#1 of 6 2017 · Mystery, Thriller
$103M worldwide · 83% of the chart's total
Jigsaw (2017) is the highest-grossing mystery movie released in week 43 of 2017 (Oct 22–28), with $103M worldwide, ahead of Suburbicon (2017) at $12.8M and Always Be with You (2017) at $7.1M. 6 mystery films released that week report a worldwide gross, $123.5M in all, 36% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 9.6 times the total of Week 42, 2017, whose releases took $12.8M. By language, English leads with $116.4M across 3 mystery releases.
#1 of 6 2017 · Mystery, Thriller
$103M worldwide · 83% of the chart's total
Jigsaw (2017) leads with $103M, 83% of the total. The top 5 together took $123.5M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 43 of 2017 (Oct 22–28).
Oct 27, 2017 US and Canada: $38.1M Rest of the world: $64.9M Worldwide: $103M
Oct 26, 2017 US and Canada: – Rest of the world: – Worldwide: $7.1M
Oct 27, 2017 US and Canada: $217.6K Rest of the world: $460.5K Worldwide: $678.2K
Oct 26, 2017 US and Canada: $10.7K Rest of the world: Worldwide: $10.7K
Oct 28, 2017 US and Canada: – Rest of the world: – Worldwide: $4.7K Of the top 6, You Go To My Head (2017) earned the biggest share at home (100% in the US & Canada), while All I See Is You (2017) made 68% of its gross abroad. Across all 6 films, $44.1M (36%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 43 releases took $123.5M. The biggest of these 9 weeks is week 45 (Nov 5–11) with $355.2M, led by Murder on the Orient Express (2017).
Of these 10 years, Week 43, 2012 earned the most: $185.9M from 2 films, led by Cloud Atlas (2012). Week 43, 2017 took $123.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 43, 2008 Oct 19–25 5 films | 5 | $154.8M | – | Changeling (2008) $113.4M |
| Week 43, 2009 Oct 18–24 3 films · −55% | 3 | $69.1M | −55% | Saw VI (2009) $68.2M |
| Week 43, 2010 Oct 17–23 No films | 0 | – | – | – |
| Week 43, 2011 Oct 16–22 1 film | 1 | $7.2K | – | Outside Satan (2011) $7.2K |
| Week 43, 2012 Oct 21–27 2 films · +2572265% | 2 | $185.9M | +2572265% | Cloud Atlas (2012) $130.5M |
| Week 43, 2013 Oct 20–26 1 film · −100% | 1 | $6.8K | −100% | Crossroads (2013) $6.8K |
| Week 43, 2014 Oct 19–25 2 films · +12810% | 2 | $877.5K | +12810% | White Bird in a Blizzard (2014) $469.7K |
| Week 43, 2015 Oct 18–24 No films | 0 | – | – | – |
| Week 43, 2016 Oct 16–22 2 films | 2 | $167.2M | – | Jack Reacher: Never Go Back (2016) $162.1M |
| Week 43, 2017 Oct 22–28 6 films · −26% | 6 | $123.5M | −26% | Jigsaw (2017) $103M |
48 weeks of 2017 with reported grosses; the biggest is week 7 (Feb 12–18) with $362.6M, led by The Great Wall (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Jigsaw (2017) leads with $103M worldwide, $38.1M of it in the US & Canada. Next come Suburbicon (2017) at $12.8M and Always Be with You (2017) at $7.1M.
6 mystery films released in week 43 of 2017 (Oct 22–28) report a worldwide gross, $123.5M in all, or $20.6M per film on average. Week 42, 2017 releases took $12.8M.
None. 1 film crossed $100 million, led by Jigsaw (2017) with $103M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 43 of 2017 (Oct 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.