#1 of 6 2013 · Action, Adventure
$375.7M worldwide · 71% of the chart's total
G.I. Joe: Retaliation (2013) is the highest-grossing sci-fi movie released in March 2013, with $375.7M worldwide, ahead of The Host (2013) at $63.4M and Doraemon: Nobita’s Secret Gadget Museum (2013) at $42.8M. 6 sci-fi films released in March 2013 report a worldwide gross, $530.1M in all, 28% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 4.9 times the total of February 2013, whose releases took $107.8M. By language, English leads with $461.3M across 3 sci-fi releases.
#1 of 6 2013 · Action, Adventure
$375.7M worldwide · 71% of the chart's total
G.I. Joe: Retaliation (2013) leads with $375.7M, 71% of the total. The top 5 together took $530.1M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in March 2013.
Mar 29, 2013 US and Canada: $122.5M Rest of the world: $253.2M Worldwide: $375.7M
Mar 29, 2013 US and Canada: $26.6M Rest of the world: $36.7M Worldwide: $63.4M
Mar 16, 2013 US and Canada: – Rest of the world: – Worldwide: $26.1M
Mar 15, 2013 US and Canada: $105.1K Rest of the world: $22.1M Worldwide: $22.2M
Mar 15, 2013 US and Canada: – Rest of the world: – Worldwide: $91 Of the top 6, The Host (2013) earned the biggest share at home (42% in the US & Canada), while Upside Down (2013) made 100% of its gross abroad. Across all 6 films, $149.3M (28%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Films released in week 13 (Mar 24–30) took $439.1M, led by G.I. Joe: Retaliation (2013). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, March 2012 earned the most: $985.8M from 6 films, led by The Hunger Games (2012). March 2013 took $530.1M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| March 2004 2 films | 2 | $7.2M | – | Immortal (2004) $7.2M |
| March 2005 4 films · +3973% | 4 | $295.1M | +3973% | Robots (2005) $262.5M |
| March 2006 6 films · −35% | 6 | $190.6M | −35% | V for Vendetta (2006) $134.7M |
| March 2007 6 films · +50% | 6 | $286.3M | +50% | Meet the Robinsons (2007) $169.3M |
| March 2008 3 films · −50% | 3 | $143.6M | −50% | Superhero Movie (2008) $71.6M |
| March 2009 5 films · +498% | 5 | $858.1M | +498% | Monsters vs Aliens (2009) $381.5M |
| March 2010 4 films · −90% | 4 | $87.9M | −90% | Hot Tub Time Machine (2010) $64.8M |
| March 2011 6 films · +478% | 6 | $507.8M | +478% | Battle: Los Angeles (2011) $211.8M |
| March 2012 6 films · +94% | 6 | $985.8M | +94% | The Hunger Games (2012) $695.2M |
| March 2013 6 films · −46% | 6 | $530.1M | −46% | G.I. Joe: Retaliation (2013) $375.7M |
The months of 2013 with their totals: May leads with $1.9B, led by Iron Man 3 (2013).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
G.I. Joe: Retaliation (2013) leads with $375.7M worldwide, $122.5M of it in the US & Canada. Next come The Host (2013) at $63.4M and Doraemon: Nobita’s Secret Gadget Museum (2013) at $42.8M.
6 sci-fi films released in March 2013 report a worldwide gross, $530.1M in all, or $88.4M per film on average. February 2013 releases took $107.8M.
None. 1 film crossed $100 million, led by G.I. Joe: Retaliation (2013) with $375.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in March 2013. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.