#1 of 6 2016 · Action, Adventure
$543.9M worldwide · 63% of the chart's total
X-Men: Apocalypse (2016) is the highest-grossing fantasy movie released in May 2016, with $543.9M worldwide, ahead of Alice Through the Looking Glass (2016) at $299.8M and Phantom of the Theatre (2016) at $13.5M. 6 fantasy films released in May 2016 report a worldwide gross, $867.7M in all, 27% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is down 26% on April 2016, whose releases took $1.2B. By language, English leads with $843.9M across 4 fantasy releases.
#1 of 6 2016 · Action, Adventure
$543.9M worldwide · 63% of the chart's total
X-Men: Apocalypse (2016) leads with $543.9M, 63% of the total. The top 5 together took $867.7M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in May 2016.
May 27, 2016 US and Canada: $155.4M Rest of the world: $388.5M Worldwide: $543.9M
May 6, 2016 US and Canada: $44K Rest of the world: $13.5M Worldwide: $13.5M
May 14, 2016 US and Canada: – Rest of the world: – Worldwide: $10.3M
May 20, 2016 US and Canada: $5.1K Rest of the world: Worldwide: $5.1K Of the top 6, Welcome to Happiness (2016) earned the biggest share at home (100% in the US & Canada), while Phantom of the Theatre (2016) made 100% of its gross abroad. Across all 6 films, $232.5M (27%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Films released in week 22 (May 22–28) took $843.8M, led by X-Men: Apocalypse (2016). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, May 2014 earned the most: $2B from 8 films, led by X-Men: Days of Future Past (2014). May 2016 took $867.7M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| May 2007 4 films | 4 | $1.8B | – | Pirates of the Caribbean: At World's End (2007) $961.7M |
| May 2008 2 films · −76% | 2 | $419.7M | −76% | The Chronicles of Narnia: Prince Caspian (2008) $419.7M |
| May 2009 5 films · +112% | 5 | $890M | +112% | Night at the Museum: Battle of the Smithsonian (2009) $413.1M |
| May 2010 5 films · +24% | 5 | $1.1B | +24% | Shrek Forever After (2010) $752.6M |
| May 2011 8 films · +43% | 8 | $1.6B | +43% | Pirates of the Caribbean: On Stranger Tides (2011) $1B |
| May 2012 3 films · −84% | 3 | $249.5M | −84% | Dark Shadows (2012) $245.5M |
| May 2013 3 films · +496% | 3 | $1.5B | +496% | Iron Man 3 (2013) $1.2B |
| May 2014 8 films · +34% | 8 | $2B | +34% | X-Men: Days of Future Past (2014) $746M |
| May 2015 4 films · −30% | 4 | $1.4B | −30% | Avengers: Age of Ultron (2015) $1.4B |
| May 2016 6 films · −38% | 6 | $867.7M | −38% | X-Men: Apocalypse (2016) $543.9M |
The months of 2016 with their totals: November leads with $1.8B, led by Fantastic Beasts and Where to Find Them (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
X-Men: Apocalypse (2016) leads with $543.9M worldwide, $155.4M of it in the US & Canada. Next come Alice Through the Looking Glass (2016) at $299.8M and Phantom of the Theatre (2016) at $13.5M.
6 fantasy films released in May 2016 report a worldwide gross, $867.7M in all, or $144.6M per film on average. April 2016 releases took $1.2B.
None. 2 films crossed $100 million, led by X-Men: Apocalypse (2016) with $543.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in May 2016. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.