#1 of 8 The Haunting in Connecticut (2009)
2009 · Drama, Thriller
$77.6M worldwide · 61% of the chart's total
The Haunting in Connecticut (2009) is the highest-grossing horror movie released in March 2009, with $77.6M worldwide, ahead of The Last House on the Left (2009) at $46M and Hidden (2009) at $1.5M. 8 horror films released in March 2009 report a worldwide gross, $128.2M in all, 69% of it from the US & Canada. That is up 33% on February 2009, whose releases took $96M. By language, English leads with $124.1M across 3 horror releases.
#1 of 8 The Haunting in Connecticut (2009)
2009 · Drama, Thriller
$77.6M worldwide · 61% of the chart's total
The Haunting in Connecticut (2009) leads with $77.6M, 61% of the total. The top 5 together took $126.7M, 99% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in March 2009.
Mar 13, 2009 US and Canada: $32.8M Rest of the world: $13.2M Worldwide: $46M
Mar 4, 2009 US and Canada: – Rest of the world: – Worldwide: $1.5M
Mar 11, 2009 US and Canada: – Rest of the world: – Worldwide: $1M
Mar 9, 2009 US and Canada: – Rest of the world: – Worldwide: $568.7K
Mar 7, 2009 US and Canada: – Rest of the world: – Worldwide: $567.7K
Mar 11, 2009 US and Canada: – Rest of the world: – Worldwide: $545.6K
Mar 18, 2009 US and Canada: – Rest of the world: – Worldwide: $393.6K Films released in week 13 (Mar 22–28) took $77.6M, led by The Haunting in Connecticut (2009). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, March 2000 earned the most: $222.3M from 4 films, led by Final Destination (2000). March 2009 took $128.2M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| March 2000 4 films | 4 | $222.3M | – | Final Destination (2000) $112.9M |
| March 2001 2 films · −100% | 2 | $21.3K | −100% | Visitor Q (2001) $15.7K |
| March 2002 3 films · +18779% | 3 | $4M | +18779% | Dog Soldiers (2002) $3.5M |
| March 2003 3 films · +2233% | 3 | $93.6M | +2233% | Dreamcatcher (2003) $81.2M |
| March 2004 3 films · +109% | 3 | $195.4M | +109% | Dawn of the Dead (2004) $102.3M |
| March 2005 8 films · −3% | 8 | $190.2M | −3% | The Ring Two (2005) $164M |
| March 2006 8 films · −40% | 8 | $113.5M | −40% | The Hills Have Eyes (2006) $70M |
| March 2007 10 films · +42% | 10 | $160.9M | +42% | The Host (2007) $89.4M |
| March 2008 5 films · −69% | 5 | $50.1M | −69% | Shutter (2008) $48.6M |
| March 2009 8 films · +156% | 8 | $128.2M | +156% | The Haunting in Connecticut (2009) $77.6M |
English-language horror films took $124.1M across 3 films, 97% of the total, ahead of Norwegian-language horror films ($1.5M) and Tagalog-language horror films ($1M).
The months of 2009 with their totals: September leads with $291.4M, led by Paranormal Activity (2009).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
The Haunting in Connecticut (2009) leads with $77.6M worldwide, $55.4M of it in the US & Canada. Next come The Last House on the Left (2009) at $46M and Hidden (2009) at $1.5M.
8 horror films released in March 2009 report a worldwide gross, $128.2M in all, or $16M per film on average. February 2009 releases took $96M.
None. The biggest, The Haunting in Connecticut (2009), earned $77.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in March 2009. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.