#1 of 7 Bridget Jones: The Edge of Reason (2004)
2004 · Comedy, Romance
$265.1M worldwide · 97% of the chart's total
Bridget Jones: The Edge of Reason (2004) is the highest-grossing romance movie released in week 46 of 2004 (Nov 7–13), with $265.1M worldwide, ahead of Veer-Zaara (2004) at $6.7M and Naach (2004) at $1M. 7 romance films released that week report a worldwide gross, $274.2M in all, 16% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. By language, English leads with $265.7M across 2 romance releases.
#1 of 7 Bridget Jones: The Edge of Reason (2004)
2004 · Comedy, Romance
$265.1M worldwide · 97% of the chart's total
Bridget Jones: The Edge of Reason (2004) leads with $265.1M, 97% of the total. The top 5 together took $273.9M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 46 of 2004 (Nov 7–13).
Nov 12, 2004 US and Canada: $40.2M Rest of the world: $224.9M Worldwide: $265.1M
Nov 12, 2004 US and Canada: $2.9M Rest of the world: $3.8M Worldwide: $6.7M
Nov 12, 2004 US and Canada: – Rest of the world: – Worldwide: $1M
Nov 12, 2004 US and Canada: – Rest of the world: – Worldwide: $574.7K
Nov 12, 2004 US and Canada: $92K Rest of the world: $348.7K Worldwide: $440.7K
Nov 9, 2004 US and Canada: – Rest of the world: – Worldwide: $278.8K
Nov 13, 2004 US and Canada: – Rest of the world: – Worldwide: $12.1K Of the top 7, Veer-Zaara (2004) earned the biggest share at home (44% in the US & Canada), while Bridget Jones: The Edge of Reason (2004) made 85% of its gross abroad. Across all 7 films, $43.3M (16%) came from the US & Canada. 4 films of the top 7 report no US & Canada figure.
Week 46 releases took $274.2M. The biggest of these 9 weeks is week 46 (Nov 7–13) with $274.2M, led by Bridget Jones: The Edge of Reason (2004).
Of these 10 years, Week 46, 1996 earned the most: $276.9M from 4 films, led by The English Patient (1996). Week 46, 2004 took $274.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 46, 1995 Nov 12–18 2 films | 2 | $127.4M | – | The American President (1995) $107.9M |
| Week 46, 1996 Nov 10–16 4 films · +117% | 4 | $276.9M | +117% | The English Patient (1996) $232M |
| Week 46, 1997 Nov 9–15 1 film · −100% | 1 | $1.1M | −100% | The Tango Lesson (1997) $1.1M |
| Week 46, 1998 Nov 8–14 1 film · +13133% | 1 | $142.9M | +13133% | Meet Joe Black (1998) $142.9M |
| Week 46, 1999 Nov 7–13 1 film · −100% | 1 | $401.2K | −100% | Dillagi (1999) $401.2K |
| Week 46, 2000 Nov 5–11 2 films · +14432% | 2 | $58.3M | +14432% | Little Nicky (2000) $58.3M |
| Week 46, 2001 Nov 11–17 3 films · −98% | 3 | $1.1M | −98% | The Fluffer (2001) $599.5K |
| Week 46, 2002 Nov 10–16 3 films · +3147% | 3 | $36.9M | +3147% | The Crime of Padre Amaro (2002) $27M |
| Week 46, 2003 Nov 9–15 6 films · −96% | 6 | $1.3M | −96% | Khwahish (2003) $569.8K |
| Week 46, 2004 Nov 7–13 7 films · +20389% | 7 | $274.2M | +20389% | Bridget Jones: The Edge of Reason (2004) $265.1M |
53 weeks of 2004 with reported grosses; the biggest is week 52 (Dec 19–25) with $571.2M, led by Meet the Fockers (2004).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Bridget Jones: The Edge of Reason (2004) leads with $265.1M worldwide, $40.2M of it in the US & Canada. Next come Veer-Zaara (2004) at $6.7M and Naach (2004) at $1M.
7 romance films released in week 46 of 2004 (Nov 7–13) report a worldwide gross, $274.2M in all, or $39.2M per film on average.
None. 1 film crossed $100 million, led by Bridget Jones: The Edge of Reason (2004) with $265.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 46 of 2004 (Nov 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.