#1 of 3 #1 war movie of Week 11, 2019
2019 · Drama, Romance
$9.2M worldwide · 71% of the chart's total
$1.6M US & Canada · 18% $7.6M elsewhere · 82%
War box office · Week 11 · Mar 10–16, 2019
War Box Office, Week 11 of 2019: War Releases of Mar 10–16
The Aftermath (2019) is the highest-grossing war movie released in week 11 of 2019 (Mar 10–16), with $9.2M worldwide, ahead of The Resistance Fighter (2019) at $2.5M and Turkish Ice Cream (2019) at $1.3M. 3 war films released that week report a worldwide gross, $13M in all, 12% of it from the US & Canada.
- week 11 releases with a gross
- 3
- combined worldwide
- $13M
- The Aftermath (2019), the #1
- $9.2M
- earned in the US & Canada
- 12%
#1 of 3 Top 3
What Were the Biggest War Hits of Week 11 of 2019?
The Aftermath (2019) leads with $9.2M, 71% of the total. The top 3 together took $13M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every War Release of Week 11 of 2019, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2019 (Mar 10–16).
- 1 Mar 15, 2019 US and Canada: $1.6M Rest of the world: $7.6M Worldwide: $9.2M
- 2 Mar 15, 2019 US and Canada: – Rest of the world: – Worldwide: $2.5M
- 3 Mar 15, 2019 US and Canada: – Rest of the world: – Worldwide: $1.3M
Weeks around it
How Does Week 11 Compare With the Weeks Around It?
Week 11 releases took $13M. The biggest of these 9 weeks is week 12 (Mar 17–23) with $22.5M, led by Kesari (2019).
- Week 5 Wk 5 Jan 27–Feb 2 Saving Leningrad (2019) $3.1M Saving Leningrad (2019)
- Week 6 Wk 6 Feb 3–9 Code Geass: Lelouch of the Re;Surrection (2019) $12.2M Code Geass: Lelouch of the Re;Surrection (2019)
- Week 7 Wk 7 Feb 10–16 A Russian Youth (2019) $13.9K A Russian Youth (2019)
- Week 8 Wk 8 Feb 17–23 No reported grosses – No reported grosses
- Week 9 Wk 9 Feb 24–Mar 2 The Photographer of Mauthausen (2019) $2.8M The Photographer of Mauthausen (2019)
- Week 10 Wk 10 Mar 3–9 No reported grosses – No reported grosses
- Week 11 Wk 11 Mar 10–16 The Aftermath (2019) $13M The Aftermath (2019)
- Week 12 Wk 12 Mar 17–23 Kesari (2019) $22.5M Kesari (2019)
- Week 13 Wk 13 Mar 24–30 Sobibor (2019) $5.1M Sobibor (2019)
Earlier years
How Does Week 11 of 2019 Compare With Earlier Years?
Of these 10 years, Week 11, 2010 earned the most: $139M from 2 films, led by Green Zone (2010). Week 11, 2019 took $13M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 2010 Mar 7–13 2 films | 2 | $139M | – | Green Zone (2010) $113.4M |
| Week 11, 2011 Mar 6–12 1 film · −100% | 1 | $158.5K | −100% | The Desert of Forbidden Art (2011) $158.5K |
| Week 11, 2012 Mar 11–17 3 films · +1617% | 3 | $2.7M | +1617% | Hans Kloss: More Than Death at Stake (2012) $1.3M |
| Week 11, 2013 Mar 10–16 1 film · −75% | 1 | $670K | −75% | Kingdom of Conquerors (2013) $670K |
| Week 11, 2014 Mar 9–15 1 film · −57% | 1 | $286K | −57% | The Silent Mountain (2014) $286K |
| Week 11, 2015 Mar 8–14 1 film · +635% | 1 | $2.1M | +635% | April 9th (2015) $2.1M |
| Week 11, 2016 Mar 6–12 2 films · +1581% | 2 | $35.3M | +1581% | Eye in the Sky (2016) $35.3M |
| Week 11, 2017 Mar 12–18 1 film · −79% | 1 | $7.5M | −79% | Frantz (2017) $7.5M |
| Week 11, 2018 Mar 11–17 1 film · −87% | 1 | $970.8K | −87% | Journey's End (2018) $970.8K |
| Week 11, 2019 Mar 10–16 3 films · +1235% | 3 | $13M | +1235% | The Aftermath (2019) $9.2M |
Archive
War Box Office in 2019, Week by Week
36 weeks of 2019 with reported grosses; the biggest is week 52 (Dec 22–28) with $446.1M, led by 1917 (2019).
- Week 1 No grosses
- Week 2 $40.9M
- Week 3 No grosses
- Week 4 No grosses
- Week 5 $3.1M
- Week 6 $12.2M
- Week 7 $13.9K
- Week 8 No grosses
- Week 9 $2.8M
- Week 10 No grosses
- Week 11 $13M
- Week 12 $22.5M
- Week 13 $5.1M
- Week 14 No grosses
- Week 15 $183.3K
- Week 16 $7.1K
- Week 17 No grosses
- Week 18 $91.7M
- Week 19 $9.8M
- Week 20 $1.8M
- Week 21 $36K
- Week 22 No grosses
- Week 23 $2.7M
- Week 24 $609.1K
- Week 25 No grosses
- Week 26 $338.9K
- Week 27 No grosses
- Week 28 No grosses
- Week 29 $301.6K
- Week 30 $110.1K
- Week 31 $517.9K
- Week 32 $51.1M
- Week 33 $50.7M
- Week 34 No grosses
- Week 35 $10.3M
- Week 36 $13.8M
- Week 37 No grosses
- Week 38 $1.8M
- Week 39 $682.4K
- Week 40 $37.6K
- Week 41 $667.4K
- Week 42 $94.1M
- Week 43 $425.9K
- Week 44 No grosses
- Week 45 $129.5M
- Week 46 $210.9K
- Week 47 No grosses
- Week 48 No grosses
- Week 49 $3.5M
- Week 50 $21.1M
- Week 51 $472.1K
- Week 52 $446.1M
- Week 53 No grosses
FAQ
War Box Office Week 11 of 2019: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing war movie in week 11 of 2019 (Mar 10–16)?
The Aftermath (2019) leads with $9.2M worldwide, $1.6M of it in the US & Canada. Next come The Resistance Fighter (2019) at $2.5M and Turkish Ice Cream (2019) at $1.3M.
How much did war movies released in week 11 of 2019 (Mar 10–16) earn?
3 war films released in week 11 of 2019 (Mar 10–16) report a worldwide gross, $13M in all, or $4.3M per film on average.
How many war movies released in week 11 of 2019 (Mar 10–16) made $1 billion?
None. The biggest, The Aftermath (2019), earned $9.2M.
How is the week 11, 2019 war box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2019 (Mar 10–16). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 11, 2019 war box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.