#1 of 5 2015 · Comedy, Drama
$3.9M worldwide · 39% of the chart's total
Blind Date (2015) is the highest-grossing French-language movie released in week 19 of 2015 (May 3–9), with $3.9M worldwide, ahead of Saint Laurent (2015) at $3.2M and In the Name of My Daughter (2015) at $2.5M. 5 French-language films released that week report a worldwide gross, $10M in all, 7% of it from the US & Canada. That is up 78% on Week 18, 2015, whose releases took $5.6M. By genre, Drama leads with $9.6M across 4 French releases.
#1 of 5 2015 · Comedy, Drama
$3.9M worldwide · 39% of the chart's total
Blind Date (2015) leads with $3.9M, 39% of the total. The top 5 together took $10M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 19 of 2015 (May 3–9).
May 6, 2015 US and Canada: – Rest of the world: – Worldwide: $3.9M
May 8, 2015 US and Canada: $429.5K Rest of the world: $2.8M Worldwide: $3.2M
May 8, 2015 US and Canada: $277.5K Rest of the world: $2.3M Worldwide: $2.5M
May 6, 2015 US and Canada: $889 Rest of the world: $375.6K Worldwide: $376.5K
May 6, 2015 US and Canada: – Rest of the world: – Worldwide: $6K Of the top 5, Saint Laurent (2015) earned the biggest share at home (13% in the US & Canada), while Thanks to my Friends (2015) made 100% of its gross abroad. Across all 5 films, $707.9K (7%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 19 releases took $10M. The biggest of these 9 weeks is week 15 (Apr 5–11) with $19.9M, led by Animal Kingdom: Let’s Go Ape (2015).
Of these 10 years, Week 19, 2010 earned the most: $35.5M from 2 films, led by OSS 117 - Lost in Rio (2010). Week 19, 2015 took $10M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 19, 2006 May 7–13 No films | 0 | – | – | – |
| Week 19, 2007 May 6–12 2 films | 2 | $5.3M | – | The Ex (2007) $5.2M |
| Week 19, 2008 May 4–10 1 film · −47% | 1 | $2.8M | −47% | Frontier(s) (2008) $2.8M |
| Week 19, 2009 May 3–9 1 film · −86% | 1 | $384.7K | −86% | Adoration (2009) $384.7K |
| Week 19, 2010 May 2–8 2 films · +9130% | 2 | $35.5M | +9130% | OSS 117 - Lost in Rio (2010) $21.9M |
| Week 19, 2011 May 1–7 2 films · −99% | 2 | $399.5K | −99% | The Long Falling (2011) $398.5K |
| Week 19, 2012 May 6–12 2 films · +8% | 2 | $433.4K | +8% | Sea, No Sex & Sun (2012) $283.2K |
| Week 19, 2013 May 5–11 1 film · −10% | 1 | $391.7K | −10% | Cheba Louisa (2013) $391.7K |
| Week 19, 2014 May 4–10 2 films · +145% | 2 | $958.5K | +145% | Nice and Easy (2014) $787K |
| Week 19, 2015 May 3–9 5 films · +943% | 5 | $10M | +943% | Blind Date (2015) $3.9M |
38 weeks of 2015 with reported grosses; the biggest is week 27 (Jun 28–Jul 4) with $25.4M, led by Serial Teachers 2 (2015).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Blind Date (2015) leads with $3.9M worldwide. Next come Saint Laurent (2015) at $3.2M and In the Name of My Daughter (2015) at $2.5M.
5 French-language films released in week 19 of 2015 (May 3–9) report a worldwide gross, $10M in all, or $2M per film on average. Week 18, 2015 releases took $5.6M.
None. The biggest, Blind Date (2015), earned $3.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 19 of 2015 (May 3–9). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.