#1 of 4 #1 French-language movie of Week 12, 2022
2022 · Thriller, Drama
$6.1M worldwide · 93% of the chart's total
No US & Canada figure reported
French box office · Week 12 · Mar 13–19, 2022
French Box Office, Week 12 of 2022: French Releases of Mar 13–19
Notre-Dame on Fire (2022) is the highest-grossing French-language movie released in week 12 of 2022 (Mar 13–19), with $6.1M worldwide, ahead of Jane by Charlotte (2022) at $230.5K and Bloody Oranges (2022) at $230.2K. 4 French-language films released that week report a worldwide gross, $6.6M in all, <1% of it from the US & Canada.
- week 12 releases with a gross
- 4
- combined worldwide
- $6.6M
- Notre-Dame on Fire (2022), the #1
- $6.1M
- earned in the US & Canada
- <1%
#1 of 4 Top 4
What Were the Biggest French Hits of Week 12 of 2022?
Notre-Dame on Fire (2022) leads with $6.1M, 93% of the total. The top 4 together took $6.6M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every French Release of Week 12 of 2022, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 12 of 2022 (Mar 13–19).
- 1 Mar 16, 2022 US and Canada: – Rest of the world: – Worldwide: $6.1M
- 2 Mar 18, 2022 US and Canada: $41.1K Rest of the world: $189.4K Worldwide: $230.5K
- 3 Mar 18, 2022 US and Canada: – Rest of the world: – Worldwide: $230.2K
- 4 Mar 15, 2022 US and Canada: – Rest of the world: – Worldwide: $29.7K
Weeks around it
How Does Week 12 Compare With the Weeks Around It?
Week 12 releases took $6.6M. The biggest of these 9 weeks is week 9 (Feb 20–26) with $7.9M, led by Maigret (2022).
- Week 6 Wk 6 Jan 30–Feb 5 Azuro (2022) $105.5K Azuro (2022)
- Week 7 Wk 7 Feb 6–12 Rookies (2022) $597.6K Rookies (2022)
- Week 8 Wk 8 Feb 13–19 Little Nicholas: Happy As Can Be (2022) $3.9M Little Nicholas: Happy As Can Be (2022)
- Week 9 Wk 9 Feb 20–26 Maigret (2022) $7.9M Maigret (2022)
- Week 10 Wk 10 Feb 27–Mar 5 No reported grosses – No reported grosses
- Week 11 Wk 11 Mar 6–12 Goliath (2022) $6M Goliath (2022)
- Week 12 Wk 12 Mar 13–19 Notre-Dame on Fire (2022) $6.6M Notre-Dame on Fire (2022)
- Week 13 Wk 13 Mar 20–26 An Ordinary Mother (2022) $52.8K An Ordinary Mother (2022)
- Week 14 Wk 14 Mar 27–Apr 2 The World of Yesterday (2022) $466.9K The World of Yesterday (2022)
Earlier years
How Does Week 12 of 2022 Compare With Earlier Years?
Of these 10 years, Week 12, 2018 earned the most: $34.3M from 6 films, led by Back to Burgundy (2018). Week 12, 2022 took $6.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 12, 2013 Mar 17–23 1 film | 1 | $6K | – | Sous le figuier (2013) $6K |
| Week 12, 2014 Mar 16–22 2 films · +115870% | 2 | $7M | +115870% | The French Minister (2014) $5.6M |
| Week 12, 2015 Mar 15–21 2 films · −98% | 2 | $155.4K | −98% | The Passion of Augustine (2015) $133.9K |
| Week 12, 2016 Mar 13–19 2 films · +3489% | 2 | $5.6M | +3489% | Marseille (2016) $4.1M |
| Week 12, 2017 Mar 19–25 1 film · −64% | 1 | $2M | −64% | Corporate (2017) $2M |
| Week 12, 2018 Mar 18–24 6 films · +1599% | 6 | $34.3M | +1599% | Back to Burgundy (2018) $11.6M |
| Week 12, 2019 Mar 17–23 No films | 0 | – | – | – |
| Week 12, 2020 Mar 15–21 No films | 0 | – | – | – |
| Week 12, 2021 Mar 14–20 No films | 0 | – | – | – |
| Week 12, 2022 Mar 13–19 4 films | 4 | $6.6M | – | Notre-Dame on Fire (2022) $6.1M |
Archive
French Box Office in 2022, Week by Week
42 weeks of 2022 with reported grosses; the biggest is week 35 (Aug 21–27) with $19.6M, led by Belle and Sebastian: Next Generation (2022).
- Week 1 No grosses
- Week 2 No grosses
- Week 3 $11M
- Week 4 $15.8M
- Week 5 $930.5K
- Week 6 $105.5K
- Week 7 $597.6K
- Week 8 $3.9M
- Week 9 $7.9M
- Week 10 No grosses
- Week 11 $6M
- Week 12 $6.6M
- Week 13 $52.8K
- Week 14 $466.9K
- Week 15 $984.7K
- Week 16 $2.9M
- Week 17 $509.1K
- Week 18 $932.5K
- Week 19 $2.8M
- Week 20 No grosses
- Week 21 $2.5M
- Week 22 $4.6M
- Week 23 $14M
- Week 24 $10.6M
- Week 25 $10.3M
- Week 26 $675K
- Week 27 $1.9M
- Week 28 $5.4M
- Week 29 $7.9M
- Week 30 $7K
- Week 31 No grosses
- Week 32 $15.2K
- Week 33 $1.4M
- Week 34 No grosses
- Week 35 $19.6M
- Week 36 $6.1M
- Week 37 $1.6M
- Week 38 $718.1K
- Week 39 $2.6M
- Week 40 No grosses
- Week 41 $2.1M
- Week 42 No grosses
- Week 43 No grosses
- Week 44 $2.1M
- Week 45 $2.4M
- Week 46 $634.5K
- Week 47 $272.2K
- Week 48 No grosses
- Week 49 $2.2M
- Week 50 $16.9M
- Week 51 $460.5K
- Week 52 $493.1K
- Week 53 No grosses
FAQ
French Box Office Week 12 of 2022: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing French-language movie in week 12 of 2022 (Mar 13–19)?
Notre-Dame on Fire (2022) leads with $6.1M worldwide. Next come Jane by Charlotte (2022) at $230.5K and Bloody Oranges (2022) at $230.2K.
How much did French-language movies released in week 12 of 2022 (Mar 13–19) earn?
4 French-language films released in week 12 of 2022 (Mar 13–19) report a worldwide gross, $6.6M in all, or $1.6M per film on average.
How many French-language movies released in week 12 of 2022 (Mar 13–19) made $1 billion?
None. The biggest, Notre-Dame on Fire (2022), earned $6.1M.
How is the week 12, 2022 French box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 12 of 2022 (Mar 13–19). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 12, 2022 French box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.