#1 of 20 #1 English-language movie of Week 38, 2022
2022 · Action, Drama
$97.6M worldwide · 64% of the chart's total
$67.3M US & Canada · 69% $30.2M elsewhere · 31%
English box office · Week 38 · Sep 11–17, 2022
English Box Office, Week 38 of 2022: English Releases of Sep 11–17
The Woman King (2022) is the highest-grossing English-language movie released in week 38 of 2022 (Sep 11–17), with $97.6M worldwide, ahead of See How They Run (2022) at $22M and Moonage Daydream (2022) at $13.1M. 20 English-language films released that week report a worldwide gross, $152.2M in all, 65% of it from the US & Canada. That is up 95% on Week 37, 2022, whose releases took $77.9M. By genre, History leads with $119.5M across 3 English releases.
- week 38 releases with a gross
- 20
- combined worldwide
- $152.2M
- The Woman King (2022), the #1
- $97.6M
- vs Week 37, 2022
- +95%
#1 of 20 Top 5
What Were the Biggest English Hits of Week 38 of 2022?
The Woman King (2022) leads with $97.6M, 64% of the total. The top 5 together took $147.2M, 97% of what all 20 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 38 of 2022, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 38 of 2022 (Sep 11–17).
- 1 Sep 16, 2022 US and Canada: $67.3M Rest of the world: $30.2M Worldwide: $97.6M
- 2 Sep 16, 2022 US and Canada: $9.6M Rest of the world: $12.4M Worldwide: $22M
- 3 Sep 16, 2022 US and Canada: $4.2M Rest of the world: $8.9M Worldwide: $13.1M
- 4 Sep 16, 2022 US and Canada: $9.4M Rest of the world: $424K Worldwide: $9.8M
- 5 Sep 13, 2022 US and Canada: $4.7M Rest of the world: $54.5K Worldwide: $4.7M
- 6
Sep 16, 2022 US and Canada: $1.5M Rest of the world: Worldwide: $1.5M - 7
Sep 11, 2022 US and Canada: – Rest of the world: – Worldwide: $666.5K - 8
Sep 16, 2022 US and Canada: $538.8K Rest of the world: $117.8K Worldwide: $656.6K - 9
Sep 16, 2022 US and Canada: $493.7K Rest of the world: Worldwide: $493.7K - 10
Sep 16, 2022 US and Canada: – Rest of the world: – Worldwide: $424K - 11
Sep 15, 2022 US and Canada: $399.4K Rest of the world: Worldwide: $399.4K - 12
Sep 16, 2022 US and Canada: $205.1K Rest of the world: $93.1K Worldwide: $298.2K - 13
Sep 12, 2022 US and Canada: – Rest of the world: – Worldwide: $233.2K - 14
Sep 16, 2022 US and Canada: $171.8K Rest of the world: Worldwide: $171.8K - 15
Sep 13, 2022 US and Canada: – Rest of the world: – Worldwide: $45K - 16
Sep 16, 2022 US and Canada: $41K Rest of the world: $3.4K Worldwide: $44.4K - 17
Sep 16, 2022 US and Canada: $29.8K Rest of the world: Worldwide: $29.8K - 18
Sep 12, 2022 US and Canada: – Rest of the world: – Worldwide: $13.6K - 19
Sep 14, 2022 US and Canada: – Rest of the world: – Worldwide: $10K - 20
Sep 15, 2022 US and Canada: – Rest of the world: – Worldwide: $6.8K
US & Canada vs the world
Where Did the Money Come From in Week 38 of 2022?
Of the top 10, Running the Bases (2022) earned the biggest share at home (100% in the US & Canada), while Moonage Daydream (2022) made 68% of its gross abroad. Across all 20 films, $98.6M (65%) came from the US & Canada. 2 films of the top 10 report no US & Canada figure.
- 1 The Woman King (2022) $97.6M $67.3M US & Canada · 69% $30.2M elsewhere · 31%
- 2 See How They Run (2022) $22M $9.6M US & Canada · 44% $12.4M elsewhere · 56%
- 3 Moonage Daydream (2022) $13.1M $4.2M US & Canada · 32% $8.9M elsewhere · 68%
- 4 Pearl (2022) $9.8M $9.4M US & Canada · 96% $424K elsewhere · 4%
- 5 Clerks III (2022) $4.7M $4.7M US & Canada · 99% $54.5K elsewhere · 1%
- 6 Running the Bases (2022) $1.5M $1.5M US & Canada · 100% elsewhere · 0%
- 7 Stellar (2022) $666.5K No US & Canada figure reported
- 8 Confess, Fletch (2022) $656.6K $538.8K US & Canada · 82% $117.8K elsewhere · 18%
- 9 God's Country (2022) $493.7K $493.7K US & Canada · 100% elsewhere · 0%
- 10 Heathers: The Musical (2022) $424K No US & Canada figure reported
Gross bands
How Many Week 38 of 2022 Releases Crossed $100 Million?
None of the 20 films reached $100M. 17 films, 85% of the list, earned under $10M. Each band shows its films and its share of the $152.2M total.
87% 13%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 0 films, 0% of the list No films
- $10M to $100M 3 films, 15% of the list $132.6M · 87% of the gross
- Under $10M 17 films, 85% of the list $19.6M · 13% of the gross
Weeks around it
How Does Week 38 Compare With the Weeks Around It?
Week 38 releases took $152.2M. The biggest of these 9 weeks is week 32 (Jul 31–Aug 6) with $317.7M, led by Bullet Train (2022).
- Week 32 Wk 32 Jul 31–Aug 6 Bullet Train (2022) $317.7M Bullet Train (2022)
- Week 33 Wk 33 Aug 7–13 Fall (2022) $24.2M Fall (2022)
- Week 34 Wk 34 Aug 14–20 Beast (2022) $98.6M Beast (2022)
- Week 35 Wk 35 Aug 21–27 The Invitation (2022) $61.8M The Invitation (2022)
- Week 36 Wk 36 Aug 28–Sep 3 Honk for Jesus. Save Your Soul. (2022) $5.8M Honk for Jesus. Save Your Soul. (2022)
- Week 37 Wk 37 Sep 4–10 Barbarian (2022) $77.9M Barbarian (2022)
- Week 38 Wk 38 Sep 11–17 The Woman King (2022) $152.2M The Woman King (2022)
- Week 39 Wk 39 Sep 18–24 Don't Worry Darling (2022) $100.8M Don't Worry Darling (2022)
- Week 40 Wk 40 Sep 25–Oct 1 Smile (2022) $238.4M Smile (2022)
Earlier years
How Does Week 38 of 2022 Compare With Earlier Years?
Of these 10 years, Week 38, 2015 earned the most: $723.5M from 23 films, led by Maze Runner: The Scorch Trials (2015). Week 38, 2022 took $152.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 38, 2013 Sep 15–21 18 films | 18 | $276.7M | – | Prisoners (2013) $122.1M |
| Week 38, 2014 Sep 14–20 21 films · +70% | 21 | $470.3M | +70% | The Maze Runner (2014) $348.3M |
| Week 38, 2015 Sep 13–19 23 films · +54% | 23 | $723.5M | +54% | Maze Runner: The Scorch Trials (2015) $312.3M |
| Week 38, 2016 Sep 11–17 23 films · −56% | 23 | $315.3M | −56% | Bridget Jones's Baby (2016) $212M |
| Week 38, 2017 Sep 17–23 19 films · +105% | 19 | $647.2M | +105% | Kingsman: The Golden Circle (2017) $410.9M |
| Week 38, 2018 Sep 16–22 19 films · −74% | 19 | $165.6M | −74% | The House with a Clock in Its Walls (2018) $131.5M |
| Week 38, 2019 Sep 15–21 19 films · +155% | 19 | $421.6M | +155% | Downton Abbey (2019) $194.7M |
| Week 38, 2020 Sep 13–19 14 films · −93% | 14 | $30.9M | −93% | Red Shoes and the Seven Dwarfs (2020) $10.3M |
| Week 38, 2021 Sep 12–18 16 films · +15% | 16 | $35.4M | +15% | Cry Macho (2021) $16.5M |
| Week 38, 2022 Sep 11–17 20 films · +330% | 20 | $152.2M | +330% | The Woman King (2022) $97.6M |
By genre
Which English Genres Earned the Most in Week 38 of 2022?
History took $119.5M across 3 films, 79% of the total, ahead of Drama ($100.3M) and Action ($97.6M). A film counts once for each of its genres.
Week 38 of 2022 English Box Office by Genre
-
History $119.5M3 films · #1 The Woman King (2022) -
Drama $100.3M7 films · #1 The Woman King (2022) -
Action $97.6M2 films · #1 The Woman King (2022) -
Comedy $27.5M4 films · #1 See How They Run (2022) -
Thriller $22.5M4 films · #1 See How They Run (2022) -
Mystery $22M1 film · #1 See How They Run (2022) -
Documentary $13.5M3 films · #1 Moonage Daydream (2022) -
Music $13.3M2 films · #1 Moonage Daydream (2022) -
Horror $10.1M5 films · #1 Pearl (2022) -
Crime $656.6K1 film · #1 Confess, Fletch (2022)
Archive
English Box Office in 2022, Week by Week
52 weeks of 2022 with reported grosses; the biggest is week 51 (Dec 11–17) with $2.4B, led by Avatar: The Way of Water (2022).
- Week 1 No grosses
- Week 2 $30.8M
- Week 3 $240.6M
- Week 4 $15.3M
- Week 5 $2.5M
- Week 6 $168.5M
- Week 7 $205.3M
- Week 8 $504.7M
- Week 9 $5.7M
- Week 10 $774.2M
- Week 11 $30.1M
- Week 12 $51.1M
- Week 13 $337.9M
- Week 14 $173.4M
- Week 15 $457.9M
- Week 16 $433.5M
- Week 17 $356M
- Week 18 $14.3M
- Week 19 $979.3M
- Week 20 $31.3M
- Week 21 $128.2M
- Week 22 $39.2M
- Week 23 $13.1M
- Week 24 $1B
- Week 25 $238.5M
- Week 26 $459.2M
- Week 27 $947.7M
- Week 28 $761.1M
- Week 29 $220.3M
- Week 30 $177.9M
- Week 31 $215.7M
- Week 32 $317.7M
- Week 33 $24.2M
- Week 34 $98.6M
- Week 35 $61.8M
- Week 36 $5.8M
- Week 37 $77.9M
- Week 38 $152.2M
- Week 39 $100.8M
- Week 40 $238.4M
- Week 41 $189.6M
- Week 42 $120.7M
- Week 43 $622M
- Week 44 $11.5M
- Week 45 $27.8M
- Week 46 $1.2B
- Week 47 $119.6M
- Week 48 $116.9M
- Week 49 $98.5M
- Week 50 $111.4M
- Week 51 $2.4B
- Week 52 $629M
- Week 53 $397.2M
FAQ
English Box Office Week 38 of 2022: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 20 films as the chart.
What is the highest-grossing English-language movie in week 38 of 2022 (Sep 11–17)?
The Woman King (2022) leads with $97.6M worldwide, $67.3M of it in the US & Canada. Next come See How They Run (2022) at $22M and Moonage Daydream (2022) at $13.1M.
How much did English-language movies released in week 38 of 2022 (Sep 11–17) earn?
20 English-language films released in week 38 of 2022 (Sep 11–17) report a worldwide gross, $152.2M in all, or $7.6M per film on average. Week 37, 2022 releases took $77.9M.
How many English-language movies released in week 38 of 2022 (Sep 11–17) made $1 billion?
None. The biggest, The Woman King (2022), earned $97.6M.
How is the week 38, 2022 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 38 of 2022 (Sep 11–17). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 38, 2022 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.