#1 of 4 #1 Chinese-language movie of Week 44, 2017
2017 · Drama, Adventure
$16M worldwide · 64% of the chart's total
No US & Canada figure reported
Chinese box office · Week 44 · Oct 29–Nov 4, 2017
Chinese Box Office, Week 44 of 2017: Chinese Releases of Oct 29–Nov 4
Seventy-Seven Days (2017) is the highest-grossing Chinese-language movie released in week 44 of 2017 (Oct 29–Nov 4), with $16M worldwide, ahead of The Looming Storm (2017) at $5M and Love Education (2017) at $2.7M. 4 Chinese-language films released that week report a worldwide gross, $25.1M in all.
- week 44 releases with a gross
- 4
- combined worldwide
- $25.1M
- Seventy-Seven Days (2017), the #1
- $16M
#1 of 4 Top 4
What Were the Biggest Chinese Hits of Week 44 of 2017?
Seventy-Seven Days (2017) leads with $16M, 64% of the total. The top 4 together took $25.1M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Chinese Release of Week 44 of 2017, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 44 of 2017 (Oct 29–Nov 4).
- 1 Nov 3, 2017 US and Canada: – Rest of the world: – Worldwide: $16M
- 2 Oct 29, 2017 US and Canada: – Rest of the world: – Worldwide: $5M
- 3 Nov 3, 2017 US and Canada: – Rest of the world: – Worldwide: $2.7M
- 4 Nov 3, 2017 US and Canada: – Rest of the world: – Worldwide: $1.4M
Weeks around it
How Does Week 44 Compare With the Weeks Around It?
Week 44 releases took $25.1M. The biggest of these 9 weeks is week 39 (Sep 24–30) with $445.5M, led by Never Say Die (2017).
- Week 38 Wk 38 Sep 17–23 Defenders (2017) $1.7M Defenders (2017)
- Week 39 Wk 39 Sep 24–30 Never Say Die (2017) $445.5M Never Say Die (2017)
- Week 40 Wk 40 Oct 1–7 No reported grosses – No reported grosses
- Week 41 Wk 41 Oct 8–14 End of Summer (2017) $286.5K End of Summer (2017)
- Week 42 Wk 42 Oct 15–21 No reported grosses – No reported grosses
- Week 43 Wk 43 Oct 22–28 No reported grosses – No reported grosses
- Week 44 Wk 44 Oct 29–Nov 4 Seventy-Seven Days (2017) $25.1M Seventy-Seven Days (2017)
- Week 45 Wk 45 Nov 5–11 No reported grosses – No reported grosses
- Week 46 Wk 46 Nov 12–18 The Kid from the Big Apple 2: Before We Forget (2017) $287.9K The Kid from the Big Apple 2: Before We Forget (2017)
Earlier years
How Does Week 44 of 2017 Compare With Earlier Years?
Of these 10 years, Week 44, 2016 earned the most: $28.5M from 4 films, led by Mr. Donkey (2016). Week 44, 2017 took $25.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 44, 2008 Oct 26–Nov 1 No films | 0 | – | – | – |
| Week 44, 2009 Oct 25–31 No films | 0 | – | – | – |
| Week 44, 2010 Oct 24–30 3 films | 3 | $22.2M | – | Buddha Mountain (2010) $10.7M |
| Week 44, 2011 Oct 23–29 No films | 0 | – | – | – |
| Week 44, 2012 Oct 28–Nov 3 No films | 0 | – | – | – |
| Week 44, 2013 Oct 27–Nov 2 2 films | 2 | $5.6M | – | Man of Tai Chi (2013) $5.5M |
| Week 44, 2014 Oct 26–Nov 1 1 film · −100% | 1 | $5.3K | −100% | River Road (2014) $5.3K |
| Week 44, 2015 Oct 25–31 No films | 0 | – | – | – |
| Week 44, 2016 Oct 23–29 4 films | 4 | $28.5M | – | Mr. Donkey (2016) $25.5M |
| Week 44, 2017 Oct 29–Nov 4 4 films · −12% | 4 | $25.1M | −12% | Seventy-Seven Days (2017) $16M |
Archive
Chinese Box Office in 2017, Week by Week
35 weeks of 2017 with reported grosses; the biggest is week 30 (Jul 23–29) with $882.3M, led by Wolf Warrior 2 (2017).
- Week 1 $102.2M
- Week 2 No grosses
- Week 3 No grosses
- Week 4 $490.1M
- Week 5 $247.6M
- Week 6 $17.7M
- Week 7 $343.5M
- Week 8 No grosses
- Week 9 $81.2K
- Week 10 No grosses
- Week 11 No grosses
- Week 12 $3.6K
- Week 13 $95.7M
- Week 14 $5.4M
- Week 15 $663.8K
- Week 16 $18M
- Week 17 $100.8M
- Week 18 No grosses
- Week 19 No grosses
- Week 20 $2.7M
- Week 21 $4M
- Week 22 No grosses
- Week 23 No grosses
- Week 24 $5M
- Week 25 No grosses
- Week 26 $11.7M
- Week 27 $43.1M
- Week 28 $4.4M
- Week 29 $9.9M
- Week 30 $882.3M
- Week 31 $60.6M
- Week 32 $45.7M
- Week 33 $30.3M
- Week 34 $17.3M
- Week 35 $22.2K
- Week 36 No grosses
- Week 37 No grosses
- Week 38 $1.7M
- Week 39 $445.5M
- Week 40 No grosses
- Week 41 $286.5K
- Week 42 No grosses
- Week 43 No grosses
- Week 44 $25.1M
- Week 45 No grosses
- Week 46 $287.9K
- Week 47 $9.3M
- Week 48 $40.7M
- Week 49 $8.6M
- Week 50 $46.3M
- Week 51 No grosses
- Week 52 $70.4M
- Week 53 No grosses
FAQ
Chinese Box Office Week 44 of 2017: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing Chinese-language movie in week 44 of 2017 (Oct 29–Nov 4)?
Seventy-Seven Days (2017) leads with $16M worldwide. Next come The Looming Storm (2017) at $5M and Love Education (2017) at $2.7M.
How much did Chinese-language movies released in week 44 of 2017 (Oct 29–Nov 4) earn?
4 Chinese-language films released in week 44 of 2017 (Oct 29–Nov 4) report a worldwide gross, $25.1M in all, or $6.3M per film on average.
How many Chinese-language movies released in week 44 of 2017 (Oct 29–Nov 4) made $1 billion?
None. The biggest, Seventy-Seven Days (2017), earned $16M.
How is the week 44, 2017 Chinese box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 44 of 2017 (Oct 29–Nov 4). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 44, 2017 Chinese box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.