#1 of 5 #1 horror movie of November 2015
2015 · Horror, Thriller
$36.6M worldwide · 48% of the chart's total
$185.1K US & Canada · <1% $36.5M elsewhere · 99%
Horror box office · November 2015
Horror Box Office, November 2015: Top-Grossing Releases
The Priests (2015) is the highest-grossing horror movie released in November 2015, with $36.6M worldwide, ahead of Victor Frankenstein (2015) at $34.2M and Keeper of Darkness (2015) at $3.4M. 5 horror films released in November 2015 report a worldwide gross, $76.5M in all, 8% of it from the US & Canada. That is down 79% on October 2015, whose releases took $358M. By language, Korean leads with $36.6M across 1 horror release.
- November 2015 releases with a gross
- 5
- combined worldwide
- $76.5M
- The Priests (2015), the #1
- $36.6M
- vs October 2015
- −79%
#1 of 5 Top 5
What Were the Biggest Horror Hits of November 2015?
The Priests (2015) leads with $36.6M, 48% of the total. The top 5 together took $76.5M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Horror Release of November 2015, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in November 2015.
- 1 Nov 5, 2015 US and Canada: $185.1K Rest of the world: $36.5M Worldwide: $36.6M
- 2 Nov 25, 2015 US and Canada: $5.8M Rest of the world: $28.5M Worldwide: $34.2M
- 3 Nov 22, 2015 US and Canada: – Rest of the world: – Worldwide: $3.4M
- 4 Nov 6, 2015 US and Canada: $13.9K Rest of the world: $1.8M Worldwide: $1.9M
- 5 Nov 19, 2015 US and Canada: – Rest of the world: – Worldwide: $377.5K
US & Canada vs the world
Where Did the Money Come From in November 2015?
Of the top 5, Victor Frankenstein (2015) earned the biggest share at home (17% in the US & Canada), while The Priests (2015) made 99% of its gross abroad. Across all 5 films, $6M (8%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
- 1 The Priests (2015) $36.6M $185.1K US & Canada · <1% $36.5M elsewhere · 99%
- 2 Victor Frankenstein (2015) $34.2M $5.8M US & Canada · 17% $28.5M elsewhere · 83%
- 3 Keeper of Darkness (2015) $3.4M No US & Canada figure reported
- 4 The Hallow (2015) $1.9M $13.9K US & Canada · <1% $1.8M elsewhere · 99%
- 5 Daughter (2015) $377.5K No US & Canada figure reported
By release week
Which Week of November 2015 Had the Biggest Releases?
Films released in week 45 (Nov 1–7) took $38.5M, led by The Priests (2015). Each column links to that week's chart; weeks are Sunday to Saturday.
- Week 45 Wk 45 Nov 1–7 The Priests (2015) $38.5M The Priests (2015)
- Week 46 Wk 46 Nov 8–14 No reported grosses – No reported grosses
- Week 47 Wk 47 Nov 15–21 Daughter (2015) $377.5K Daughter (2015)
- Week 48 Wk 48 Nov 22–28 Victor Frankenstein (2015) $37.6M Victor Frankenstein (2015)
- Week 49 Wk 49 Nov 29–Dec 5 No reported grosses – No reported grosses
Earlier years
How Does November 2015 Compare With November in Earlier Years?
Of these 10 years, November 2015 earned the most: $76.5M from 5 films, led by The Priests (2015).
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| November 2006 12 films | 12 | $17.1M | – | The Return (2006) $12M |
| November 2007 10 films · +175% | 10 | $47M | +175% | REC (2007) $32.5M |
| November 2008 5 films · −96% | 5 | $1.9M | −96% | House (2008) $1.1M |
| November 2009 No films | 0 | – | – | – |
| November 2010 5 films | 5 | $41.3M | – | Gantz (2010) $40.6M |
| November 2011 5 films · +14% | 5 | $46.9M | +14% | Kokkuri-san: Gekijô-ban (2011) $38M |
| November 2012 11 films · −18% | 11 | $38.4M | −18% | Lesson of the Evil (2012) $26.2M |
| November 2013 5 films · −90% | 5 | $4M | −90% | RoomMate (2013) $1.8M |
| November 2014 9 films · +662% | 9 | $30.6M | +662% | The Babadook (2014) $10.7M |
| November 2015 5 films · +150% | 5 | $76.5M | +150% | The Priests (2015) $36.6M |
Archive
Horror Box Office in 2015, Month by Month
The months of 2015 with their totals: October leads with $358M, led by Goosebumps (2015).
- January $55.8M #1 The Woman in Black 2: Angel of Death (2015)
- February $53.4M #1 The Lazarus Effect (2015)
- March $31M #1 It Follows (2015)
- April $97.5M #1 Unfriended (2015)
- May $106M #1 Poltergeist (2015)
- June $118.8M #1 Insidious: Chapter 3 (2015)
- July $64.6M #1 The Gallows (2015)
- August $148.1M #1 The Gift (2015)
- September $112.4M #1 The Visit (2015)
- October $358M #1 Goosebumps (2015)
- November $76.5M #1 The Priests (2015)
- December $335.3M #1 Mojin: The Lost Legend (2015)
FAQ
Horror Box Office November 2015: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
What is the highest-grossing horror movie in November 2015?
The Priests (2015) leads with $36.6M worldwide, $185.1K of it in the US & Canada. Next come Victor Frankenstein (2015) at $34.2M and Keeper of Darkness (2015) at $3.4M.
How much did horror movies released in November 2015 earn?
5 horror films released in November 2015 report a worldwide gross, $76.5M in all, or $15.3M per film on average. October 2015 releases took $358M.
How many horror movies released in November 2015 made $1 billion?
None. The biggest, The Priests (2015), earned $36.6M.
How is the November 2015 horror box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in November 2015. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the November 2015 horror box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.