#1 of 3 2011 · Drama, Fantasy
$2.4M worldwide · 63% of the chart's total
We Are the Night (2011) is the highest-grossing German-language movie released in week 22 of 2011 (May 22–28), with $2.4M worldwide, ahead of Pigeons on the Roof (2011) at $1.3M and I Phone You (2011) at $87.6K. 3 German-language films released that week report a worldwide gross, $3.8M in all.
#1 of 3 2011 · Drama, Fantasy
$2.4M worldwide · 63% of the chart's total
We Are the Night (2011) leads with $2.4M, 63% of the total. The top 3 together took $3.8M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 22 of 2011 (May 22–28).
May 27, 2011 US and Canada: – Rest of the world: – Worldwide: $2.4M
May 26, 2011 US and Canada: – Rest of the world: – Worldwide: $1.3M
May 25, 2011 US and Canada: – Rest of the world: – Worldwide: $87.6K Week 22 releases took $3.8M. The biggest of these 9 weeks is week 20 (May 8–14) with $15.8M, led by Almanya: Welcome to Germany (2011).
39 weeks of 2011 with reported grosses; the biggest is week 6 (Jan 30–Feb 5) with $51.7M, led by Kokowääh (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
We Are the Night (2011) leads with $2.4M worldwide. Next come Pigeons on the Roof (2011) at $1.3M and I Phone You (2011) at $87.6K.
3 German-language films released in week 22 of 2011 (May 22–28) report a worldwide gross, $3.8M in all, or $1.3M per film on average.
None. The biggest, We Are the Night (2011), earned $2.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 22 of 2011 (May 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.