#1 of 3 #1 mystery movie of Week 29, 2018
2018 · Drama, Mystery
$13.4M worldwide · 99% of the chart's total
$89.3K US & Canada · <1% $13.3M elsewhere · 99%
Mystery box office · Week 29 · Jul 15–21, 2018
Mystery Box Office, Week 29 of 2018: Mystery Releases of Jul 15–21
The Third Murder (2018) is the highest-grossing mystery movie released in week 29 of 2018 (Jul 15–21), with $13.4M worldwide, ahead of The Nightshifter (2018) at $172.2K and Damascus Cover (2018) at $19.5K. 3 mystery films released that week report a worldwide gross, $13.6M in all, <1% of it from the US & Canada.
- week 29 releases with a gross
- 3
- combined worldwide
- $13.6M
- The Third Murder (2018), the #1
- $13.4M
- earned in the US & Canada
- <1%
#1 of 3 Top 3
What Were the Biggest Mystery Hits of Week 29 of 2018?
The Third Murder (2018) leads with $13.4M, 99% of the total. The top 3 together took $13.6M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Mystery Release of Week 29 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 29 of 2018 (Jul 15–21).
- 1 Jul 20, 2018 US and Canada: $89.3K Rest of the world: $13.3M Worldwide: $13.4M
- 2 Jul 17, 2018 US and Canada: – Rest of the world: – Worldwide: $172.2K
- 3 Jul 20, 2018 US and Canada: – Rest of the world: – Worldwide: $19.5K
Weeks around it
How Does Week 29 Compare With the Weeks Around It?
Week 29 releases took $13.6M. The biggest of these 9 weeks is week 23 (Jun 3–9) with $105.5M, led by Hereditary (2018).
- Week 23 Wk 23 Jun 3–9 Hereditary (2018) $105.5M Hereditary (2018)
- Week 24 Wk 24 Jun 10–16 The Mimic (2018) $9.4M The Mimic (2018)
- Week 25 Wk 25 Jun 17–23 Incident In a Ghostland (2018) $5.6M Incident In a Ghostland (2018)
- Week 26 Wk 26 Jun 24–30 The Witch: Part 1. The Subversion (2018) $24.6M The Witch: Part 1. The Subversion (2018)
- Week 27 Wk 27 Jul 1–7 No reported grosses – No reported grosses
- Week 28 Wk 28 Jul 8–14 Cellar Door (2018) $46.6K Cellar Door (2018)
- Week 29 Wk 29 Jul 15–21 The Third Murder (2018) $13.6M The Third Murder (2018)
- Week 30 Wk 30 Jul 22–28 The Warning (2018) $793.5K The Warning (2018)
- Week 31 Wk 31 Jul 29–Aug 4 No Date, No Signature (2018) $108.9K No Date, No Signature (2018)
Earlier years
How Does Week 29 of 2018 Compare With Earlier Years?
Of these 10 years, Week 29, 2011 earned the most: $1.3B from 1 film, led by Harry Potter and the Deathly Hallows: Part 2 (2011). Week 29, 2018 took $13.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 29, 2009 Jul 12–18 1 film | 1 | $941.1M | – | Harry Potter and the Half-Blood Prince (2009) $941.1M |
| Week 29, 2010 Jul 11–17 1 film · −11% | 1 | $839.4M | −11% | Inception (2010) $839.4M |
| Week 29, 2011 Jul 10–16 1 film · +60% | 1 | $1.3B | +60% | Harry Potter and the Deathly Hallows: Part 2 (2011) $1.3B |
| Week 29, 2012 Jul 15–21 No films | 0 | – | – | – |
| Week 29, 2013 Jul 14–20 1 film | 1 | $180.2K | – | Evidence (2013) $180.2K |
| Week 29, 2014 Jul 13–19 3 films · +5143% | 3 | $9.5M | +5143% | Bunshinsaba 3 (2014) $7.9M |
| Week 29, 2015 Jul 12–18 3 films · +504% | 3 | $57.1M | +504% | Mr. Holmes (2015) $29.4M |
| Week 29, 2016 Jul 10–16 1 film · −80% | 1 | $11.7M | −80% | Tik Tok (2016) $11.7M |
| Week 29, 2017 Jul 16–22 2 films · −99% | 2 | $104.9K | −99% | The Gracefield Incident (2017) $102.3K |
| Week 29, 2018 Jul 15–21 3 films · +12863% | 3 | $13.6M | +12863% | The Third Murder (2018) $13.4M |
Archive
Mystery Box Office in 2018, Week by Week
46 weeks of 2018 with reported grosses; the biggest is week 36 (Sep 2–8) with $366.8M, led by The Nun (2018).
- Week 1 $172.9M
- Week 2 $119.9M
- Week 3 $86.9M
- Week 4 $23.1M
- Week 5 $44.1M
- Week 6 No grosses
- Week 7 $1.9M
- Week 8 $117.8M
- Week 9 $158.9M
- Week 10 $16.2M
- Week 11 $275M
- Week 12 No grosses
- Week 13 $16.8M
- Week 14 $19.7M
- Week 15 No grosses
- Week 16 $32.4M
- Week 17 $56.2M
- Week 18 $11M
- Week 19 No grosses
- Week 20 $34.7K
- Week 21 $4.9M
- Week 22 $337.5K
- Week 23 $105.5M
- Week 24 $9.4M
- Week 25 $5.6M
- Week 26 $24.6M
- Week 27 No grosses
- Week 28 $46.6K
- Week 29 $13.6M
- Week 30 $793.5K
- Week 31 $108.9K
- Week 32 $52M
- Week 33 $188.2K
- Week 34 $113.8M
- Week 35 $9.5M
- Week 36 $366.8M
- Week 37 $98.6M
- Week 38 $91.1K
- Week 39 $188.1M
- Week 40 $65.5M
- Week 41 $32.9M
- Week 42 $259.9M
- Week 43 $16.4M
- Week 44 No grosses
- Week 45 $10.6M
- Week 46 $17.6M
- Week 47 $1.2K
- Week 48 $47.8M
- Week 49 $16.4M
- Week 50 $174.8M
- Week 51 $146.3K
- Week 52 $46.1M
- Week 53 No grosses
FAQ
Mystery Box Office Week 29 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing mystery movie in week 29 of 2018 (Jul 15–21)?
The Third Murder (2018) leads with $13.4M worldwide, $89.3K of it in the US & Canada. Next come The Nightshifter (2018) at $172.2K and Damascus Cover (2018) at $19.5K.
How much did mystery movies released in week 29 of 2018 (Jul 15–21) earn?
3 mystery films released in week 29 of 2018 (Jul 15–21) report a worldwide gross, $13.6M in all, or $4.5M per film on average.
How many mystery movies released in week 29 of 2018 (Jul 15–21) made $1 billion?
None. The biggest, The Third Murder (2018), earned $13.4M.
How is the week 29, 2018 mystery box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 29 of 2018 (Jul 15–21). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 29, 2018 mystery box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.