#1 of 9 2014 · Drama, Thriller
$10.7M worldwide · 35% of the chart's total
The Babadook (2014) is the highest-grossing horror movie released in November 2014, with $10.7M worldwide, ahead of Parasyte: Part 1 (2014) at $9.6M and Jessabelle (2014) at $7M. 9 horror films released in November 2014 report a worldwide gross, $30.6M in all, 5% of it from the US & Canada. That is down 95% on October 2014, whose releases took $596.3M. By language, English leads with $18.4M across 6 horror releases.
#1 of 9 2014 · Drama, Thriller
$10.7M worldwide · 35% of the chart's total
The Babadook (2014) leads with $10.7M, 35% of the total. The top 5 together took $29.9M, 98% of what all 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in November 2014.
Nov 28, 2014 US and Canada: $964.4K Rest of the world: $9.7M Worldwide: $10.7M
Nov 29, 2014 US and Canada: – Rest of the world: – Worldwide: $9.6M
Nov 7, 2014 US and Canada: – Rest of the world: – Worldwide: $7M
Nov 15, 2014 US and Canada: – Rest of the world: – Worldwide: $1.9M
Nov 14, 2014 US and Canada: $12.1K Rest of the world: $479K Worldwide: $491.2K
Nov 21, 2014 US and Canada: – Rest of the world: – Worldwide: $122K
Nov 21, 2014 US and Canada: $2.8K Rest of the world: $79.7K Worldwide: $82.4K
Nov 14, 2014 US and Canada: – Rest of the world: – Worldwide: $10.2K Of the top 9, A Girl Walks Home Alone at Night (2014) earned the biggest share at home (84% in the US & Canada), while Wolves (2014) made 98% of its gross abroad. Across all 9 films, $1.5M (5%) came from the US & Canada. 5 films of the top 9 report no US & Canada figure.
Films released in week 48 (Nov 23–29) took $20.3M, led by The Babadook (2014). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, November 2007 earned the most: $47M from 10 films, led by REC (2007). November 2014 took $30.6M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| November 2005 3 films | 3 | $1.3M | – | The Nun (2005) $759.2K |
| November 2006 12 films · +1252% | 12 | $17.1M | +1252% | The Return (2006) $12M |
| November 2007 10 films · +175% | 10 | $47M | +175% | REC (2007) $32.5M |
| November 2008 5 films · −96% | 5 | $1.9M | −96% | House (2008) $1.1M |
| November 2009 No films | 0 | – | – | – |
| November 2010 5 films | 5 | $41.3M | – | Gantz (2010) $40.6M |
| November 2011 5 films · +14% | 5 | $46.9M | +14% | Kokkuri-san: Gekijô-ban (2011) $38M |
| November 2012 11 films · −18% | 11 | $38.4M | −18% | Lesson of the Evil (2012) $26.2M |
| November 2013 5 films · −90% | 5 | $4M | −90% | RoomMate (2013) $1.8M |
| November 2014 9 films · +662% | 9 | $30.6M | +662% | The Babadook (2014) $10.7M |
English-language horror films took $18.4M across 6 films, 60% of the total, ahead of Japanese-language horror films ($11.6M) and Persian-language horror films ($587.2K).
The months of 2014 with their totals: October leads with $596.3M, led by Annabelle (2014).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
The Babadook (2014) leads with $10.7M worldwide, $964.4K of it in the US & Canada. Next come Parasyte: Part 1 (2014) at $9.6M and Jessabelle (2014) at $7M.
9 horror films released in November 2014 report a worldwide gross, $30.6M in all, or $3.4M per film on average. October 2014 releases took $596.3M.
None. The biggest, The Babadook (2014), earned $10.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in November 2014. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.