide gross, $4.2M in all, <1% of it from the US & Canada. By genre, Thriller leads with $3.9M across 2 Korean releases.
#1 of 8 2022 · Action, Sci-Fi
$3.9M worldwide · 93% of the chart's total
Project Wolf Hunting (2022) leads with $3.9M, 93% of the total. The top 5 together took $4.1M, 98% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 41 of 2022 (Oct 2–8).
Oct 7, 2022 US and Canada: $20.5K Rest of the world: $3.9M Worldwide: $3.9M
Oct 7, 2022 US and Canada: – Rest of the world: – Worldwide: $72.3K
Oct 6, 2022 US and Canada: – Rest of the world: – Worldwide: $59.7K
Oct 8, 2022 US and Canada: – Rest of the world: – Worldwide: $50K
Oct 8, 2022 US and Canada: – Rest of the world: – Worldwide: $49.8K
Oct 6, 2022 US and Canada: – Rest of the world: – Worldwide: $30.9K
Oct 8, 2022 US and Canada: – Rest of the world: – Worldwide: $29.9K
Oct 6, 2022 US and Canada: – Rest of the world: – Worldwide: $12.9K Week 41 releases took $4.2M. The biggest of these 9 weeks is week 37 (Sep 4–10) with $54.5M, led by Confidential Assignment 2: International (2022).
Of these 10 years, Week 41, 2019 earned the most: $263.6M from 4 films, led by Parasite (2019). Week 41, 2022 took $4.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 41, 2013 Oct 6–12 2 films | 2 | $24.4M | – | Hwayi: A Monster Boy (2013) $16.4M |
| Week 41, 2014 Oct 5–11 3 films · −33% | 3 | $16.3M | −33% | My Love, My Bride (2014) $15.5M |
| Week 41, 2015 Oct 4–10 2 films · −52% | 2 | $7.8M | −52% | The Advocate: A Missing Body (2015) $7.6M |
| Week 41, 2016 Oct 2–8 1 film · +135% | 1 | $18.3M | +135% | Asura: The City of Madness (2016) $18.3M |
| Week 41, 2017 Oct 8–14 5 films · −96% | 5 | $755K | −96% | Microhabitat (2017) $424K |
| Week 41, 2018 Oct 7–13 3 films · +617% | 3 | $5.4M | +617% | Miss Baek (2018) $5.3M |
| Week 41, 2019 Oct 6–12 4 films · +4766% | 4 | $263.6M | +4766% | Parasite (2019) $262.6M |
| Week 41, 2020 Oct 4–10 No films | 0 | – | – | – |
| Week 41, 2021 Oct 3–9 6 films | 6 | $186.7K | – | The Girl on a Bulldozer (2021) $75.2K |
| Week 41, 2022 Oct 2–8 8 films · +2138% | 8 | $4.2M | +2138% | Project Wolf Hunting (2022) $3.9M |
Thriller took $3.9M across 2 films, 94% of the total, ahead of Action ($3.9M) and Crime ($3.9M). A film counts once for each of its genres.
31 weeks of 2022 with reported grosses; the biggest is week 21 (May 15–21) with $101.2M, led by The Roundup (2022).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Project Wolf Hunting (2022) leads with $3.9M worldwide, $20.5K of it in the US & Canada. Next come Open the Door (2022) at $72.3K and Dream Palace (2022) at $59.7K.
8 Korean-language films released in week 41 of 2022 (Oct 2–8) report a worldwide gross, $4.2M in all, or $522.2K per film on average.
None. The biggest, Project Wolf Hunting (2022), earned $3.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 41 of 2022 (Oct 2–8). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.