#1 of 3 #1 Japanese-language movie of Week 4, 2017
Kiseki: Sobito of That Day (2017)
2017 · Drama
$11.2M worldwide · 53% of the chart's total
No US & Canada figure reported
Japanese box office · Week 4 · Jan 22–28, 2017
Japanese Box Office, Week 4 of 2017: Japanese Releases of Jan 22–28
Kiseki: Sobito of That Day (2017) is the highest-grossing Japanese-language movie released in week 4 of 2017 (Jan 22–28), with $11.2M worldwide, ahead of Yu-Gi-Oh!: The Dark Side of Dimensions (2017) at $7.4M and Hamon: Yakuza Boogie (2017) at $2.5M. 3 Japanese-language films released that week report a worldwide gross, $21.2M in all, 5% of it from the US & Canada.
- week 4 releases with a gross
- 3
- combined worldwide
- $21.2M
- Kiseki: Sobito of That Day (2017), the #1
- $11.2M
- earned in the US & Canada
- 5%
#1 of 3 Top 3
What Were the Biggest Japanese Hits of Week 4 of 2017?
Kiseki: Sobito of That Day (2017) leads with $11.2M, 53% of the total. The top 3 together took $21.2M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Japanese Release of Week 4 of 2017, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 4 of 2017 (Jan 22–28).
- 1 Jan 28, 2017 US and Canada: – Rest of the world: – Worldwide: $11.2M
- 2 Jan 27, 2017 US and Canada: $1M Rest of the world: $6.4M Worldwide: $7.4M
- 3 Jan 28, 2017 US and Canada: – Rest of the world: – Worldwide: $2.5M
Weeks around it
How Does Week 4 Compare With the Weeks Around It?
Week 4 releases took $21.2M. The biggest of these 9 weeks is week 2 (Jan 8–14) with $73.8M, led by One Piece Film: Gold (2017).
- Week 51, 2016 Wk 51 Dec 11–17 Fueled: The Man They Called “Pirate” (2016) $37.2M Fueled: The Man They Called “Pirate” (2016)
- Week 52, 2016 Wk 52 Dec 18–24 The Mole Song: Hong Kong Capriccio (2016) $10.7M The Mole Song: Hong Kong Capriccio (2016)
- Week 53, 2016 Wk 53 Dec 25–31 No reported grosses – No reported grosses
- Week 1 Wk 1 Jan 1–7 Kizumonogatari Part 3: Reiketsu (2017) $1.3M Kizumonogatari Part 3: Reiketsu (2017)
- Week 2 Wk 2 Jan 8–14 One Piece Film: Gold (2017) $73.8M One Piece Film: Gold (2017)
- Week 3 Wk 3 Jan 15–21 Shinjuku Swan II (2017) $6.9M Shinjuku Swan II (2017)
- Week 4 Wk 4 Jan 22–28 Kiseki: Sobito of That Day (2017) $21.2M Kiseki: Sobito of That Day (2017)
- Week 5 Wk 5 Jan 29–Feb 4 The 100th Love with You (2017) $5.7M The 100th Love with You (2017)
- Week 6 Wk 6 Feb 5–11 Ao Oni The Animation (2017) $3.2K Ao Oni The Animation (2017)
Earlier years
How Does Week 4 of 2017 Compare With Earlier Years?
Of these 10 years, Week 4, 2011 earned the most: $80.4M from 4 films, led by Evangelion: 2.0 You Can (Not) Advance (2011). Week 4, 2017 took $21.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 4, 2008 Jan 20–26 3 films | 3 | $36.3M | – | Kabei: Our Mother (2008) $18.4M |
| Week 4, 2009 Jan 18–24 1 film · −91% | 1 | $3.4M | −91% | Engine Sentai Go-Onger vs. Gekiranger (2009) $3.4M |
| Week 4, 2010 Jan 17–23 3 films · +383% | 3 | $16.4M | +383% | Goodbye, Someday (2010) $10.8M |
| Week 4, 2011 Jan 16–22 4 films · +389% | 4 | $80.4M | +389% | Evangelion: 2.0 You Can (Not) Advance (2011) $60.6M |
| Week 4, 2012 Jan 22–28 4 films · −61% | 4 | $31.6M | −61% | The Wings of the Kirin (2012) $19.8M |
| Week 4, 2013 Jan 20–26 1 film · −31% | 1 | $21.9M | −31% | Strawberry Night (2013) $21.9M |
| Week 4, 2014 Jan 19–25 No films | 0 | – | – | – |
| Week 4, 2015 Jan 18–24 No films | 0 | – | – | – |
| Week 4, 2016 Jan 17–23 4 films | 4 | $40.1M | – | Nobunaga Concerto: The Movie (2016) $36.2M |
| Week 4, 2017 Jan 22–28 3 films · −47% | 3 | $21.2M | −47% | Kiseki: Sobito of That Day (2017) $11.2M |
Archive
Japanese Box Office in 2017, Week by Week
48 weeks of 2017 with reported grosses; the biggest is week 14 (Apr 2–8) with $405.7M, led by Your Name. (2017).
- Week 1 $1.3M
- Week 2 $73.8M
- Week 3 $6.9M
- Week 4 $21.2M
- Week 5 $5.7M
- Week 6 $3.2K
- Week 7 $5.8M
- Week 8 $83.4K
- Week 9 $61.2M
- Week 10 $29.8M
- Week 11 $25.7M
- Week 12 $17.2M
- Week 13 No grosses
- Week 14 $405.7M
- Week 15 $15.2M
- Week 16 $956.9K
- Week 17 $15.6M
- Week 18 $7.1M
- Week 19 $2.9K
- Week 20 $8M
- Week 21 $399K
- Week 22 $5.2M
- Week 23 No grosses
- Week 24 $4.1M
- Week 25 No grosses
- Week 26 $19.2M
- Week 27 $2.1M
- Week 28 $6.4M
- Week 29 $2.1M
- Week 30 $5.8M
- Week 31 $5.1M
- Week 32 $19.5M
- Week 33 $1.4M
- Week 34 $19.4M
- Week 35 $841K
- Week 36 $13.2M
- Week 37 $1M
- Week 38 $19.1M
- Week 39 $10.8M
- Week 40 $9.1M
- Week 41 $17.5M
- Week 42 $50.3M
- Week 43 $5.1M
- Week 44 $7.2M
- Week 45 $40.3M
- Week 46 $5.2M
- Week 47 $1K
- Week 48 $13.6M
- Week 49 $48.6M
- Week 50 $24.4M
- Week 51 $1.3M
- Week 52 No grosses
- Week 53 No grosses
FAQ
Japanese Box Office Week 4 of 2017: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing Japanese-language movie in week 4 of 2017 (Jan 22–28)?
Kiseki: Sobito of That Day (2017) leads with $11.2M worldwide. Next come Yu-Gi-Oh!: The Dark Side of Dimensions (2017) at $7.4M and Hamon: Yakuza Boogie (2017) at $2.5M.
How much did Japanese-language movies released in week 4 of 2017 (Jan 22–28) earn?
3 Japanese-language films released in week 4 of 2017 (Jan 22–28) report a worldwide gross, $21.2M in all, or $7.1M per film on average.
How many Japanese-language movies released in week 4 of 2017 (Jan 22–28) made $1 billion?
None. The biggest, Kiseki: Sobito of That Day (2017), earned $11.2M.
How is the week 4, 2017 Japanese box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 4 of 2017 (Jan 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 4, 2017 Japanese box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.