#1 of 5 #1 music movie of Week 11, 2018
2018 · Drama, Music
$86.1M worldwide · 99% of the chart's total
$83.5M US & Canada · 97% $2.6M elsewhere · 3%
Music box office · Week 11 · Mar 11–17, 2018
Music Box Office, Week 11 of 2018: Music Releases of Mar 11–17
I Can Only Imagine (2018) is the highest-grossing music movie released in week 11 of 2018 (Mar 11–17), with $86.1M worldwide, ahead of Backstage (2018) at $596.6K and Desolation Center (2018) at $105.7K. 5 music films released that week report a worldwide gross, $86.9M in all, 96% of it from the US & Canada. By language, English leads with $86.3M across 3 music releases.
- week 11 releases with a gross
- 5
- combined worldwide
- $86.9M
- I Can Only Imagine (2018), the #1
- $86.1M
- earned in the US & Canada
- 96%
#1 of 5 Top 5
What Were the Biggest Music Hits of Week 11 of 2018?
I Can Only Imagine (2018) leads with $86.1M, 99% of the total. The top 5 together took $86.9M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Music Release of Week 11 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2018 (Mar 11–17).
- 1 Mar 16, 2018 US and Canada: $83.5M Rest of the world: $2.6M Worldwide: $86.1M
- 2 Mar 15, 2018 US and Canada: – Rest of the world: – Worldwide: $596.6K
- 3 Mar 16, 2018 US and Canada: $32K Rest of the world: $73.7K Worldwide: $105.7K
- 4 Mar 15, 2018 US and Canada: – Rest of the world: – Worldwide: $85.2K
- 5 Being Frank: The Chris Sievey Story (2018)Mar 13, 2018 US and Canada: – Rest of the world: – Worldwide: $70.3K
Mar 13, 2018 · English · Documentary, Music, Comedy $70.3K worldwide
Weeks around it
How Does Week 11 Compare With the Weeks Around It?
Week 11 releases took $86.9M. The biggest of these 9 weeks is week 11 (Mar 11–17) with $86.9M, led by I Can Only Imagine (2018).
- Week 5 Wk 5 Jan 28–Feb 3 No reported grosses – No reported grosses
- Week 6 Wk 6 Feb 4–10 No reported grosses – No reported grosses
- Week 7 Wk 7 Feb 11–17 No reported grosses – No reported grosses
- Week 8 Wk 8 Feb 18–24 Anatolian Trip (2018) $711 Anatolian Trip (2018)
- Week 9 Wk 9 Feb 25–Mar 3 No reported grosses – No reported grosses
- Week 10 Wk 10 Mar 4–10 Kids on the Slope (2018) $847.8K Kids on the Slope (2018)
- Week 11 Wk 11 Mar 11–17 I Can Only Imagine (2018) $86.9M I Can Only Imagine (2018)
- Week 12 Wk 12 Mar 18–24 Paradox (2018) $79.2M Paradox (2018)
- Week 13 Wk 13 Mar 25–31 Charming (2018) $8.9M Charming (2018)
Earlier years
How Does Week 11 of 2018 Compare With Earlier Years?
Of these 10 years, Week 11, 2018 earned the most: $86.9M from 5 films, led by I Can Only Imagine (2018).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 2009 Mar 8–14 No films | 0 | – | – | – |
| Week 11, 2010 Mar 7–13 No films | 0 | – | – | – |
| Week 11, 2011 Mar 6–12 1 film | 1 | $44K | – | A Heartbeat Away (2011) $44K |
| Week 11, 2012 Mar 11–17 No films | 0 | – | – | – |
| Week 11, 2013 Mar 10–16 2 films | 2 | $12.1M | – | My Paparotti (2013) $10.4M |
| Week 11, 2014 Mar 9–15 No films | 0 | – | – | – |
| Week 11, 2015 Mar 8–14 3 films | 3 | $4.2M | – | The Wrecking Crew (2015) $3.3M |
| Week 11, 2016 Mar 6–12 No films | 0 | – | – | – |
| Week 11, 2017 Mar 12–18 1 film | 1 | $1.8M | – | Song to Song (2017) $1.8M |
| Week 11, 2018 Mar 11–17 5 films · +4694% | 5 | $86.9M | +4694% | I Can Only Imagine (2018) $86.1M |
Archive
Music Box Office in 2018, Week by Week
39 weeks of 2018 with reported grosses; the biggest is week 44 (Oct 28–Nov 3) with $910.9M, led by Bohemian Rhapsody (2018).
- Week 1 $3.9M
- Week 2 No grosses
- Week 3 $16.7M
- Week 4 No grosses
- Week 5 No grosses
- Week 6 No grosses
- Week 7 No grosses
- Week 8 $711
- Week 9 No grosses
- Week 10 $847.8K
- Week 11 $86.9M
- Week 12 $79.2M
- Week 13 $8.9M
- Week 14 $2.6M
- Week 15 $3.4M
- Week 16 $855.3K
- Week 17 $1.8M
- Week 18 $131.2K
- Week 19 $304K
- Week 20 No grosses
- Week 21 $385.7K
- Week 22 No grosses
- Week 23 $2.4M
- Week 24 $39M
- Week 25 $20.2K
- Week 26 $3.5M
- Week 27 $6.2M
- Week 28 $12.7K
- Week 29 $382.7K
- Week 30 No grosses
- Week 31 $2.2M
- Week 32 No grosses
- Week 33 $9.7M
- Week 34 $255.9K
- Week 35 $1.3M
- Week 36 No grosses
- Week 37 $358K
- Week 38 $129.8K
- Week 39 $699.4K
- Week 40 $436.5M
- Week 41 No grosses
- Week 42 $58.7K
- Week 43 $13.7M
- Week 44 $910.9M
- Week 45 $798.6K
- Week 46 $342.9M
- Week 47 No grosses
- Week 48 $36.6K
- Week 49 $1.6M
- Week 50 $24.2K
- Week 51 $20.5M
- Week 52 $621.1K
- Week 53 No grosses
FAQ
Music Box Office Week 11 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
What is the highest-grossing music movie in week 11 of 2018 (Mar 11–17)?
I Can Only Imagine (2018) leads with $86.1M worldwide, $83.5M of it in the US & Canada. Next come Backstage (2018) at $596.6K and Desolation Center (2018) at $105.7K.
How much did music movies released in week 11 of 2018 (Mar 11–17) earn?
5 music films released in week 11 of 2018 (Mar 11–17) report a worldwide gross, $86.9M in all, or $17.4M per film on average.
How many music movies released in week 11 of 2018 (Mar 11–17) made $1 billion?
None. The biggest, I Can Only Imagine (2018), earned $86.1M.
How is the week 11, 2018 music box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2018 (Mar 11–17). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 11, 2018 music box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.