#1 of 6 2024 · Horror, Thriller
$564.9K worldwide · 41% of the chart's total
The Last Breath (2024) is the highest-grossing horror movie released in week 30 of 2024 (Jul 21–27), with $564.9K worldwide, ahead of Witchboard (2024) at $500.8K and Starve Acre (2024) at $160.5K. 6 horror films released that week report a worldwide gross, $1.4M in all, 24% of it from the US & Canada. By language, English leads with $1.4M across 6 horror releases.
#1 of 6 2024 · Horror, Thriller
$564.9K worldwide · 41% of the chart's total
The Last Breath (2024) leads with $564.9K, 41% of the total. The top 5 together took $1.3M, 97% of what all 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 30 of 2024 (Jul 21–27).
Jul 26, 2024 US and Canada: $3.2K Rest of the world: $561.7K Worldwide: $564.9K
Jul 26, 2024 US and Canada: $269.3K Rest of the world: $231.5K Worldwide: $500.8K
Jul 26, 2024 US and Canada: – Rest of the world: – Worldwide: $160.5K
Jul 26, 2024 US and Canada: $51.9K Rest of the world: Worldwide: $51.9K
Jul 26, 2024 US and Canada: – Rest of the world: – Worldwide: $48.3K
Jul 26, 2024 US and Canada: – Rest of the world: – Worldwide: $40.9K Of the top 6, The Beast Within (2024) earned the biggest share at home (100% in the US & Canada), while The Last Breath (2024) made 99% of its gross abroad. Across all 6 films, $324.4K (24%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Week 30 releases took $1.4M. The biggest of these 9 weeks is week 26 (Jun 23–29) with $263.3M, led by A Quiet Place: Day One (2024).
Of these 10 years, Week 30, 2016 earned the most: $242.5M from 5 films, led by Lights Out (2016). Week 30, 2024 took $1.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 30, 2015 Jul 19–25 5 films | 5 | $13.1M | – | The Vatican Tapes (2015) $13M |
| Week 30, 2016 Jul 17–23 5 films · +1752% | 5 | $242.5M | +1752% | Lights Out (2016) $149.4M |
| Week 30, 2017 Jul 23–29 3 films · −100% | 3 | $33.6K | −100% | Mon Mon Mon Monsters (2017) $19.2K |
| Week 30, 2018 Jul 22–28 8 films · +1364% | 8 | $492.3K | +1364% | Kabir Azabı (2018) $218.2K |
| Week 30, 2019 Jul 21–27 2 films · −14% | 2 | $424.4K | −14% | La Llorona (2019) $294.4K |
| Week 30, 2020 Jul 19–25 3 films · +939% | 3 | $4.4M | +939% | The Rental (2020) $4.3M |
| Week 30, 2021 Jul 18–24 3 films · −74% | 3 | $1.1M | −74% | Kandisha (2021) $472.1K |
| Week 30, 2022 Jul 17–23 3 films · +14873% | 3 | $171.8M | +14873% | Nope (2022) $171.2M |
| Week 30, 2023 Jul 23–29 6 films · +22% | 6 | $210.1M | +22% | Haunted Mansion (2023) $117.4M |
| Week 30, 2024 Jul 21–27 6 films · −99% | 6 | $1.4M | −99% | The Last Breath (2024) $564.9K |
50 weeks of 2024 with reported grosses; the biggest is week 36 (Sep 1–7) with $456M, led by Beetlejuice Beetlejuice (2024).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
The Last Breath (2024) leads with $564.9K worldwide, $3.2K of it in the US & Canada. Next come Witchboard (2024) at $500.8K and Starve Acre (2024) at $160.5K.
6 horror films released in week 30 of 2024 (Jul 21–27) report a worldwide gross, $1.4M in all, or $227.9K per film on average.
None. The biggest, The Last Breath (2024), earned $564.9K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 30 of 2024 (Jul 21–27). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.