#1 of 3 #1 sci-fi movie of Week 16, 2016
2016 · Action, Sci-Fi
$38.8M worldwide · 100% of the chart's total
$14.7M US & Canada · 38% $24.1M elsewhere · 62%
Sci-Fi box office · Week 16 · Apr 10–16, 2016
Sci-Fi Box Office, Week 16 of 2016: Sci-Fi Releases of Apr 10–16
Criminal (2016) is the highest-grossing sci-fi movie released in week 16 of 2016 (Apr 10–16), with $38.8M worldwide, ahead of Eclipse (2016) at $107.1K and Loop (2016) at $25.3K. 3 sci-fi films released that week report a worldwide gross, $38.9M in all, 38% of it from the US & Canada. That is up 107% on Week 15, 2016, whose releases took $18.9M.
- week 16 releases with a gross
- 3
- combined worldwide
- $38.9M
- Criminal (2016), the #1
- $38.8M
- vs Week 15, 2016
- +107%
#1 of 3 Top 3
What Were the Biggest Sci-Fi Hits of Week 16 of 2016?
Criminal (2016) leads with $38.8M, 100% of the total. The top 3 together took $38.9M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Sci-Fi Release of Week 16 of 2016, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 16 of 2016 (Apr 10–16).
- 1 Apr 15, 2016 US and Canada: $14.7M Rest of the world: $24.1M Worldwide: $38.8M
- 2 Apr 13, 2016 US and Canada: – Rest of the world: – Worldwide: $107.1K
- 3 Apr 14, 2016 US and Canada: – Rest of the world: – Worldwide: $25.3K
Weeks around it
How Does Week 16 Compare With the Weeks Around It?
Week 16 releases took $38.9M. The biggest of these 9 weeks is week 13 (Mar 20–26) with $905.7M, led by Batman v Superman: Dawn of Justice (2016).
- Week 10 Wk 10 Feb 28–Mar 5 Doraemon: Nobita and the Birth of Japan (2016) $51M Doraemon: Nobita and the Birth of Japan (2016)
- Week 11 Wk 11 Mar 6–12 10 Cloverfield Lane (2016) $110.3M 10 Cloverfield Lane (2016)
- Week 12 Wk 12 Mar 13–19 Midnight Special (2016) $7.1M Midnight Special (2016)
- Week 13 Wk 13 Mar 20–26 Batman v Superman: Dawn of Justice (2016) $905.7M Batman v Superman: Dawn of Justice (2016)
- Week 14 Wk 14 Mar 27–Apr 2 Pandemic (2016) $8.7K Pandemic (2016)
- Week 15 Wk 15 Apr 3–9 Hardcore Henry (2016) $18.9M Hardcore Henry (2016)
- Week 16 Wk 16 Apr 10–16 Criminal (2016) $38.9M Criminal (2016)
- Week 17 Wk 17 Apr 17–23 Men & Chicken (2016) $4.8M Men & Chicken (2016)
- Week 18 Wk 18 Apr 24–30 Ratchet & Clank (2016) $18.9M Ratchet & Clank (2016)
Earlier years
How Does Week 16 of 2016 Compare With Earlier Years?
Of these 10 years, Week 16, 2014 earned the most: $103.7M from 2 films, led by Transcendence (2014). Week 16, 2016 took $38.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 16, 2007 Apr 15–21 No films | 0 | – | – | – |
| Week 16, 2008 Apr 13–19 No films | 0 | – | – | – |
| Week 16, 2009 Apr 12–18 1 film | 1 | $107.6K | – | Sleep Dealer (2009) $107.6K |
| Week 16, 2010 Apr 11–17 No films | 0 | – | – | – |
| Week 16, 2011 Apr 10–16 1 film | 1 | $4.6M | – | Atlas Shrugged: Part I (2011) $4.6M |
| Week 16, 2012 Apr 15–21 1 film · +652% | 1 | $34.8M | +652% | Kamen Rider × Super Sentai: Super Hero Wars (2012) $34.8M |
| Week 16, 2013 Apr 14–20 1 film · −86% | 1 | $4.8M | −86% | Steins;Gate: The Movie - Load Region of Déjà Vu (2013) $4.8M |
| Week 16, 2014 Apr 13–19 2 films · +2040% | 2 | $103.7M | +2040% | Transcendence (2014) $103M |
| Week 16, 2015 Apr 12–18 1 film · −100% | 1 | $306K | −100% | Monsters: Dark Continent (2015) $306K |
| Week 16, 2016 Apr 10–16 3 films · +12624% | 3 | $38.9M | +12624% | Criminal (2016) $38.8M |
Archive
Sci-Fi Box Office in 2016, Week by Week
47 weeks of 2016 with reported grosses; the biggest is week 19 (May 1–7) with $1.2B, led by Captain America: Civil War (2016).
- Week 1 $7.5M
- Week 2 No grosses
- Week 3 $58
- Week 4 $149.5M
- Week 5 $6.8M
- Week 6 $1.8M
- Week 7 $32.1K
- Week 8 No grosses
- Week 9 No grosses
- Week 10 $51M
- Week 11 $110.3M
- Week 12 $7.1M
- Week 13 $905.7M
- Week 14 $8.7K
- Week 15 $18.9M
- Week 16 $38.9M
- Week 17 $4.8M
- Week 18 $18.9M
- Week 19 $1.2B
- Week 20 $21.9M
- Week 21 $477.7K
- Week 22 $543.9M
- Week 23 $245.6M
- Week 24 $75.8K
- Week 25 $15.2K
- Week 26 $389.9M
- Week 27 $118.6M
- Week 28 $1.5M
- Week 29 $251M
- Week 30 $752.9M
- Week 31 $172.5M
- Week 32 $757.1M
- Week 33 $1.2M
- Week 34 $5.7M
- Week 35 $11.3K
- Week 36 $8.8M
- Week 37 $69K
- Week 38 No grosses
- Week 39 No grosses
- Week 40 $58.1M
- Week 41 $129.5K
- Week 42 $84.6M
- Week 43 $115.3K
- Week 44 $19.1M
- Week 45 $677.9M
- Week 46 $212.8M
- Week 47 $850
- Week 48 $56K
- Week 49 $319
- Week 50 $6.4M
- Week 51 $1.1B
- Week 52 $543.8M
- Week 53 No grosses
FAQ
Sci-Fi Box Office Week 16 of 2016: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing sci-fi movie in week 16 of 2016 (Apr 10–16)?
Criminal (2016) leads with $38.8M worldwide, $14.7M of it in the US & Canada. Next come Eclipse (2016) at $107.1K and Loop (2016) at $25.3K.
How much did sci-fi movies released in week 16 of 2016 (Apr 10–16) earn?
3 sci-fi films released in week 16 of 2016 (Apr 10–16) report a worldwide gross, $38.9M in all, or $13M per film on average. Week 15, 2016 releases took $18.9M.
How many sci-fi movies released in week 16 of 2016 (Apr 10–16) made $1 billion?
None. The biggest, Criminal (2016), earned $38.8M.
How is the week 16, 2016 sci-fi box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 16 of 2016 (Apr 10–16). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 16, 2016 sci-fi box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.