#1 of 4 #1 Korean-language movie of Week 7, 2019
2019 · Drama
$17.2M worldwide · 89% of the chart's total
No US & Canada figure reported
Korean box office · Week 7 · Feb 10–16, 2019
Korean Box Office, Week 7 of 2019: Korean Releases of Feb 10–16
Innocent Witness (2019) is the highest-grossing Korean-language movie released in week 7 of 2019 (Feb 10–16), with $17.2M worldwide, ahead of Zombie for Sale (2019) at $1.9M and Hotel by the River (2019) at $156.4K. 4 Korean-language films released that week report a worldwide gross, $19.4M in all, <1% of it from the US & Canada.
- week 7 releases with a gross
- 4
- combined worldwide
- $19.4M
- Innocent Witness (2019), the #1
- $17.2M
- earned in the US & Canada
- <1%
#1 of 4 Top 4
What Were the Biggest Korean Hits of Week 7 of 2019?
Innocent Witness (2019) leads with $17.2M, 89% of the total. The top 4 together took $19.4M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Korean Release of Week 7 of 2019, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 7 of 2019 (Feb 10–16).
- 1 Feb 13, 2019 US and Canada: – Rest of the world: – Worldwide: $17.2M
- 2 Feb 13, 2019 US and Canada: – Rest of the world: – Worldwide: $1.9M
- 3 Feb 15, 2019 US and Canada: $28.4K Rest of the world: $128.1K Worldwide: $156.4K
- 4 Feb 10, 2019 US and Canada: – Rest of the world: – Worldwide: $29.2K
Weeks around it
How Does Week 7 Compare With the Weeks Around It?
Week 7 releases took $19.4M. The biggest of these 9 weeks is week 4 (Jan 20–26) with $119.9M, led by Extreme Job (2019).
- Week 1 Wk 1 Jan 1–5 No Mercy (2019) $1.6M No Mercy (2019)
- Week 2 Wk 2 Jan 6–12 The Dude in Me (2019) $14.7M The Dude in Me (2019)
- Week 3 Wk 3 Jan 13–19 Rosebud (2019) $644.2K Rosebud (2019)
- Week 4 Wk 4 Jan 20–26 Extreme Job (2019) $119.9M Extreme Job (2019)
- Week 5 Wk 5 Jan 27–Feb 2 Hit-and-Run Squad (2019) $13.5M Hit-and-Run Squad (2019)
- Week 6 Wk 6 Feb 3–9 No reported grosses – No reported grosses
- Week 7 Wk 7 Feb 10–16 Innocent Witness (2019) $19.4M Innocent Witness (2019)
- Week 8 Wk 8 Feb 17–23 No reported grosses – No reported grosses
- Week 9 Wk 9 Feb 24–Mar 2 A Resistance (2019) $9.8M A Resistance (2019)
Earlier years
How Does Week 7 of 2019 Compare With Earlier Years?
Of these 10 years, Week 7, 2013 earned the most: $51.9M from 3 films, led by The Berlin File (2013). Week 7, 2019 took $19.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 7, 2010 Feb 7–13 No films | 0 | – | – | – |
| Week 7, 2011 Feb 6–12 1 film | 1 | $2.5M | – | Poetry (2011) $2.5M |
| Week 7, 2012 Feb 12–18 1 film · +308% | 1 | $10.4M | +308% | Howling (2012) $10.4M |
| Week 7, 2013 Feb 10–16 3 films · +401% | 3 | $51.9M | +401% | The Berlin File (2013) $49M |
| Week 7, 2014 Feb 9–15 1 film · −90% | 1 | $5.1M | −90% | Venus Talk (2014) $5.1M |
| Week 7, 2015 Feb 8–14 No films | 0 | – | – | – |
| Week 7, 2016 Feb 7–13 1 film | 1 | $744.5K | – | The Bacchus Lady (2016) $744.5K |
| Week 7, 2017 Feb 12–18 2 films · +2251% | 2 | $17.5M | +2251% | New Trial (2017) $17.2M |
| Week 7, 2018 Feb 11–17 2 films · +24% | 2 | $21.7M | +24% | Detective K: Secret of the Living Dead (2018) $18.6M |
| Week 7, 2019 Feb 10–16 4 films · −11% | 4 | $19.4M | −11% | Innocent Witness (2019) $17.2M |
Archive
Korean Box Office in 2019, Week by Week
36 weeks of 2019 with reported grosses; the biggest is week 41 (Oct 6–12) with $263.6M, led by Parasite (2019).
- Week 1 $1.6M
- Week 2 $14.7M
- Week 3 $644.2K
- Week 4 $119.9M
- Week 5 $13.5M
- Week 6 No grosses
- Week 7 $19.4M
- Week 8 No grosses
- Week 9 $9.8M
- Week 10 No grosses
- Week 11 No grosses
- Week 12 $2.1M
- Week 13 $34.7K
- Week 14 $1.8M
- Week 15 $2.1M
- Week 16 $754K
- Week 17 $4.7M
- Week 18 $11.3M
- Week 19 $12.2M
- Week 20 No grosses
- Week 21 $1.4M
- Week 22 $17.6M
- Week 23 $25.8M
- Week 24 No grosses
- Week 25 $7.8M
- Week 26 No grosses
- Week 27 No grosses
- Week 28 $3.2M
- Week 29 No grosses
- Week 30 No grosses
- Week 31 No grosses
- Week 32 $46.3M
- Week 33 $12.9M
- Week 34 $4.7M
- Week 35 No grosses
- Week 36 $4.4M
- Week 37 $25.9M
- Week 38 No grosses
- Week 39 $3.8M
- Week 40 $31.1M
- Week 41 $263.6M
- Week 42 No grosses
- Week 43 $27.7M
- Week 44 $537.2K
- Week 45 $24.1M
- Week 46 $17.9M
- Week 47 No grosses
- Week 48 No grosses
- Week 49 $3.1M
- Week 50 $110.9K
- Week 51 $85.5M
- Week 52 $13.9M
- Week 53 No grosses
FAQ
Korean Box Office Week 7 of 2019: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing Korean-language movie in week 7 of 2019 (Feb 10–16)?
Innocent Witness (2019) leads with $17.2M worldwide. Next come Zombie for Sale (2019) at $1.9M and Hotel by the River (2019) at $156.4K.
How much did Korean-language movies released in week 7 of 2019 (Feb 10–16) earn?
4 Korean-language films released in week 7 of 2019 (Feb 10–16) report a worldwide gross, $19.4M in all, or $4.8M per film on average.
How many Korean-language movies released in week 7 of 2019 (Feb 10–16) made $1 billion?
None. The biggest, Innocent Witness (2019), earned $17.2M.
How is the week 7, 2019 Korean box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 7 of 2019 (Feb 10–16). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 7, 2019 Korean box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.