#1 of 3 #1 horror movie of Week 7, 2015
What We Do in the Shadows (2015)
2015 · Horror, Comedy
$8.9M worldwide · 66% of the chart's total
$3.5M US & Canada · 39% $5.4M elsewhere · 61%
Horror box office · Week 7 · Feb 8–14, 2015
Horror Box Office, Week 7 of 2015: Horror Releases of Feb 8–14
What We Do in the Shadows (2015) is the highest-grossing horror movie released in week 7 of 2015 (Feb 8–14), with $8.9M worldwide, ahead of Demonic (2015) at $4.5M and Wyrmwood: Road of the Dead (2015) at $111.1K. 3 horror films released that week report a worldwide gross, $13.5M in all, 26% of it from the US & Canada.
- week 7 releases with a gross
- 3
- combined worldwide
- $13.5M
- What We Do in the Shadows (2015), the #1
- $8.9M
- earned in the US & Canada
- 26%
#1 of 3 Top 3
What Were the Biggest Horror Hits of Week 7 of 2015?
What We Do in the Shadows (2015) leads with $8.9M, 66% of the total. The top 3 together took $13.5M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Horror Release of Week 7 of 2015, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 7 of 2015 (Feb 8–14).
- 1 Feb 13, 2015 US and Canada: $3.5M Rest of the world: $5.4M Worldwide: $8.9M
- 2 Feb 12, 2015 US and Canada: – Rest of the world: – Worldwide: $4.5M
- 3 Feb 13, 2015 US and Canada: – Rest of the world: – Worldwide: $111.1K
Weeks around it
How Does Week 7 Compare With the Weeks Around It?
Week 7 releases took $13.5M. The biggest of these 9 weeks is week 1 (Jan 1–3) with $53.8M, led by The Woman in Black 2: Angel of Death (2015).
- Week 1 Wk 1 Jan 1–3 The Woman in Black 2: Angel of Death (2015) $53.8M The Woman in Black 2: Angel of Death (2015)
- Week 2 Wk 2 Jan 4–10 Bring Back the Dead (2015) $284.9K Bring Back the Dead (2015)
- Week 3 Wk 3 Jan 11–17 No reported grosses – No reported grosses
- Week 4 Wk 4 Jan 18–24 The Atticus Institute (2015) $32.5K The Atticus Institute (2015)
- Week 5 Wk 5 Jan 25–31 Khamoshiyan (2015) $1.8M Khamoshiyan (2015)
- Week 6 Wk 6 Feb 1–7 No reported grosses – No reported grosses
- Week 7 Wk 7 Feb 8–14 What We Do in the Shadows (2015) $13.5M What We Do in the Shadows (2015)
- Week 8 Wk 8 Feb 15–21 Digging Up the Marrow (2015) $21.3K Digging Up the Marrow (2015)
- Week 9 Wk 9 Feb 22–28 The Lazarus Effect (2015) $39.9M The Lazarus Effect (2015)
Earlier years
How Does Week 7 of 2015 Compare With Earlier Years?
Of these 10 years, Week 7, 2010 earned the most: $139.8M from 1 film, led by The Wolfman (2010). Week 7, 2015 took $13.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 7, 2006 Feb 12–18 No films | 0 | – | – | – |
| Week 7, 2007 Feb 11–17 2 films | 2 | $1.1M | – | Yella (2007) $999.6K |
| Week 7, 2008 Feb 10–16 2 films · +434% | 2 | $5.9M | +434% | Diary of the Dead (2008) $5.5M |
| Week 7, 2009 Feb 8–14 4 films · +1457% | 4 | $92.6M | +1457% | Friday the 13th (2009) $91.5M |
| Week 7, 2010 Feb 7–13 1 film · +51% | 1 | $139.8M | +51% | The Wolfman (2010) $139.8M |
| Week 7, 2011 Feb 6–12 No films | 0 | – | – | – |
| Week 7, 2012 Feb 12–18 1 film | 1 | $311.2K | – | Kill Zombie! (2012) $311.2K |
| Week 7, 2013 Feb 10–16 No films | 0 | – | – | – |
| Week 7, 2014 Feb 9–15 1 film | 1 | $612.5K | – | The Returned (2014) $612.5K |
| Week 7, 2015 Feb 8–14 3 films · +2102% | 3 | $13.5M | +2102% | What We Do in the Shadows (2015) $8.9M |
Archive
Horror Box Office in 2015, Week by Week
47 weeks of 2015 with reported grosses; the biggest is week 51 (Dec 13–19) with $266.1M, led by Mojin: The Lost Legend (2015).
- Week 1 $53.8M
- Week 2 $284.9K
- Week 3 No grosses
- Week 4 $32.5K
- Week 5 $1.8M
- Week 6 No grosses
- Week 7 $13.5M
- Week 8 $21.3K
- Week 9 $39.9M
- Week 10 $869.1K
- Week 11 $28.7M
- Week 12 $1.3M
- Week 13 $77.6K
- Week 14 No grosses
- Week 15 $4.1M
- Week 16 $80.5M
- Week 17 $12.8M
- Week 18 $138.3K
- Week 19 $9.4M
- Week 20 $1M
- Week 21 $95.5M
- Week 22 $4K
- Week 23 $113M
- Week 24 $2.4K
- Week 25 $5.7M
- Week 26 $160.4K
- Week 27 $86.5K
- Week 28 $48.7M
- Week 29 $367.9K
- Week 30 $13.1M
- Week 31 $33.2M
- Week 32 $59.1M
- Week 33 $354K
- Week 34 $54M
- Week 35 $2.3M
- Week 36 $1.7M
- Week 37 $102.8M
- Week 38 $3.6M
- Week 39 $5.9M
- Week 40 $45K
- Week 41 $8.6M
- Week 42 $248.8M
- Week 43 $79.3M
- Week 44 $21.2M
- Week 45 $38.5M
- Week 46 No grosses
- Week 47 $377.5K
- Week 48 $37.6M
- Week 49 $69M
- Week 50 $165.4K
- Week 51 $266.1M
- Week 52 No grosses
- Week 53 No grosses
FAQ
Horror Box Office Week 7 of 2015: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing horror movie in week 7 of 2015 (Feb 8–14)?
What We Do in the Shadows (2015) leads with $8.9M worldwide, $3.5M of it in the US & Canada. Next come Demonic (2015) at $4.5M and Wyrmwood: Road of the Dead (2015) at $111.1K.
How much did horror movies released in week 7 of 2015 (Feb 8–14) earn?
3 horror films released in week 7 of 2015 (Feb 8–14) report a worldwide gross, $13.5M in all, or $4.5M per film on average.
How many horror movies released in week 7 of 2015 (Feb 8–14) made $1 billion?
None. The biggest, What We Do in the Shadows (2015), earned $8.9M.
How is the week 7, 2015 horror box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 7 of 2015 (Feb 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 7, 2015 horror box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.