#1 of 3 #1 music movie of Week 14, 2006
2006 · Drama, Music
$66.5M worldwide · 88% of the chart's total
$34.7M US & Canada · 52% $31.8M elsewhere · 48%
Music box office · Week 14 · Apr 2–8, 2006
Music Box Office, Week 14 of 2006: Music Releases of Apr 2–8
Take the Lead (2006) is the highest-grossing music movie released in week 14 of 2006 (Apr 2–8), with $66.5M worldwide, ahead of Jean-Philippe (2006) at $8.6M and The Heavenly Kings (2006) at $222.9K. 3 music films released that week report a worldwide gross, $75.4M in all, 46% of it from the US & Canada. That is 3.5 times the total of Week 13, 2006, whose releases took $21.8M.
- week 14 releases with a gross
- 3
- combined worldwide
- $75.4M
- Take the Lead (2006), the #1
- $66.5M
- vs Week 13, 2006
- ×3.5
#1 of 3 Top 3
What Were the Biggest Music Hits of Week 14 of 2006?
Take the Lead (2006) leads with $66.5M, 88% of the total. The top 3 together took $75.4M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Music Release of Week 14 of 2006, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 14 of 2006 (Apr 2–8).
- 1 Apr 7, 2006 US and Canada: $34.7M Rest of the world: $31.8M Worldwide: $66.5M
- 2 Apr 5, 2006 US and Canada: – Rest of the world: – Worldwide: $8.6M
- 3 Apr 5, 2006 US and Canada: – Rest of the world: – Worldwide: $222.9K
Weeks around it
How Does Week 14 Compare With the Weeks Around It?
Week 14 releases took $75.4M. The biggest of these 9 weeks is week 14 (Apr 2–8) with $75.4M, led by Take the Lead (2006).
- Week 8 Wk 8 Feb 19–25 No reported grosses – No reported grosses
- Week 9 Wk 9 Feb 26–Mar 4 Dave Chappelle's Block Party (2006) $12.1M Dave Chappelle's Block Party (2006)
- Week 10 Wk 10 Mar 5–11 No reported grosses – No reported grosses
- Week 11 Wk 11 Mar 12–18 Don't Come Knocking (2006) $4.7M Don't Come Knocking (2006)
- Week 12 Wk 12 Mar 19–25 Stoned (2006) $373.9K Stoned (2006)
- Week 13 Wk 13 Mar 26–Apr 1 ATL (2006) $21.8M ATL (2006)
- Week 14 Wk 14 Apr 2–8 Take the Lead (2006) $75.4M Take the Lead (2006)
- Week 15 Wk 15 Apr 9–15 Kinky Boots (2006) $10M Kinky Boots (2006)
- Week 16 Wk 16 Apr 16–22 American Dreamz (2006) $25.4M American Dreamz (2006)
Earlier years
How Does Week 14 of 2006 Compare With Earlier Years?
Of these 10 years, Week 14, 2004 earned the most: $145.4M from 1 film, led by Home on the Range (2004). Week 14, 2006 took $75.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 14, 1997 Mar 30–Apr 5 No films | 0 | – | – | – |
| Week 14, 1998 Mar 29–Apr 4 No films | 0 | – | – | – |
| Week 14, 1999 Mar 28–Apr 3 No films | 0 | – | – | – |
| Week 14, 2000 Mar 26–Apr 1 1 film | 1 | $47.1M | – | High Fidelity (2000) $47.1M |
| Week 14, 2001 Apr 1–7 1 film · −98% | 1 | $992.7K | −98% | All Access: Front Row. Backstage. Live! (2001) $992.7K |
| Week 14, 2002 Mar 31–Apr 6 No films | 0 | – | – | – |
| Week 14, 2003 Mar 30–Apr 5 1 film | 1 | $9.6M | – | The Man Without a Past (2003) $9.6M |
| Week 14, 2004 Mar 28–Apr 3 1 film · +1420% | 1 | $145.4M | +1420% | Home on the Range (2004) $145.4M |
| Week 14, 2005 Mar 27–Apr 2 1 film · −87% | 1 | $18.7M | −87% | Look at Me (2005) $18.7M |
| Week 14, 2006 Apr 2–8 3 films · +302% | 3 | $75.4M | +302% | Take the Lead (2006) $66.5M |
Archive
Music Box Office in 2006, Week by Week
30 weeks of 2006 with reported grosses; the biggest is week 46 (Nov 12–18) with $384.3M, led by Happy Feet (2006).
- Week 1 No grosses
- Week 2 No grosses
- Week 3 $3.7K
- Week 4 No grosses
- Week 5 $11.3K
- Week 6 $2.2M
- Week 7 No grosses
- Week 8 No grosses
- Week 9 $12.1M
- Week 10 No grosses
- Week 11 $4.7M
- Week 12 $373.9K
- Week 13 $21.8M
- Week 14 $75.4M
- Week 15 $10M
- Week 16 $25.4M
- Week 17 No grosses
- Week 18 No grosses
- Week 19 No grosses
- Week 20 No grosses
- Week 21 $9.6M
- Week 22 No grosses
- Week 23 $26.7M
- Week 24 No grosses
- Week 25 $1.4M
- Week 26 No grosses
- Week 27 No grosses
- Week 28 $1.4M
- Week 29 No grosses
- Week 30 $84.4K
- Week 31 No grosses
- Week 32 $114.9M
- Week 33 $508.2K
- Week 34 $381.1K
- Week 35 No grosses
- Week 36 $265.4K
- Week 37 $115.3K
- Week 38 $889.1K
- Week 39 $7.5K
- Week 40 No grosses
- Week 41 No grosses
- Week 42 No grosses
- Week 43 $158.6K
- Week 44 $67.7K
- Week 45 $6.5M
- Week 46 $384.3M
- Week 47 $14.4M
- Week 48 $426.9K
- Week 49 $9.7M
- Week 50 No grosses
- Week 51 No grosses
- Week 52 $22.6K
- Week 53 No grosses
FAQ
Music Box Office Week 14 of 2006: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing music movie in week 14 of 2006 (Apr 2–8)?
Take the Lead (2006) leads with $66.5M worldwide, $34.7M of it in the US & Canada. Next come Jean-Philippe (2006) at $8.6M and The Heavenly Kings (2006) at $222.9K.
How much did music movies released in week 14 of 2006 (Apr 2–8) earn?
3 music films released in week 14 of 2006 (Apr 2–8) report a worldwide gross, $75.4M in all, or $25.1M per film on average. Week 13, 2006 releases took $21.8M.
How many music movies released in week 14 of 2006 (Apr 2–8) made $1 billion?
None. The biggest, Take the Lead (2006), earned $66.5M.
How is the week 14, 2006 music box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 14 of 2006 (Apr 2–8). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 14, 2006 music box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.