
Painful memories arise when Kai Koss inherits his dead mother’s house and goes back to his childhood home after 19 years.
Does Hidden have end credit scenes?
No!
Hidden does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Hidden (2009) via JustWatch.
Explore the complete cast of Hidden, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Anders Danielsen Lie
Peter

Kristoffer Joner
Kai Koss

Cecilie A. Mosli
Sara

Julie Rusti
Anne

Arthur Berning
Svenna

Eivind Sander
Anders

Marko Iversen Kanic
Roy

Bjarte Hjelmeland
Frode

Karin Park
Miriam

Agnes Karin Haaskjold
Kai Koss' mor

Andreas Haugsbø
Kai Koss som barn

Marius Rusti
Peter som barn

Jon Sigve Skard
Stian

Elisabeth Lillevik
Peters mor

Are Strand
Peters far

Gabriel August Gjønnes
Indianergutt

Knut Morten Brekke
Veiarbeider
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Read the complete plot summary of Hidden, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In a moonless, oppressive forest, a small boy runs as fast as fear will carry him, darting across a dark road unaware of the trailer truck barreling toward him. The driver loses control, triggering a devastating crash that doesn’t just end a life but shatters another boy’s world—the car collision rips a family apart and leaves a young boy orphaned in the glare of emergency lights and grief.
After his mother’s death, KK, Kai Koss, returns to his hometown to settle her affairs. He has spent nineteen years trying to escape the harsh memory of his upbringing, hoping that time and distance might erase the cruelties that marked his childhood. Yet the past refuses to stay buried. As he tours his ancestral house, fragments of memory rise to the surface—faces, voices, and accusations that feel almost tangible, as if the walls themselves carry a record he cannot escape.
Haunted by what he revisits and haunted by what he cannot name, KK faces the chilling sense that the house is alive with echoes of the life he once endured. He confronts visions of the past that blur the line between memory and nightmare, and the idea of burning the house briefly flickers through his mind, a drastic attempt to sever the ties that bind him to a history he never chose. The plan is checked by the steady presence of the local policewomen, who intervene and steer him away from irreversible action.
In a moment of raw catharsis, KK is drawn to a brutal sharing of self and shadow when he pushes Peter off a breathtaking waterfall, a violent act that seems to reveal a fracture running through his entire being. The aftermath plunges him into a police investigation, and KK is arrested for a series of murders that appear to be committed by his alter ego Peter. The film closes on a lingering, unsettled question: is Peter a real person, or a manifestation crafted by KK’s mangled past, a rift in his psyche that refuses to close?

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