#1 of 7 2011 · Drama, Thriller
$13M worldwide · 85% of the chart's total
I Saw the Devil (2011) is the highest-grossing horror movie released in March 2011, with $13M worldwide, ahead of The Unborn Child (2011) at $668.9K and National Theatre Live: Frankenstein (2011) at $620.2K. 7 horror films released in March 2011 report a worldwide gross, $15.2M in all, 4% of it from the US & Canada. That is 4.3 times the total of February 2011, whose releases took $3.6M. By language, English leads with $1M across 4 horror releases.
#1 of 7 2011 · Drama, Thriller
$13M worldwide · 85% of the chart's total
I Saw the Devil (2011) leads with $13M, 85% of the total. The top 5 together took $15.2M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in March 2011.
Mar 4, 2011 US and Canada: $129.2K Rest of the world: $12.8M Worldwide: $13M
Mar 10, 2011 US and Canada: – Rest of the world: – Worldwide: $668.9K
Mar 25, 2011 US and Canada: – Rest of the world: – Worldwide: $565.9K
Mar 11, 2011 US and Canada: $22.6K Rest of the world: $360.3K Worldwide: $382.9K
Mar 3, 2011 US and Canada: – Rest of the world: – Worldwide: $8.6K
Mar 4, 2011 US and Canada: – Rest of the world: – Worldwide: $677 Of the top 7, National Theatre Live: Frankenstein (2011) earned the biggest share at home (67% in the US & Canada), while I Saw the Devil (2011) made 99% of its gross abroad. Across all 7 films, $569.5K (4%) came from the US & Canada. 4 films of the top 7 report no US & Canada figure.
Films released in week 10 (Feb 27–Mar 5) took $13M, led by I Saw the Devil (2011). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, March 2004 earned the most: $195.4M from 3 films, led by Dawn of the Dead (2004). March 2011 took $15.2M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| March 2002 3 films | 3 | $4M | – | Dog Soldiers (2002) $3.5M |
| March 2003 3 films · +2233% | 3 | $93.6M | +2233% | Dreamcatcher (2003) $81.2M |
| March 2004 3 films · +109% | 3 | $195.4M | +109% | Dawn of the Dead (2004) $102.3M |
| March 2005 8 films · −3% | 8 | $190.2M | −3% | The Ring Two (2005) $164M |
| March 2006 8 films · −40% | 8 | $113.5M | −40% | The Hills Have Eyes (2006) $70M |
| March 2007 10 films · +42% | 10 | $160.9M | +42% | The Host (2007) $89.4M |
| March 2008 5 films · −69% | 5 | $50.1M | −69% | Shutter (2008) $48.6M |
| March 2009 8 films · +156% | 8 | $128.2M | +156% | The Haunting in Connecticut (2009) $77.6M |
| March 2010 7 films · −96% | 7 | $4.6M | −96% | Maska (2010) $3M |
| March 2011 7 films · +233% | 7 | $15.2M | +233% | I Saw the Devil (2011) $13M |
The months of 2011 with their totals: October leads with $246.1M, led by Paranormal Activity 3 (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
I Saw the Devil (2011) leads with $13M worldwide, $129.2K of it in the US & Canada. Next come The Unborn Child (2011) at $668.9K and National Theatre Live: Frankenstein (2011) at $620.2K.
7 horror films released in March 2011 report a worldwide gross, $15.2M in all, or $2.2M per film on average. February 2011 releases took $3.6M.
None. The biggest, I Saw the Devil (2011), earned $13M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in March 2011. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.