#1 of 3 How to Lose a Guy in 10 Days (2003)
2003 · Comedy, Romance
$177.5M worldwide · 91% of the chart's total
How to Lose a Guy in 10 Days (2003) is the highest-grossing romance movie released in week 6 of 2003 (Feb 2–8), with $177.5M worldwide, ahead of Deliver Us from Eva (2003) at $17.6M and Khushi (2003) at $310.8K. 3 romance films released that week report a worldwide gross, $195.4M in all, 63% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 4.6 times the total of Week 5, 2003, whose releases took $42.2M.
#1 of 3 How to Lose a Guy in 10 Days (2003)
2003 · Comedy, Romance
$177.5M worldwide · 91% of the chart's total
How to Lose a Guy in 10 Days (2003) leads with $177.5M, 91% of the total. The top 3 together took $195.4M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 6 of 2003 (Feb 2–8).
Feb 7, 2003 US and Canada: $105.8M Rest of the world: $71.7M Worldwide: $177.5M
Feb 7, 2003 US and Canada: $17.6M Rest of the world: Worldwide: $17.6M
Feb 7, 2003 US and Canada: $305.2K Rest of the world: $5.6K Worldwide: $310.8K Of the top 3, Deliver Us from Eva (2003) earned the biggest share at home (100% in the US & Canada), while How to Lose a Guy in 10 Days (2003) made 40% of its gross abroad. Across all 3 films, $123.7M (63%) came from the US & Canada.
Week 6 releases took $195.4M. The biggest of these 9 weeks is week 6 (Feb 2–8) with $195.4M, led by How to Lose a Guy in 10 Days (2003).
Of these 10 years, Week 6, 2003 earned the most: $195.4M from 3 films, led by How to Lose a Guy in 10 Days (2003).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 6, 1994 Jan 30–Feb 5 2 films | 2 | $28.8M | – | My Father the Hero (1994) $25.5M |
| Week 6, 1995 Feb 5–11 1 film · −8% | 1 | $26.5M | −8% | Billy Madison (1995) $26.5M |
| Week 6, 1996 Feb 4–10 2 films · −58% | 2 | $11M | −58% | Beautiful Girls (1996) $10.6M |
| Week 6, 1997 Feb 2–8 2 films · +5% | 2 | $11.7M | +5% | The Beautician and the Beast (1997) $11.5M |
| Week 6, 1998 Feb 1–7 2 films · −4% | 2 | $11.2M | −4% | The Love Letter (1998) $9.1M |
| Week 6, 1999 Jan 31–Feb 6 1 film · −61% | 1 | $4.4M | −61% | Simply Irresistible (1999) $4.4M |
| Week 6, 2000 Jan 30–Feb 5 3 films · −18% | 3 | $3.6M | −18% | Gun Shy (2000) $3.3M |
| Week 6, 2001 Feb 4–10 3 films · +670% | 3 | $27.7M | +670% | Saving Silverman (2001) $26.1M |
| Week 6, 2002 Feb 3–9 1 film · −100% | 1 | $92.9K | −100% | La bande du drugstore (2002) $92.9K |
| Week 6, 2003 Feb 2–8 3 films · +210146% | 3 | $195.4M | +210146% | How to Lose a Guy in 10 Days (2003) $177.5M |
50 weeks of 2003 with reported grosses; the biggest is week 28 (Jul 6–12) with $668.6M, led by Pirates of the Caribbean: The Curse of the Black Pearl (2003).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
How to Lose a Guy in 10 Days (2003) leads with $177.5M worldwide, $105.8M of it in the US & Canada. Next come Deliver Us from Eva (2003) at $17.6M and Khushi (2003) at $310.8K.
3 romance films released in week 6 of 2003 (Feb 2–8) report a worldwide gross, $195.4M in all, or $65.1M per film on average. Week 5, 2003 releases took $42.2M.
None. 1 film crossed $100 million, led by How to Lose a Guy in 10 Days (2003) with $177.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 6 of 2003 (Feb 2–8). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.